Posts Tagged ‘gh2’

panasonic g6

The Panasonic G6 has been announced and to be honest it is a bit of a surprise, culling very little in the way of features from the GH3 and quite possibly taking video to new levels on a mid-range camera. £549 body only / $750 and based around the GH2′s multi-aspect sensor (18MP total, 16MP effective), the sensor is larger than the one in the GH3 (1.86x crop vs 2x), the new camera updates the AVCHD codec (adding 1080/60p) and even focus peaking, something the GH3 doesn’t (yet) have!

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Panasonic GH3 workshop competition

UPDATE: THIS COMPETITION IS NOW CLOSED! Due to the high number of entries, Panasonic extended the competition to 4 places at the workshop from 2. So a huge thank you to everyone who entered and congratulations to the winners below…

  • Temujin Doran
  • Godfrey Kirby
  • Thomas Voce-Siriani
  • Michael Lorushe

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“They each have their own unique character. Which image do you prefer?”

Iscorama VS Iscomorphot 8 2x VS Iscomorphot 8 1.5x by QuickHitRecord.

This is a new weekly series on EOSHD.

The forum is really booming at the moment. A while ago on the site I decided to redirect the article comments system into the forum and that has seen a big increase in the number of people using it not just to comment, but to add their own content. Some of it deserves to be given wider attention so the best posts will from now on be promoted to the front page.

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UPDATE: The HDMI output on this camera is uncompressed 4:2:2, for a leap in image quality over the internal 24Mbit codec! Check the forum for my ProRes noise grain sample shots

The Nikon D5200 is the best mid-range Nikon yet for video. What is more of a surprise is the relish in which it takes on the much more expensive 5D Mark III, Panasonic GH3 and Nikon’s own flagship the D800 and D4.

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A guest post by director Roberto Miller.

Andrew asked me to write a brief article for EOSHD about the experience of making my feature film, Mandorla, now in post, with a pair of GH2s and LOMO anamorphic lenses. I’m happy to do so because, truth is, it’s Andrew and the EOSHD community that inspired me to go the GH2-anamorphic route, which achieved a cinematic look and vibe that I never thought possible for a low-budget indie feature.

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The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides