BTM_Pix

I must be getting old as all I was thinking watching that was "Get off the tracks you bloody idiots" Its impressive stuff though. The Kipon version with the focal reducer is the one I'm hanging on for. I'm also hopeful that now we are getting AF adapters from several sources for Fuji that the TechArt Pro adapter might cross over as well.

I love the reactions on Reduser to bad news like that. They welcome Jim's announcements of delays with the same exultation as if he was the bank manager extending the date you have to pay a loan back. It always reminds me of that scene in Life Of Brian where Brian screams at everyone "OK, I am the messiah...now f*** off" to which he gets the response "How shall we f*** off Oh Lord?"

Maybe Nikon should build a robot with enough AI to work out how to take mirrors out of their cameras

Yeah, I think the expectations of what it can achieve as a skilled boom operator replacements need to be re-adjusted somewhat. It is a brilliant technology but the real revolution here is that it is now available at a fraction of the price that it has been for the past 30 years. Its primary application has largely been in classical music recording and latterly sports broadcasting as a steerable stadium mic. This demo of a B format plug in shows what you can expect in a pseudo shotgun mode. Its good but, its no substitute for a Kiwi with a beard just yet

I think they could make it switchable based upon V-Log being installed on the camera, which would be the fairest thing to do anyway. That way they give themselves a revenue opportunity from those who haven't upgraded and reward the people who have already paid. Whether its worth having when, as you say, it then involves the user paying another chunk of money for a recorder is neither here nor there for Panasonic I suppose if it means that they overcome a major objection from customers. Its a bit like the X-T2 only having F-Log externally - it offered a solution for Fuji to an objection and for customers to tick the box of their own 'must haves'. And then hardly anyone used it

No, I associate Angelcam with the CCTV streaming platform. I think you meant angel view which is the generic term used for 360 cameras for things like GoPro's Overcapture function ? I think its the post process that needs branding somehow to get the point across rather than the capture method because, as I say, 360 has got a novelty/gimmicky thing attached to it which is a big negative to a lot of people. Maybe we should call it Videofield as its pretty analogous to Soundfield capturing in all directions for targeted steering in post

I don't think it will be long now. Huge market for whoever gets it right and pitches it properly to consumers.

Just on this point, as I seem to remember you are a fan of the Crumplepop plug-ins, their AudioDenoise one does a very credible job on those Saramonics without too much hair pulling. I know prevention is better than cure but might be worth a whirl if you can find a trial version.

A £180K ND filter on wheels. I like your thinking

Kinefinity's non-focal reducer EF mount has electronic ND. I think the Aputure MFT to EF follow focus (again the non-focal reducer version) has it too?

I'm not saying it can't. I was referring to the testing of it not being subjective in the same way as the other improvements will be. I have the 100-400 they cite and any improvement on focus speed in lower light with or without the teleconverters will be welcome. Not to mention obvious

I don't think its out until next month. The low light limit for AF being extended and being able to use it up to f11 should be simple pass/fail though. The other two changes are subjective and will need someone who tracks oncoming birds in flight at varying focal lengths to test !

I'm not sure what BMD are going to do with their portion of the £54.98 that I've given CVP to pre-order one. Or how they are going to give me it back if I change my mind.

If someone can market it correctly then the ideal cameras for holiday and travel are actually the new breed of 360 ones.....just not necessarily using them as true 360 cameras where you will be expecting people to watch your content with a headset on. Using them to capture everything front and back and worrying about what the important part was you were meant to be pointing it at later is actually exactly what is needed for most casual users. Making regular videos from 360 ones using things like Insta One's FlowState process where you decide the angles later would be such a game changer for travel and life with your kids stuff. They just need to up the quality a bit and market it in a more targeted way. Currently most people just see 360 cameras as a gimmick so I think they need to come up with a new term like "OmniCam" or something that takes away the headset connotation and pushes it as being a more effective source for making regular videos with.

Not in their pocket thats for sure.

If its anything like it was when the first version was released, it'll be rig mania for a while with people pimping them out. Though I do have a soft spot for these two.

Thought $7995 for the set of 3 looked very interesting indeed. Until I saw that was just the deposit! Still groundbreaking price of course in comparison to others though.

Splits the signal, delays one and uses the non-delayed one as the sidechain to the delayed one. Hence, it allows it to effectively look into the future to know when the peaks are coming and be ready and waiting with the adjustment so its giving you a brick wall guarantee.

If its like the Ursa, you should be able to have one (or none) for your camera LCD and a different one for the HDMI output. If you wanted to use an external monitor for yourself as well then you could go out of the HDMI without a LUT, through your monitor (without a LUT) and into the client monitor where you have a LUT applied there.

The Ursa Mini Pro can have a different LUT on each of its monitoring outputs so I'm hopeful too but I suppose its another wait and see. Its the pluralisation of wedding that concerns me most about that statement !

Well if you're going to bring facts into it ! My mistake.

I thought the wink thing would've got the point across that I wasn't entirely serious? It would do in terms of @IronFilm 's point that I was actually answering regarding how you would match the BMPCC4K and a GH5 if you had both.

It is the same protocol as the Ursa and BMD have already released the documents so there is nothing stopping someone working on products for it now in time to be ready for launch. It is Bluetooth LE so is much easier to talk to directly from cheap single board computers if someone wants to make a hardware controller. So you can expect anything from phone apps, basic start/stop triggers to full blown hand grips full of buttons mapped to all controls.

He's so busy on it that he hasn't spotted that his website is broken !

I think the commonality of the sensor between the two will potentially make that less challenging. With the ability to bake in a LUT on the BMPCC4K there does present an opportunity to have it produce out of camera footage that matches Panasonic's internal profiles more closely. Some sort of unifying LUT for the BMPCC4K, such as a version of the Leeming LUT for it, would have potential. Plus, of course, by then Panasonic will have yielded to public pressure and enabled RAW through HDMI for the GH5