Mac AVCHD gamma issues – the fix

FS100 with SLRmagic Hyperprime

As I recently found with my FS100 Macs really seem to hurt your AVCHD footage from Sony cameras and the Panasonic GH2… But especially the Sony FS100.

It is no wonder these cameras often get a bad reputation for limited dynamic range, crushed shadows and blown highlights – when you are only seeing the middle part of the full 8bit range of luma.

This Rec.709 portion of a 601 space (16-235 instead of the full 0-255 the FS100 shoots in) is incorrectly remapped to 0-255 by Quicktime. Therefore apps that use Quicktime at their core like Premiere, trip up. This makes a huge difference to the image. When fixed, you recover over 10% of your dynamic range, highlight and shadow detail, along with a much smoother roll off to whites and blacks.

Read moreMac AVCHD gamma issues – the fix

Premiere Pro sales up 45% due to FCPX exodus

Adobe Premiere Pro

Above: the old Premiere logo. Adobe’s prancing horse to Apple’s donkey.

Final Cut Pro X has been sitting on my machine alongside Premiere Pro CS5.5 and Final Cut Pro 7 since its release a few months ago, and after the initial week of getting to know it I haven’t used it once.

It’s a dead duck.

Read morePremiere Pro sales up 45% due to FCPX exodus

Pagan Wedding on the GH2 / How I fell out of love with Warp Stabiliser

My friends Sally and Ben got married Pagan style last week in Derbyshire, England. This was originally going to be my Warp Stabiliser project, all shot handheld (via the GH2’s built in EVF) with one lens (Voigtlander 25mm F0.95).

Read morePagan Wedding on the GH2 / How I fell out of love with Warp Stabiliser