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    • By mistvan
      Hi everyone.

      I just found 3 lenses in the attic. I attache a picture of them. For 1. and 2. i have some ideas, but i have no idea what 3. could be.

      im using Canon EF, so my questions would be:

      Can someone guide me / give me a hint / link about:

      1. what are this guys (ok, i have idea about 1. and 2., but 3 - no idea.
      2. what type of mount do they use?
      3. what adaptor should i look for to mount them on Canon EF?

      thanks for your kind answers :)[attachment=38764]l.jpg[/attachment]

    • By petertom
      ZEISS TODD-AO Zoom 50-150mm T3.2 Anamorphic x1.25 Large Format Vista Red Monstro On Ebay
      Price: S $3,000.00
      https://www.ebay.com/itm/ZEISS-TODD-AO-Zoom-50-150mm-T3-2-Anamorphic-x1-25-Large-Format-Vista-Red-Monstro/153990922811?

    • By Alex T
      Amazing cage with built-in follow focus wheel perfect for the a7s, Canon and Nikon cameras. It's in used condition but works great. Redrock are a quality company with excellent customer service. I've found this cage to be exceptional as a one-man-band. 

      "The Scout is first of its kind ultra-portable camera multi-tool. It’s a universal cage and rig in one featuring a built-in microRemote Fingerwheel System that’s wireless-ready. The Scout has a rail system when you need it, or remove rails for a super low profile setup. Load-and-go, run-and-gun, point-and-shoot right out of the box. ultraCage Scout is the ultimate self-contained rig for handheld mirrorless camera and DSLR video" 

      RRP: $2,199.00
       
      Selling for £1099






    • By Zach Goodwin2
      How To Film In Natural Light
       
      Not enough light:
      Move the subject closer to the light source, bring the camera closer to the subject, angle the camera to create a silhouette, use a lower f/stop. Try to focus on how the subject is lighted not the background.
      Possibility:
      Use a slower shutter speed if there is less movement going on. If you can decrease the frames per second, and maybe try using a time-lapse. Better yet, for wide-shots use a wide angle lens with a low f/stop.
      Controversial Hint:
      Despite the criticism on this subject, do not focus on noise/grain. Try to use On-Camera lighting well.
      Too much light:
      Move the subject farther away from the light source, bring the camera farther from the subject, angle the camera to create a clean background, use a higher f/stop.
      Possibility:
      Use a faster shutter speed if there is less movement going on. If you can increase the frames per second, and maybe even try using slow motion shots where there are lots of fast movement. Better yet, for close-ups use a telephoto lens with a high f/stop.
      Controversial Hint:
      Despite the criticism on this subject, do not focus too much on highlight loss.
      Thoughts on All of This:
      Do not try to add any reflectors, add more lights, get people to help you out unless you have figured out how to light the scene naturally. It can be expensive.
    • By middster
      HI there, shot the above promo for a documentary we are making. 99.9% done on the JVC LS300. Settings on JVC were J LOG, UHD, Samyang lenses and Atomos Shogun.
      Editing on Adobe Premiere
      If you exclude the flimsy build quality we think it does produce a great image for the money.
      cheers 
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