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newfoundmass

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  1. Like
    newfoundmass got a reaction from Emanuel in Another one bites the dust   
    This is really unfortunate.
    DPReview seems to still be active. It's strange. They even posted a video (not by Chris & Jordan) on YouTube. 
  2. Like
    newfoundmass reacted to MrSMW in Another one bites the dust   
    I think that once any company is sold to ‘portfolio management companies’ whose main intent is to try and make money from it but don’t really give a fig about who the user is, it’s a pretty quick downhill slide into oblivion.
  3. Like
    newfoundmass got a reaction from Emanuel in Sony New Camera Launch - 29th March 2023   
    I think it's ridiculous that people need to even come up with their own solutions to a problem that shouldn't exist to begin with. That's just me though!
  4. Haha
    newfoundmass reacted to MrSMW in A6700?   
    So 4 then.
  5. Like
    newfoundmass got a reaction from Emanuel in Once in a lifetime shoot. What primes should I bring?   
    Yeah, it's probably a better idea to have two bodies with dedicated lenses instead of switching them. 
    I think 35mm is a very good choice because you can also switch into APS-C mode and turn it into a 50mm, effectively giving you two focal lengths with one lens.
  6. Like
    newfoundmass reacted to MrSMW in Panasonic S5 II (What does Panasonic have up their sleeve?)   
    I agree.
    My only comment re. OM-1 video is I did not like it as much as full frame Panasonic, otherwise it was and is very good.
    I don’t remember his name, but Chris Something is an OM Systems ambassador and shoots some amazing stuff on the system so it is 100% doable.
  7. Like
    newfoundmass got a reaction from John Matthews in Panasonic S5 II (What does Panasonic have up their sleeve?)   
    Honestly almost any camera released these days will have good video, especially for the kind of work you mentioned. In the grand scheme of things, when someone says they prefer the video quality of one camera over another the difference isn't THAT huge. Not trying to speak for @MrSMW, obviously, he might disagree, but just as a general rule any camera you get today will be more than enough when it comes to image. I mean a hacked GH2 or a GH3 both can give you lovely 1080p images and those cameras are well over 10 years old.
  8. Haha
    newfoundmass reacted to ac6000cw in Panasonic S5 II (What does Panasonic have up their sleeve?)   
    Yep!
    (...still enjoy reading about the 'better' cameras though - GAS addiction? 😉🙂)
  9. Like
    newfoundmass got a reaction from ac6000cw in Panasonic S5 II (What does Panasonic have up their sleeve?)   
    It's funny, because I see so many people who won't even consider cameras for one reason or another, when I could do virtually everything I do with my S5 bodies with a couple GH3 bodies and still be very pleased with the results. I'd obviously have to overcome the limitations when it came to autofocus and stabilization, but from a pure image stand point they'd still be more than enough. Upscaled to 4K for streaming it'd be nearly indistinguishable from real 4K (see: Nigel Barros going back to the GH3 for the millionth time.) I have the luxury of having "better" cameras but I don't NEED better cameras. Most of us don't.
  10. Like
    newfoundmass reacted to ac6000cw in Panasonic S5 II (What does Panasonic have up their sleeve?)   
    Yes, I very well know that - it's the main reason I use micro-4/3 cameras and long telephoto lenses for wildlife video and stills. Full-frame lenses of equivalent 'reach' are far to large and heavy for me to want to carry around, so I accept some picture quality compromises instead e.g. low-light performance.
    If you want to keep the lenses small, then use 'cropped' sensors e.g. APS-C or micro-4/3 (or maybe use 'APS-C' lenses on full-frame sensor cameras - I think Sony and Panasonic support that at least, maybe Canon and Nikon too).
    You just have to decide which set of compromises you can live with...
    I agree.
    Whenever I look back at video I shot in the past on VHS-C, DV and HDV tape, plus a variety of small-sensor cameras (like HX9V and FZ100), and compare it to 1080p let alone 4k from my Pana G9, I'm reminded how much video consumer/prosumer quality has dramatically improved over time...(as have camera stabilisation and the displays we view it on).
  11. Like
    newfoundmass got a reaction from SRV1981 in Panasonic S5 II (What does Panasonic have up their sleeve?)   
    Honestly almost any camera released these days will have good video, especially for the kind of work you mentioned. In the grand scheme of things, when someone says they prefer the video quality of one camera over another the difference isn't THAT huge. Not trying to speak for @MrSMW, obviously, he might disagree, but just as a general rule any camera you get today will be more than enough when it comes to image. I mean a hacked GH2 or a GH3 both can give you lovely 1080p images and those cameras are well over 10 years old.
  12. Downvote
    newfoundmass reacted to Kubrickian in Fx30   
    He loves watching smooth 60 fps playback, and studies have shown that this also smooths your brain. There's no folds left in his brain 
  13. Like
    newfoundmass reacted to markr041 in Fx30   
    OK. This is the type of comment that downgrades this whole forum. Just think about what you posted. Are you proud of your post? Should you reflect on what made you do it? Do you think it is clever? Do you think it impresses your friends and family?
     
