A monstrous Fuji X-T4 is coming, rumoured to shoot 6K/60p with anamorphic mode and IBIS – The “X-H2” we always dreamed of?

Fuji X-T4

Rumours have gained pace all over the place about the X-T4 and the discontinuation of the X-H2. I have to say this makes perfect sense if the X-T4 is going to be an X-H2 anyway in video terms. 10bit 6K/60p anyone?

Read moreA monstrous Fuji X-T4 is coming, rumoured to shoot 6K/60p with anamorphic mode and IBIS – The “X-H2” we always dreamed of?

EOSHD’s best and worst cameras of 2018

Here’s my top 5 cameras of 2018.

Of course we all know “there’s no such thing as a ‘bad’ camera” any more but there is such a thing as a dull, boring rip off. Then there’s the stuff that has a shelf life of a few months, that you just know is a stepping stone before the real deal arrives. In many ways 2018 was a good year to keep hold of what you have and wait for the dust to settle. An eventful one for technology, especially in the second half where we saw some glimpses of the future. In 2018 we had six truly great cameras for filmmakers and a few that didn’t make my top list like the M50 or RX100 VI but which are nevertheless still useful in one way or another.

Read moreEOSHD’s best and worst cameras of 2018

Fuji X-H1 is here – a Cinema 4K 200Mbit hybrid camera with IBIS to rival GH5

Fuji is stepping into the high-end video mirrorless market with the X-H1. The official press release and specs have been leaked (in German). With this camera comes a massively upgraded 4K codec, 5 axis IBIS and a total of 20 “functional and performance enhancements”.

Read moreFuji X-H1 is here – a Cinema 4K 200Mbit hybrid camera with IBIS to rival GH5