check out this little musicvideo i shot on the Sony A7iii with standard optics. I used a tiffen black promist 1/8. Also used it in the sunlight shots which did not make too much sense. Some of the shots were recorded to an atomos recorder. Graded in Premiere. Sadly i did not own a Gimbal at that time...
check out this little video i shot using a Sony a73 and a Zhiyune Crane. First Production with a sony cam as well as a first for a zhiyune shot. A lot to improve on both.
Nevertheless some shots came out like i wanted them to and this is one of the few videos in which i got good weather as it is usually raining in Hamburg.
Hey all! I want to share this trailer for Sennheiser's Pro Talk Season 2 I shot using a Sony FS7, A7iii and A7sii.
Two weeks before the shoot I decided I wasn't happy with my current slog3 workflow and wanted to change it up. I found Pro Color V3 (at the time, V4 was not out yet) and gave it a shot. I loaded it up on the A7sii and A7iii, barely made a few tweaks to both to match them up, give me a great result and bam. I was sold. I then created a preset in FCPX (yea I edit on FCPX for now) that took my FS7 slog3 footage and popped it into Pro Color V3 matching the other two cameras perfectly. So my new flow is like this, Pro Color on the A7 series cameras and the FS7 shoots slog3, I then match the FS7 to the A7 series cameras in post and work from there. The reason why I needed Pro Color in my life was because I had these beautiful little A7 series cameras but couldn't use them to their full (small) potential shooting slog3. I didn't want to have to tote around an external monitor, etc. There's a lot more to say but I'll leave it at that. Way more to come. Enjoy.