FHDcrew

Took your advice and decided to hang on to my Z6 for a while longer. I bought a Nikon 17-35 2.8 for $350. It's the older screw-type but it does have an AF motor and saw an autofocus test with the Nikon Z7, performance was solid.

Well dang. I just ordered a 17-35 2.8 F-mount lens...but maybe I should cancel and go with this and a cheap samyang ultrawide...this adapter is very affordable.

I’ll have to give it a try! So you CST into DWG, then CST back to 709 and grade in the middle? Do you CST back to Rec709 or Gamma 2.4?

Apparently the ghost of DPREVIEW is lurking...

Yep except I have barley invested in glass. I literally just own a 45mm F-mount prime. It’s moreso the question of do I invest in more F-mount glass or no cause maybe I will switch systems…

Shot on Nikon Z6, Tamron 45mm 1.8, 8-bit neutral PP with contrast reduced in-camera. Graded in Resolve. BTS posted below.

100% agree with you here. And it’s like my mind has been split. A good chunk has consistently been in the mindset of stop worrying about gear. Just keep progressing and learning as you go. And I see the results; what I make now in all aspects is better than what I made 2 years ago. When I was shooting with the exact same gear. I really see the impact learning various skills such as lighting and color grading have really amped up my visuals. But yes I still struggle with the very tendency I know is awful and tell people never to get into. The tendency to obsess over gear, having those “if only” moments. I spoke to a friend who shoots on a Nikon D850. Told him about how I wanted to upgrade from my Z6. He asked why, I said because I don’t like how long it takes to use the Atomos Ninja V / Ninja Star each time I setup.He asked how long it takes to setup, I said maybe a minute at the longest His reply: “Isn’t it funny how just 60 seconds can seem so long?” Anyways, thanks for the therapy session @kye. I need to not worry about upgrading my camera because I genuinely don’t need to do so.

Understood. I think I need to stop nitpicking over my external recorders TBH 😂

I get quite bored talking about cameras, as the current lot of mirrorless cameras are all phenominal, with great dynamic range, autofocus, color, etc. Pretty much every major problem we have complained about in the past has been solved. For me personally I find it more beneficial to focus on technique, improving on lighting, color grading, storytelling, etc. I also find other gear investments to benefit me more, such as lens upgrades or grip gear. As many of you know, I have been using the Nikon Z6 as my primary camera, and this has been the case since the end of 2020 when I bought it. At the time of purchase, I already owned a Ninja V, so buying a used Z6 for under $1300 was a no-brainer. This gave me an affordable way to achieve 10-bit LOG while shooting with a full-frame sensor, all the while having perfectly usable phase-detect autofocus. For the most part I was and still am very happy with this camera although I did become annoyed at the size, form-factor and setup-time implications that come into play when using the Ninja V. To solve some of these issues, I bought an Atomos Ninja Star, and I figured out a way to output oversampled 10-bit 1080p to the Ninja Star, using NLOG of course. For my work, this 1080p image is all of the IQ I need. Detail is sufficient, DR is great, and grading flexibility is superb. I did grow slightly tired of using the Ninja Star even; it's great but sometimes I still want to just record internally to the memory card. The Ninja Star still involves setup time and adds a small bit of clunkiness to the setup. The Ninja Star also uses Micro HDMI so I don't always want to depend on it. I have recently been using the internal 8-bit 4k on my Nikon Z6, and have been experimenting with internal picture profiles and grading techniques. I am beginning to get results I am pleased with out of the internal image, and I feel it is going to be completely usable for my work going forward. Can I push it as much as 10-bit LOG? Of course not. Will it look as good in high-contrast scenes? No. But it can totally work, especially when I am in control of lighting, which is often the case. The plan is to shoot internally often, and when I need more, I have two great external recorders I can use. My dilema is not so much "I need a new camera because what I currently have is not working for me." Indeed, the Z6 does everything I need. When I want a small setup, the 8-bit is totally workable. If I need more, the Ninja Star can be used. For maximum IQ and solid monitoring options, my Ninja V has me covered. What my actual dilema is this: how long should I hang on to this camera, and should I continue to invest in the Nikon Z system? I plan to eventually move on from the Z6, as cameras have improved since then, and we have affordable large-sensored cameras that offer 10-bit LOG internally. The Panasonic S5 II, Sony FX30, Canon R8, R6 II, all are options i have thought of down the line. Where I am at right now: upgrading my camera is not the smartest investment right now. It is doable down the line, but right now I need to invest in more glass, and if I have the budget possibly some more grip gear to improve my lighting skills. I could easily purchase some affordable, used F-mount glass that will work with my Z6. This will be an easy route, as I already own the FTZ adapter. With that being said, it seems pointless to invest in F-mount glass if I will eventually switch systems. This is very long-winded, so let me get down to my question. Which of these two options would you say is the best route? Option 1 -- Keep my Nikon Z6 and grow my lens collection. My next Nikon body will then most likely be either the Z8, or if it ever releases, the Z6 III. This upgrade would not take place until at least a year from now. Option 2 -- Sell my FTZ adapter and adapt EF or E mount. I will take a small loss by selling my FTZ adapter and Tamron 45mm 1.8 lens, but this allows me to invest in glass that I can use with other systems down the line. Option 3 -- Sell my Z6 sooner, sell the FTZ adapter, and switch systems entirely, either to Sony, Canon or Panasonic, with the most likely candidates being either the Panasonic S5 II, a used R6 OG, or the Sony FX30.

This was shot in SLOG3 BTW. Almost makes me start to think a used A7III is a good deal in 2023...

Speaking of new Sony releases...how about old Sony bodies! Zach Mayfield looked at an older A7SII recently and found the color held up well in Davinci Resolve provided you don't underexpose. It seems like with how optimized and powerful Davinci Resolve is, you can honestly push 8 bit SLOG footage pretty far! I imagine a lot of people would be just fine working with 8-bit SLOG in a color-managed Davinici Resolve workflow!

Agreed I don't know why people don't talk about HDR PQ on these cameras. A lot like a LITE LOG profile, and you can even convert it to LOG in Davinci using ColorSpaceTransform to get a grading experience one is used to.

Looks like a new camera will be announced soon. Nikonrumors claims it’s the Z8…but I’ve heard that’s pretty expensive still. Nikon need To come out with an answer for the Sony a7iv, canon r6 ii, etc.

Appreciate the feedback man! And at this point I agree about the camera placement, not the first person to point that out 😏

Ungraded

Nikon Z6, Tamron 45mm 1.8, 8-bit 4k 24p, Neutral PP with iDynamic set to High

Nikon Z6, Tamron 45mm 1.8, Internal 8-bit Neutral PP with i-Dynamic set to High, 1080p internal (not 4k or oversampled FHD)

Shot on a Nikon Z6, Tamron 45m 1.8, NLOG 10 bit oversampled 1080P. BROLL primarily shot in Nikon FLAT.

Yes the lack of sharpening on the GH5II was a strange, random choice by Panasonic. Not that it was bad by any means, but it's strange how that model got it and yet we have the fancy S5 II without this ability. Must be a heck of an image though, an interesting run-and-gun alternative to the BMPCC4k, but still has some of the mojo because of the organic image quality primarily caused by the ability to fully disable internal sharpening. A simple feature all cameras should have, but few do.

This is true, they are a great value. And I’ve spoke various times about how great the Z6 image is when used with an external recorder. Get a cheap 1080p Prores recorder and get oversampled 10-bit log video. I’m pretty pleased with how the 8 bit internal held up in this piece, however, except at some times I noticed some break-up in the skin due to the 8 bit and the fact that I recorded it in a very flat profile. For the AROLL, I just had a friend hold up a simple 5-in-1 reflector to diffuse the sun.

This is all very valid and yes we needed more BROLL for that project. Thankfullly I’m very happy with the AROLL so if AROLL is good and you screw up a bit on BROLL It’s fine 😂

Nikon Z6, 8-bit internal 4k 24p, Nikon FLAT with iDynamic set to High

I can rattle off about my Z6 but the only problem is very few people if any use that camera on the forum besides myself. If anyone has questions about that camera though I'd be happy to answer, I've been using it very consistently for over 2 years as my main video workhorse.