  14. Like
    newfoundmass reacted to hyalinejim in Dedicated Camcorder vs Mirrorless?   
    Ghosting! I had one and posted at length here about my frustration with its temporal ghosting, particularly noticeable in C-Log.
    Other than that it was pretty cool. I loved the flippy handle and tilt screen. I took it on hols to Bali:
     
     
  15. Like
    newfoundmass got a reaction from SRV1981 in Dedicated Camcorder vs Mirrorless?   
    Nothing will ever beat the ergonomics of a camcorder when it comes to video. If there was a competitively priced M43 or APS-C camcorder I'd use them in a heartbeat over mirrorless cameras. Panasonic tried with the DVX200, but I couldn't justify spending over twice as much for the same specs as a GH5.
    If you're looking for a camcorder I suggest going with one that has a 1" sensor. There aren't a ton of budget friendly options though. Most companies have kinda given up on camcorders.
  16. Like
    newfoundmass got a reaction from SRV1981 in Dedicated Camcorder vs Mirrorless?   
    It's the sensor size and the ability to change lenses. They also don't tend to retain their value, whereas lenses do and can be used on multiple bodies.
  17. Haha
    newfoundmass reacted to MrSMW in Sony Fx30, Pana s5 ii, Fuji xh2s   
    My first S1H has been perfect but my second one a right bitch so I ditched her and went back to an old flame (S1R) who doesn’t talk down to me.
  18. Like
    newfoundmass reacted to j_one in Sony Fx30, Pana s5 ii, Fuji xh2s   
    Right, some of the "criticisms" could be labeled as nitpicking, sensor-sh*tting or genuine concerns depending on your use case for the camera (and the expectations you would have from a $2k mirrorless unit). Me personally, I really wasn't expecting the first attempt at PDAF to be this great and am happy to wait on the updates or new iterations of the tech.

    However issues with banding, channel clipping, chroma noise pattern and green noise signal, picture profile NR and smoothing etc are worthy of mention on the sole basis of them being a step back from previous models. These are new issues that weren't there before, much like S1H ghosting.

