Search the Community
Showing results for tags 'purchase'.
Good Day! I'm new to the site and new to video work, but I've been lurking around the forums and Review Articles for a while now, trying to figure out what camera I should pick. While totally new to serious videography, I've been doing photography and very light video on the side for about 6 years, so I wouldn't say I'm blind to the more enthusiast thresholds of acceptable quality. With that in mind, I've narrowed it down to two models. Well... one. Two. Maybe just one. Possibly two. GX7. Or GH3. Currently I'm heavily leaning towards the GX7 as: - I assume focus peaking for someone that isn't trained in the art of manual focusing would be nothing short of magical(?). - I will not be needing high quality external audio (for the foreseeable future) (I'll probably mostly be doing artsy montages with music on top,heh...). But I've seen the GH3 recommended over the GX7 for video quite a few times because of: - Bitrate - Codec I have read Mr. Reid's (predominantly positive) thoughts on the GX7 and that strongly weighed into me currently leaning towards it. My question is: Has anyone who has tried both the GX7 and a more codec-competent (higher bitrate) solution ever been strongly frustrated with the former at any point? Like going "THAT WAS THE PERFECT SHOT! GOD HIMSELF PARTED THE SKIES AND UNLEASHED THE MOST HEAVENLY RAYS OF LIGHT THAT DUCK HAS EVER SEEN. YOU HAD - ONE JOB! " when you came home to realize that the water ripples in your perfect shot created the occasional blocky codec artifact? I guess my question can mostly be boiled down to "Bitrate Vs. Focus Peaking". I hope it isn't overly redundant. Any advice and personal input would be really really appreciated. Like... ...this much > [ ]
I'm looking for the 16mm version of the Bolex Moller anamorphot adapter in very good to excellent condition if anyone is interested in selling. Please let me know. Thank you.
I am looking to buy an anamorphic lens. A few caveats, I have done some research however if anyone is selling feel free to reply here or send me a private message. This is also a sort of feel out post as well see what everyone recommends. I havent used one myself however I have done research including getting the guide so I know what Im dealing with. No projection lenses. Large and bulky, I dont need anything like that. My arm was damaged a few years back. MRSA took 60% of my deltoid. Need it small hopefully well smaller than a projection lens at least. Not too picky on the squeeze ratio. Anamorphic is anamorphic, I mean the closer to 2:39:1 the better. Lens flares are important. Want nice wide ones high quality would be fantastic. Rack focus, definitely a must. Less adjustment on the lens itself the better. Have hard enough time freehanding while manual focusing one lens much less two XD. Also in reference to the camera I have a Canon EOS 5d Mark III and a Mark II of the lenses I have 35 1.4L, 50mm 1.2L and a 70-200 2.8L IS II USM I gather I may need an 85mm lens to take advantage of rack focus and an anamorphic lens with the full frame cameras. No problems there just feeling it out seeing whats available. If i can find the right lens that meets the specifications I need for a competetive price well im looking to buy thats for sure. In any case let me know. I think I got most of my information correct. I would prefer under $4000. A comfortable range for me is $1000-2000 $3000 if its a top quality lens id say.