Sign in to follow this  
Followers 0
jgharding

Zero Film Festival London Saturday 23rd - Indie film

1 post in this topic

The Zero FGilm festival celebrates low-budget and self funded film worldwide, with several international festivals.

I have films both opening and closing the shorts programme here tomorrow in Brick Lane, London, which is a great honor.

At 5pm my short film Ceramic (two films set to music, all shot using FS700 slow motion) is showing, then to close the night my short with Thom Haig, SoMe https://vimeo.com/21926626 will be playing.

http://www.zerofilmfest.com/london

It'll be a great chance to meet film makers, see some awesome work and drink mescal

Hopefully see some of you there!

I am always dressed like I am on this Twitter background if you want to say hi: http://www.twitter.com/jgharding

JG x

Share this post


Link to post
Share on other sites
EOSHD Pro Color for Sony cameras

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!


Register a new account

Sign in

Already have an account? Sign in here.


Sign In Now
Sign in to follow this  
Followers 0

  • Similar Content

    • By Teemu
      Here is a new musicvideo shot for a great artist Nightstop. Don't miss this sleazyness!
      You can listen the music if you haven't heard of it before:
      soundcloud.com/nightstop
    • By maxotics
      Hi guys, I've been developing a gadget to vlog with Sony cameras.  As you know the screen doesn't tilt 180-degrees.  I'm selling the functional prototypes here http://maxotics.com/vlogging-mirror-for-sony-cameras/  
      However, if it doesn't cost much for me to send it to you (that is; you're in the US) I'm happy send any EOSHD reader one for free if they have a real need for it and give some feedback.  (Of course, this will only last until my supply runs out  or it goes into some "production").  You can PM me here.
      Andrew, if you're reading this and want one, let me know your address and I'll send the latest build.
    • By Teemu
      Hello!
      I would like to share my work done with GH5 + FM Lens (Kowa inside) and russian taking lenses. Musicvideo is still under work but here is promo clip for upcoming video. Will post it here soon when it's complete.
       
    • By Riadnasla
      Hello! Tried to sell my F3 a while ago, but at the time wanted to get enough to buy a suitable replacement camera. This time, due to a change in work, I don't care about replacing my F3 with anything else just yet. 
      It is in mint condition with under 800hrs, comes with batteries, media, and bag/case. Imgur album here: http://imgur.com/a/smLRi
      I originally paid $3k for the F3, $1k for the Gemini, batteries for ~$300ea, plus all other accessories separately. In addition to the pics, I managed to pick up a loupe that fastens to the flip-out LCD on the F3. 
      If you or someone you know is looking for a good workhorse of a 1080 camera with uncompressed log capabilities, please fire me a message with what you think is a reasonable price. 
       
       
    • By Ehetyz
      So here's an odd one. It's a full feature film I directed, produced and shot back in 2012, shot completely on the trusty old Canon 550D. I released it recently online.
      The movie is a moody post-apocalypse tale about a man looking to redeem his past mistakes in a ruined world. It was heavily influenced by James Dickey's novel "To the white sea", in that both portray an existential struggle of a man who's teetering on the edge of humanity, trying to survive in a hostile environment. Visually I wanted the film to be reminiscent of Nicholas Winding Refn films, especially Valhalla Rising, and Tarkovsky's Stalker, especially when it came to tracking shots etc.
      We shot the movie in about one month in the summer of 2012. The crew was mostly myself alone with the actors, and the gear consisted of a 550D, a few lenses (EF50 1.8, Samyang 85 1.4 and a Vivitar 28 2.8), Manfrotto tripod and a Glidetrack slider. I quickly learned to use the sparse equipment inventively, and even turned the Glidetrack into an improvised jib. I shot most of the movie in natural light - only the opening scene and a few flashback scenes have actual lighting. The film is very rough by modern standards, but I think a lot of the camerawork still holds up.
      The movie played at some domestic and foreign festivals back in 2013 and had a run at a local movie theatre, but after that I buried it because I wasn't happy with it. Recently I did some re-edits to tighten up the pace and now released the new version online. It's still not an easy movie to stomach, it's very slow and ponderous, but I think at the very least it serves as a reminder of what can be achieved with very little gear or resources.