The gap between Nikon beginning the Df concept and putting it on sale was 4 years.
Are camera manufacturers moving too slowly?
The Blackmagic Pocket Cinema camera is a wake-up call to the bigger manufacturers and their afterthought video modes.
Raw video recording on the 5D Mark III has been met with an overwhelming reception from users and a fantastic reception from most pros. Some are more guarded as they think their camera will blow up. What are the facts?
Though most of the development at Magic Lantern has been focussed on the powerful 5D Mark III, the latest firmware builds have also been ported to the 600D. How does it perform for raw video?
Recently Magic Lantern had the breakthrough discovery of beautiful pin sharp 2K sensor feed in raw format on the 5D Mark II and 5D Mark III.
This completely turns our understanding of DSLR video image quality on its head. Why is the video quality so far from what the camera is really capable of?