    But regardless, I'm enjoying the S5ii for everything it CAN do and have been working around the processing quirks, there's no other swiss army knife camera like it. It's pulling its weight with strobe photography. Videos grade wonderfully with VLOG in good light. I have some great LUTs to burn in looks, very handy for turnaround. The boot time is kinda annoying, though.
    Perhaps I'm most curious about how the S5IIx prores (and even HDMI raw image) will look in comparison to the current image in the S5ii with the available codecs. There's some noticeable differences in the processing of the prores image of the GH6 vs h.265 and I suspect the same will be true here!
  19. Like
    newfoundmass got a reaction from hyalinejim in Any recommendations for a small hotshoe mic?   
    It really is a decent little mic. I think it'll serve you well, and you can tweak it to make it sound better.
  20. Like
    newfoundmass reacted to MrSMW in Panasonic S5 II (What does Panasonic have up their sleeve?)   
    Early days and as with the S5 that preceded it, like it but don’t love it.
    To be fair, it’s not it’s fault but more my use case for it which is long static stuff and a tiny amount of gimbal.
    Edited one shoot so far with it and no idea what the critics are saying about it…but as above, fairly limited and controlled use so far.
    Shot another job but not edited it yet and then a third later this week.
    Really, the S1H is my workhorse for the greater part of my video work and that is a case of ‘love’ over simply ‘like’. Has a certain mojo to both using it and the output.
    In other news, my pair of S1R’s came back today and just in the nick of time as I leave tomorrow for my next job. I’ve tried selling one of them once previously but came to the conclusion last week, without going Sony or Nikon (both with native or adapted Tamron lenses), I just cannot get from my current need for 4 working cameras, to 3.
    Not without chucking 10k into the mix on top of all my trade in kit…and I cannot justify the cost right now. Or this year.
    Not complaining though… In my ideal world, I would flip to a 3 camera system without hesitation but also unless any future camera has internal ND, using any system for hybrid work is a pain in the arse! I know because I have been wrestling with it for about 12 years and still have not found the ‘perfect’ solution.
    Does it exist? Nope.
    Could it exist? Yep. Easily, if we mashed up a few of best bits of several manufacturers…
    Will it exist? Probably soon. I think we are one step away and it will become reality if internal ND’s can become a common thing.
    In the meantime, I will ‘soldier’ on with my pair of S1R’s for stills (and emergency video use), S1H for primary/creative filmmaking and S5ii for the more static stuff, gimbal and anything requiring good AF.
  21. Like
    newfoundmass reacted to hyalinejim in Any recommendations for a small hotshoe mic?   
    I bought the Tascam today as a local shop had it in stock. 

    This is now my family/holiday setup. You'll have to imagine my belly there, hanging over the belt of my trousers.
    I was tempted by alternatives. To go all out on quality with the Sennheiser - too much money! To stay minimal with the internal mic and a little windjammer - the mics on this cam are at the back: too much me! To buy nothing and stick with the stereo Rode - too top heavy!
    I found that the foam from my Rode fits snugly on the Tascam and this coupled with an old Rode windjammer does a much better job than the included windscreen.
  22. Thanks
    newfoundmass got a reaction from Juank in When will we see cheap 600W/1200W led lights?   
    Smallrig 450d light is on sale for $699 today at B&H. That's a great deal
     
    https://www.bhphotovideo.com/c/product/1729862-REG/smallrig_3970_rc350b_cob_bi_color_led.html
  23. Like
    newfoundmass got a reaction from zerocool22 in Sony Fx30, Pana s5 ii, Fuji xh2s   
    The X-H2S would be a good option if you don't want to have to sell and buy all new lenses. If you don't mind changing systems then the S5ii is, in my opinion, the most compelling camera in that price range for what you're looking to do. It has good autofocus and the best stabilization of the bunch. You can't beat Sony's lens selection though. L-mount is catching up but still is a bit behind.
  24. Like
    newfoundmass got a reaction from SRV1981 in Sony Fx30, Pana s5 ii, Fuji xh2s   
    The X-H2S would be a good option if you don't want to have to sell and buy all new lenses. If you don't mind changing systems then the S5ii is, in my opinion, the most compelling camera in that price range for what you're looking to do. It has good autofocus and the best stabilization of the bunch. You can't beat Sony's lens selection though. L-mount is catching up but still is a bit behind.
  25. Like
    newfoundmass reacted to MrSMW in Fx30   
    Working on it!
    Last year, I shot and produced 32 (all weddings by the way so if that bores you, look away now!) and I was a little sporadic in my use of lighting for all kinds of reasons*
    Early, but slow start this year and kicking myself I did not start as I meant to go, ie, again, not full use as intended.
    Next job, next week, I am going to light light light it and keep on doing so for the future.
    This is the way.
    *Mainly long lay off over Winter and first couple of jobs always a bit rusty. That’s my excuse anyway… 🤨
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