
FHDcrew
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Everything posted by FHDcrew
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Good point...we should start talking more about the cameras we already own and about making the most with them.
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Hard time choosing hybrid for photo/video... X-T4, S5 or Z6?
FHDcrew replied to dreamplayhouse's topic in Cameras
Reviving this old thread. @dreamplayhousehow have you been liking your Nikon Z6? Did you end up getting a Ninja 2 or Star for it? -
Nice! For the fourth shot up from the bottom, did you use negative fill? Any sort of scrim for diffusion, or did you shoot at golden hour? Looks great, as does everything else!
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Agreed. His instagram posts are just rap music with him holding his FX3/24-70 G-Master in his hands š
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Very awesome kit! The GH2's are so killer for the price! GH1's as well, you can get them for under $100 if you look hard enough! Such a nice 1080p image from those older Lumix MFT cams, back when I used a Panasonic G7 as my main camera I always liked the mojo I got from the 1080p image, despite it being pixel binned and a low bitrate it had surprisingly good detail and held up well all things considered. Would often use it instead of 4k to save filespace, and I always was happy with the results!
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A news package I shot recently with the Z6 and 45mm 1.8, with the ninja star. Some BROLL is from my friendās canon 7d.
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I miss your posts and would rather read them over constant S5II Z9 talk.
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Thanks! Iāve been working hard to improve.
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I am using a Nikon Z6 with either an Atomos Ninja V or an Atomos Ninja Star. Mostly shooting oversampled 1080p out of the HDMI port. By setting the rec setting to 4k and HDMI out to 1080p. I use the ninja v when I am doing interviews or lighting stuff so I can take advantage of LUT monitoring and waveforms, etc. For run-and-fun BROLL though I usually use the Ninja Star. Keeps the setup light and small. As for lenses, to be honest I currently only have a Tamron 45mm 1.8 F-mount lens using the Nikon FTZ adapter. Looking to explains, however, and am strongly considering the Viltrox 24mm 1.8Z. Or maybe I will go with an f-mount Nikon 16-35 f4 as a nice affordable autofocus-capable ultra wide.
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Outstanding work man! Love it!
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Letās share our work guys! Iāll start. Here is an interview I shot and lit the other day, featuring a congresswoman from Indians! One camera was a Nikon z6 recording into an Atomos ninja v. With a Tamron 45mm 1.8. The other was actually the ancient, cheap Canon 7D fitted with a Canon 85mm 1.2 shot at f/2.5!
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Sony lack of firmware updates is getting completely ridiculous!
FHDcrew replied to Amazeballs's topic in Cameras
Agreed. Strange argument, I partially agree with mark but at the same time it obviously is video first. -
Absolutely the 2nd option.
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Agreed.
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Some more footage I shot with the Z6 in oversampled 1080p
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Also the 5D III does what many of us have wanted from modern cameras but havenāt gotten because of dumb politics⦠Uncompressed RAW sensor data dumped to the card. Nothing fancy. No compression, just taking the data and dumping it. Think of how many cameras have been released in the past 5 years with fast CFExpress interfaces. Could easily write RAW video to the card. This is so simple, even the 5d Mark II and the ancient Canon 50D do this. In 14 bit too. Not even hard. Instead they make us send the feed via HDMI to an external recorder when we are using modern cameras.
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@PannySVHSi wanna see your shoot with the F3 š
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(Enlarge the frame to see proper colors. The regular preview desaturated the image haha I hate online color inconsistencies)
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It certainly goes a long way! If you use golden hour right for example you can get beautiful lighting without needing ANY lighting gear! This frame I shot is from a 4 1/2 year old FF camera! Lighting and grading are what set things apart visually. Iām serious cameras are close enough in terms of IQ that it doesnāt matter.
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I'm gonna be honest man, I would really quit worrying about cameras and focus on your craft. For the longest time you keep posting about camera recommendations and advice. This is great for sure, but I'm sure you have a wonderful camera already. They're all great. They all have great DR. They all have great color. They all have more than enough low light. They all have more than enough shallow DOF with the right lens. So go out, film and learn lighting, even just natural lighting. Focus on things like that instead of the pursuit of cameras all of the time.
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This is true. If you have the control anything made in the last 10 years can look great, especially if you only have online delivery. Throw away that control over lighting and all of the sudden things like dynamic range and highlight rolloff become immensely important