Close Menu
    EOSHD Shooter’s Guides
    • New EOSHD Pro Color 5 is out now, for all Sony mirrorless cameras including the A7S III!
    • EOSHD C-LOG and Film Simulation Picture Profiles for Canon
    X (Twitter) Instagram YouTube
    X (Twitter) Instagram YouTube
    EOSHD.com – Filmmaking Gear and Camera Reviews
    STORE
    • Forum
    • YouTube
    • Instagram
    • 𝕏
    • PRO COLOR 5
    • EOSHD C-LOG
    • Store
      • The EOSHD 5D Mark III 3.5K RAW Shooter’s Guide
      • The EOSHD 50D Raw Shooter’s Guide
      • The EOSHD Anamorphic Shooter’s Guide 2nd Edition
      • The EOSHD Sony A7 Series Shooter’s Guide to Full Frame Lenses
      • The EOSHD Panasonic GH4 Shooter’s Guide
      • The EOSHD Panasonic GH3 Shooter’s Guide
      • The EOSHD Panasonic GH2 Shooter’s Guide
      • The EOSHD Sony A7R II Setup Guide
      • The EOSHD Samsung NX1 Setup Guide
    • Cart
    • Contact
    • More
      • EOSHD Reviews
      • EOSHD Cinematography
      • About EOSHD / Andrew Reid
      • Blog RSS Feed
      • Facebook
    EOSHD.com – Filmmaking Gear and Camera Reviews
    You are at:Home » Panasonic hiatus worries, as flagship cameras remain nowhere to be seen in 2024

    Panasonic hiatus worries, as flagship cameras remain nowhere to be seen in 2024

    Andrew Reid (EOSHD)By Andrew Reid (EOSHD)October 8, 2024 News 3 Mins Read

    I love Panasonic and the innovation they have brought to the market ever since the start of their Leica partnership in the early 2000s. They are pioneers and the result is that boring Canon are on 35% share of the market Panasonic started, and Panasonic is on a pathetic 2.5%. This clearly isn’t long term viable and I am starting to wonder if Panasonic have soft quit the market.

    Today was a very strange launch, and the last chance in 2024 to get new gear out for the busy November/December period.

    Today there was no S1 Mark II. Instead, the very old Lumix S5 OG got re-released with DJI drone compatibility, in Europe only! Who asked for this?

    Rather than an exciting new S1H Mark II – we got an S9 kit lens launch. This is to be a full frame 18-40mm zoom, very compact (which I applaud since mirrorless lenses are getting far too heavy) but the trade off is that it is uselessly slow – F4.5-6.3. Again, and like with the strange pancake at launch – I don’t know who Panasonic thinks is begging them to shoot at 40mm F6.3. Who is it for?

    The S1R Mark II meanwhile (SL3 with a Lumix badge), remains missing in action since 6 years now. This is not a normal time frame for a camera.

    This is a normal time frame for a cancelled product. When Sony released the RX1R Mark II full frame compact, it was crystal clear come 4 or 5 years after that another one wasn’t forthcoming.

    I don’t mean to stick the boot into Panasonic if they are indeed struggling, or on hiatus, or simply choosing to focus on the higher sales volume of mid-range cameras, but then – I will say that they should be honest with us and tell us as such.

    In Panasonic’s current situation, only a soft quit makes sense.

    Maybe they can continue the L-mount alliance with Leica and earn a share of a larger profit margin. Focusing their high-end R&D on providing for the Germans. They are well underway on this front and the Leica SL3 is the result, along with the Q3 and forthcoming SL3-S.

    Then they can leave Sigma to focus on high-performance chonky glass, and whatever the Fp series does next.

    Panasonic can sit back, draw Micro Four Thirds to a final conclusion with the GH7, and sell off remaining Lumix inventory of old full frame sensors and lenses by churning out a few S9 bodies and the S5 Mark II or whatever the S5D is supposed to be.

    It is notable that none of those have a new sensor, they all reuse the very old but still capable S1 sensor, which is itself similar to the 2018 sensor in the Sony a7 Mark III!

    It’s clear to me that there seems to have been a STOP on significant investment into any loss-making endeavours at the Lumix company. The question is WHY, and shouldn’t we be told?

    The bad thing for us who remain invested in Lumix, is that they have hid it and not been honest. At least in my opinion, because I can see no other explanation for what we’re witnessing.

    panasonic s1h s1h ii s5 mark ii s5d
    Andrew Reid (EOSHD)
    • Website

    British filmmaker and editor of EOSHD. On this blog I share my creative and technical knowledge as I shoot.

    Related Posts

    What to expect from Nikon’s first RED mirrorless camera, the Nikon Zr

    Read More

    The Panasonic S1 II pricing is wrong – so is the entire product strategy

    Read More

    Full Panasonic S1 II and S1 IIe specs leak (as usual)… all 18 pages of it

    Read More

    EOSHD Pro Color 5 for All Sony cameras

    EOSHD C-LOG and Film Profiles for All Canon DSLRs

    EOSHD Z-LOG for Nikon cameras

    Articles by category
    • Anamorphic
    • Featured
    • Filmmaking
    • Interview
    • Lens
    • News
    • Opinion
    • RAW Video
    • Reviews
    • Rumors
    • Satire/Opinion
    • Shooter's Guides / LUTs / Colour Profiles
    • YouTube
    Blog post archives
    • Instagram
    • Twitter
    • YouTube
    © 2025 Andrew Reid / EOSHD

    Type above and press Enter to search. Press Esc to cancel.