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MoonCannon

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    Austin,TX

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  1. MoonCannon

    Fuji X-H2S

    Just to follow up, in case anyone is reading. Turns out it was definitely more my settings (which I had jiggered oddly to work around the old firmware). Setting everything back to stock then selecting continuous, area, sensitivity at 0, and speed at -4 and I'm quite happy with the results for moving images. Nice update!
  2. MoonCannon

    Fuji X-H2S

    Maybe I'm doing something wrong, or my settings worked around the old firmware and need to change, but I find the 3.0 update to be a huge step backwards in the AF...
  3. I think the footage actually grades really nice. Although, this is, literally, my very first attempt at grading r3d footage. https://player.vimeo.com/video/446362143 <iframe src="https://player.vimeo.com/video/446362143" width="640" height="270" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe>
  4. Honestly, if it was the ursa mini 4.6k sensor (in terms of color and DR) but 4k and small enough to be a "pocket" I'd be over the moon
  5. John Bradley (who I believe would know) confirmed it as real! Very exciting!! What's everyone hoping for? I'd like 4k (seems safe given the billboard) Either m4/3 or s16 sized With cdng raw and prores options Maybe up to 30p at 4k and up to 60p or 120p at fullHD Maybe an anamorphic mode with desqueeze? Built-in ND filters would be amazing A little longer lasting battery would be nice For around $1k I'd buy that instantly
  6. Since a few people have asked, here are the pics (sorry they came out a little blurry): Includes the Kowa 8z in excellent condition. Kowa has both front and back caps. Plus a plush lens case. Plus a rafcamera lens clamp. It goes in the back on the Kowa and clamps it to the taking lens.
  7. Hello all, First, thanks to everyone in this forum I was able to shoot my most recent project anamorphic! However, am in need of some cash and thought I might spread the love around. Just seeing if anyone would be interested in buying my Kowa 8z. Excellent condition; works great. I've even got an extra clamp I can throw in too. I'm in Austin, Texas USA - would prefer a local transaction if possible. I paid $720 for it in December of 2016. What's a generous price? $600? Maybe $540 if it's local? Let me know if there is any interest and I'll get pictures up. Thanks!
  8. Okay thanks. This is all a little hard to keep straight. To handle a 50mm on APS-C and achieve a sharp close focus with the CoreDNA what anamorphic do you recommend? I prefer warm flares to blue. And what price should I expect for your recommended lenses? Kowa 16-H is one? What others? Sorry for so many, probably newbie, questions!
  9. Hey everyone. Just some background on my setup. I've got an URSA Mini 4.6k (so slightly larger than APS-C image circle). I'd like to get my first anamorphic. Preferably something that can sharply focus as close as 2 feet (or better) after adding a Rectilux CoreDNA to it. And handle a 50mm wide (or wider) taking lens. Is this a good / possible option? http://www.ebay.com/itm/262666642926
  10. Gave a shot at grading the NX-1 Log footage from a page ago. Let me know what you think! Full quality file is here: 00086400.tif
  11. Ah, actually the car mount is the only shot using something else. A GoPro Hero3, graded to match.
  12. Hahaha - well, I forgot those tags were on the vimeo page! Ya bunch of cheaters! Anyway, yeah, thanks for taking a look. Obviously wasn't going for color accuracy - it is a movie after all - so this is heavily graded. Not pissed at all - was interesting to see what people thought. The trailer is more of a teaser trailer type thing, mostly for mood and some images, not really for story. Full thing runs 35 minutes for the curious. Anyway, while I liked the BMPC4k somewhat, I struggled with field pattern noise a lot. Low light was pretty bad. That stuff at night by the blue truck was blasted with a 1k and a couple 650s. Plus noise reduction. I think it all came out looking pretty good but I'm not really feeling shooting my next project on the bm4k. Any suggestions for a camera? I really only need it for narrative work. Films, music videos, etc. 5d3 with ML raw is interesting to me, but I worry about battery life and media storage. And to fix those things would make the whole rig awful big and I'd love to be able to be on something like a Ronin M often.
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