- PRICE: $599
- STRETCH: 2X
- FOCUS: Double-focus
- PAYMENT METHOD: Paypal (fees to be paid after initial payment)
- LOCATION: Switzerland
- SHIPPING: Not included
- INCLUDED: Redstan rear adapter with foot support and Redstan front clamp (value = $100).
- CONDITION: No scratches and no fungus. Clean glass with the exception of a couple tiny spots on the rear glass. A couple of VERY light scratches that are only noticeable under a light source. Body shows some signs of wear but it works perfectly. Coatings are not flamboyant but the lens creates these signature purple/orange flares perfectly well. I wasn't able to get 1000% tack sharp images, so the lens might need to be serviced. It gives reasonably sharp results though, and my issue might actually come from my taking lens. Bought it from a fellow member of the Anamorphic Shooters group on FB and barely used it because of a decrease in filmmaking activity.
- COMMENTS: I can send some footage via wetransfer. Open to offers.
I'm selling a brand new Wooden Camera cage for the BMMCC plus the Wooden Camera PL Mount kit for it.
Asking price is 300€ for everything ! ! ! !
I'm in Italy and I can ship to Europe for fair prices and even WW if needed (postal or UPS).
BTW I also have a SpeedBooster for the Pocket and the Micro, Canon EF lens version for sale in another thread.
Well, it’s been 8 months since I completed this and almost a year since I promised @mercer to post it once completed
I don’t really know what to say about this, it’s my first short and I wanted to try this medium after trying music, photography, drawing/painting and all sorts of writing in order to figure out myself and my depression.
It took me months to complete due to my mental state and lack of energy and I intended to post this sooner, but life can be a little too much sometimes. Or very often in my case.
Even though it was the hardest creative thing I’ve done in my life, (despite having a background or experience in most of the separate artforms that make up a film) I was really lost in the entire process and I developed love/hate relationship to it. I wanted to quit all the time when I wrote it, when prepping, when shooting and during the long, motivational drainage that is editing.
But I guess that’s also where the love was born. No matter all the mistakes I made, I could somehow save it and make a decent first short thanks to the editing by re-arranging the pieces I had. Throw away most of it, stretching what was left of it, slowing or speeding up some of it, playing some of it in reverse. Dubbing in new sound (needed, cause most of it was unusable. Note to self: Don’t forget sound!
I’ve tried to make another short since, but haven’t completed the shoot. I don’t know if I’ll finish that one, it’s just a silly comedy I made with my then girlfriend, now fiancée on my phone (This one was shot on the DVX200 before anyone asks, cameras are important on this forum apperantly, hehe) because she wanted me to make something less depressing, but I guess I’m just a gloomy guy, all my new ideas are based on my different malfunctions.
Hopefully I’ll work up enough energy to make another, I really want to.
Anyway, enough talking. I hope you’ll give this a go and give me some pointers, but go easy on me, okay?
Now, pick you poison:
Hey all, I'm looking to shoot a narrative short film with controlled lighting early next year and am thinking about shooting it on my original BMPCC...
I know, I know. No 4K, terrible low-light, and horrible battery life. But if 1080p was fine, controlled lighting throughout, and an external battery solution, is it better for me to use the original and cancel my 4K pre-order? I could use the money saved to pay for an additional cine prime/actually pay actors a decent wage...
What would be the advantages in this case of using the 4K over the original?