This test was conducted jointly with my good friend and neighbour Rudi at Slashcam – you can read his take on it in German / in English. In the battle of the 1080p cameras, the game has changed. Here’s how the 5D Mark III in raw recording mode compares to the best 1080p output from the Canon C300 and 1D C.
Browsing: 1d c
[vimeo]http://vimeo.com/64879501[/vimeo] Iscorama anamorphic on the 1D C and my test footage at Vimeo I shot with the Canon 1D C and Canon C100 Cinema EOS cameras recently with SlashCam in Berlin. The 1D C is the most Jekyll and Hyde camera I’ve ever used and a difficult camera to review. The 1D C is a marriage of beautiful 4K images and an unwilling partner who hasn’t shifted an inch to accommodate it.
For the second NAB in succession Blackmagic are bulldozing down the image quality / price barrier for film production. 4K compressed raw, global shutter and Super 35mm was the unique preserve of Sony with the F55 until today, and that was a $36,000 camera. This is a $4000 one. Gone is that extra margin – unsettling stuff for the big guys. Here’s my own personal look at the cameras and the…
[vimeo]http://vimeo.com/62917185[/vimeo] Check out the GH3 MoVI footage and donate to charity – $3 at Vimeo On Demand There’s more – particularly on how the wireless video monitoring and camera operators work with the MoVI – by Timur Civan here If you’ve ever wanted to pull off just about any camera move with a tiny handheld rig, that just became reality. Potentially replacing the traditional steadicam at a stroke the tiny…
[vimeo]http://vimeo.com/63285458[/vimeo] The Canon 1D C has taken to the skies for the first time thanks to Perspective Aerials founder Anthony Jacobs, who has just stepped up their drone to fly heavier cameras. The new rig has a custom built RC follow focus by Anthony Lenzo of Air Sea Land (ASL).
The Panasonic GH3 was a big update over the legendary GH2 and I am putting the final touches to my review (and a lot of other future material). I’ve been shooting a lot with it alongside by cinema cameras, the FS100 and Blackmagic Cinema camera. Where are the Panasonic pro cameras? Well the GH3 is $1300 and that leaves quite a large space above it for a high spec ‘DSLR-type’…
Canon entered the indie filmmaking market in 2009 with the 5D Mark II whether they intended to or not. The live view stills mode enabled a rudimentary video feature. This provided the basis for a whole new business, that ignores completely the indie filmmaker.
A few months ago I reported back what Canon had told me officially at Photokina – that the 1D C had some very minor hardware changes over the 1D X (like a headphone socket) but that the camera was fundementally the same camera with a firmware update to enable 4K recording. The Canon product manager was technically knowledge and utterly adamant this was the case, there wasn’t a hint of doubt…