Hey all! I want to share this trailer for Sennheiser's Pro Talk Season 2 I shot using a Sony FS7, A7iii and A7sii.
Two weeks before the shoot I decided I wasn't happy with my current slog3 workflow and wanted to change it up. I found Pro Color V3 (at the time, V4 was not out yet) and gave it a shot. I loaded it up on the A7sii and A7iii, barely made a few tweaks to both to match them up, give me a great result and bam. I was sold. I then created a preset in FCPX (yea I edit on FCPX for now) that took my FS7 slog3 footage and popped it into Pro Color V3 matching the other two cameras perfectly. So my new flow is like this, Pro Color on the A7 series cameras and the FS7 shoots slog3, I then match the FS7 to the A7 series cameras in post and work from there. The reason why I needed Pro Color in my life was because I had these beautiful little A7 series cameras but couldn't use them to their full (small) potential shooting slog3. I didn't want to have to tote around an external monitor, etc. There's a lot more to say but I'll leave it at that. Way more to come. Enjoy.
Hey all, jumping right in here on the forums to share my work shot using Pro Color!
I've come from the Canon world but now love my Sonys. Pro Color was a God-sent and I am fully embracing it!
More to come but in the meantime please see this short video of a buddy of mine fishing shot handheld on the new Sony A7iii using a Nikkor 35mm f1.4 ai-s and 105mm f2.5 ai-s. V3 Pro Color was installed on the camera as at the time of filming V4 was not yet out. I applied a Lut of mine, Tenkara, you can grab from my website.
Thanks Andrew for making these killer profiles!
I have 1 canon c100 mark I . the first version not the Mark II. I need an easy go to solution besides a clapper board to sync up the audio and video. I am aware of the Free Run setting and
the time code setting to get both the cameras to have the same time while shooting but it is still also of prep and setting to get that to work. There has to be an easier way to lock in the
audio and video from 2 CV's . if it is a cinema line EOS camera there should be a simple way of doing it with a 100% fail proof method to make sure the 24,29 or 23 Fps MXF,AVI and so forth can sync
I would like to know if there is a trick to this without having to spend money on an ATOMAS NINJA or pro res external recorder and even that I don't think can do what I need. I am aware
of plural eyes plugin for various video editing software but i would like to have it all synced up so no work is needed in post in order to keep 2 camera multi shoot interview in audio video sync all
the way to the very end . Also is there a very precise method more so than a clapper board to sync up the audio and video in a multi camera shoot with the CANON C100 mark I? because even with a clapper board
you have to pay close attention to the video clips in post cause they can get out of sync by seconds i am hearing. Please someone does anybody have a solution? I realize a canon
c300 or above will allow me an easy precise automated audio video sync however I am wondering only about having another Canon C100 along the 1 Single Canon C100 Mark, I currently own
Any advice would be somewhat of a relief.
By Matthew Hartman
I've been enjoying this community immensely so I thought I would give back to the community and offer my two Rokinons and a very good bargain that would be very difficult to find elsewhere. I'll be moving into a different system soon, otherwise I would be keeping these awesome lens'.
**IN EXCELLENT CONDITION**
Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens for Samsung NX Mount
Nano Crystal Coating System (NCS) for increased light transmission and reduced internal reflections Fast F2.0 maximum Aperture + close-focusing to 9.5 inches = maximum versatility in all shooting conditions Optimized for excellent optical quality and true ultra-wide 110 degree edge to edge coverage with APS-C sensor digital cameras Utilizes 3 high precision (2 Aspherical + 1 ED) lens elements for superior image quality Inner focusing system (IF) - length doesn't change and front element does not rotate - keeps integrated petal-type lens hood properly oriented End cap and lens cover $200.00 USD ($20 shipping estimate to U.S. only)
Rokinon 135mm F2.0 ED UMC Telephoto Lens for Samsung NX Mount
Rokinon Ultra Multi-Coated (UMC) Optics Minimum Focusing Distance of 2.6 ft. with fast apertures of f2.0 - f22 Features 9 diaphragm blades Removable lens hood End cap and lens cover $400.00 USD ($20 shipping estimate to U.S. only)
As a set = $550.00 USD ($40 shipping estimate to U.S. only)
ACTUAL PHOTOS BELOW: