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Sharathc47

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Everything posted by Sharathc47

  1. Haha! Checkout R5 posts by andrew reid. When you pair with atomos ninja v+ its good but it has a hdmi mini not the regular one.
  2. Red komodo comes with RF mount which is also not so versatile. you need adapters for both cameras. Sure it is. Other concerns i like to mention with sony cameras are... not so great color science, line skipping in 4k. But I would go with sony if photography is also a priority.
  3. https://displayhdr.org/certified-products/ These are HDR certified monitors by VESA.
  4. No N-log internal No 10bit internal No 6k raw (full sensor readout) Paid raw update that too line skipped 4k DISAPPOINTING I don't think they have taken any feedback from video users.
  5. We cannot expect more from nikon z6mkii as it is the same sensor of s1/s1h/s5. Maximum we can get 1.5x 60fps. We can expect atleast N-log and 10bit internal. 6k 30p Prores raw external. Full size HDMI!
  6. https://www.43rumors.com/ft5-leaked-lumix-bgh1-camcorder-specs/
  7. New features for Prores Raw in final cut 10.4.9 update! ISO, Color temperature can be changed in post. https://www.apple.com/newsroom/2020/08/final-cut-pro-x-updated-with-significant-workflow-improvements/
  8. https://wolfcrow.com/canon-eos-r5-overheating-tests-the-true-story/ R5 testing in different conditions by WOLFCROW(Sareesh sudhakaran). Checkout his videos and blogs. He has very good content. Just like G.undone he is too informative
  9. https://alikgriffin.com/canon-r5-overheating-with-cfexpress-card-are-the-cards-to-blame/
  10. 1. Can we see internal Raw capture from upcoming cameras? Especially BRAW 2. TOF- how far has it reached. Can we see them in future cameras. 3. Organic sensor technology.
  11. No 1080p recording in PRORES RAW! Why is that!? I think it applies for every camera which supports Prores raw via ninja v.
  12. 1. Better grip & Battery grip 2. Internal BRAW codec 3. Internal Nd 4. Tilting screen atleast 5. There should be no aliasing or moire
  13. Yeah, regarding Prores Raw licencing, I read somewhere about implementation of PRORES RAW internally in MAVO edge 8K camera, whether there were any issues regarding patents. Kinefinity replied that "Patents are restricted to US but not in other countries and we don't sell any products in US."
  14. BRAW is an open source codec! What does this mean? Can it be used in other cameras without paying any money to Blackmagic? If so why no one still paying any attention to it? Why Prores why not BRAW?
  15. Canon has allowed BRAW from C300mkii some time back Is there a possibility we could see it externally in 1dx mkiii? And Black magic is ready to provide BRAW internally and externally, why no camera company recognises them? Or it is because Atomos & Apple holding tight on camera companies!?
  16. In an interview with Cinema 5d IBC 2018 Blackmagic said we are interested to provide BRAW for other camera manufacturers too! That too for free! Link:- @ 4:30-6:00 min I would love to see BRAW in Fujifilm x series with/without monitor! But I want SDI output from Fujifilm x cameras! Recently they anounced 12g sdi RAW output with blackmagic video assist! Who knows blackmagic would become new atomos!?
  17. I was glad to hear about the 12g SDI raw output by blackmagic design! But I have some doubts can someone help me clear this!? 1. SDI and HDMI, data rates comparison and how much output it can give you in terms of bit depth (12bit, 14bit, 16bit.)? 2. Is it possible to provide SDI output directly from mirrorless cameras instead of any other additional modules? 3. It seems SDI is superior over HDMI cables in terms of a)robustness (locking mechanism) , b)distance of signal transmission and c)almost similar price of atomos HDMI cable! Why are SDI cables professional and HDMI cables consumer? why are camera manufacturers preferring HDMI cables???????
  18. I was glad to hear about the 12g SDI raw output by blackmagic design! But I have some doubts can someone help me clear this!? 1. SDI and HDMI, data rates comparison and how much output it can give you in terms of bit depth (12bit, 14bit, 16bit.)? 2. Is it possible to provide SDI output directly from mirrorless cameras instead of any other additional modules? 3. It seems SDI is superior over HDMI cables in terms of a)robustness (locking mechanism) , b)distance of signal transmission and c)almost similar price of atomos HDMI cable! Why are SDI cables professional and HDMI cables consumer? why are camera manufacturers preferring HDMI cables???????
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