Month: October 2010

[vimeo]15928756[/vimeo] I was messaged this today on the site from Phil Holland – thanks Phil! He’s done a great job explaining and demonstrating his rig, with a general overview of why one is useful. I’m all for keeping this kind of equipment at a minimum for the job in hand. That’s why Phil’s video is good – because it’s a nice practical rig and not too bulky or complex, plus…

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It has been a long wait for the 5D Mark 3 and 1DS Mark IV, EOSHD.com explains why. As we know, things have been quiet on the Canon again grapevine since Photokina. Throughout the year Canon have not advanced their flagship DSLRs as we hoped they would, and Photokina 2010 marked the 3 year point in Canon’s product cycle for the 1DS. The camera did not show, so people began…

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[vimeo]12488149[/vimeo] 2 years ago British man Robert Harrison launched a balloon to the edge of space with a Canon Powershot compact camera attached in a box below. The camera was programmed with hacked firmware to take stills and video, and a GPS unit would record the box’s location when it fell to earth on a parachute.

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Above: Anamorphic frame of Apocalypse Now in 2.35:1 HD on Blu Ray Francis Ford Coppola’s Apocalypse Now is to be released on Blu Ray in the original anamorphic format with which it was shot. Shot with anamorphic lenses and transferred to 70mm for the theatrical release then came the heart breaking decision to severely crop the film for the standard 4:3 TV and video cassettes of the time, loosing 40%…

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[vimeo]15765280[/vimeo] This footage is recorded by Crews.TV from the AF100’s live HD-SDI output to 100Mbit AVC Intra. UPDATE – full HD version now available [url]http://www.vimeo.com/15826664 It appears Panasonic have done a superb job. This footage is only Vimeo 720p and the camera isn’t representative of the final build, but it’s totally free from the kind of flakiness we’ve been used to with DSLRs. This image shows no sign of aliasing.…

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And so it begins [vimeo]9450989[/vimeo] Karen Abad (Website | Blog) is a talented filmmaker who has worked with Vimeo and lately Zacuto. Karen works with a huge variety of formats including 35mm and 16mm film, as well as DSLRs. Here Karen shares her thoughts on the creative process, cameras and her filmmaking experience so far.

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