SullyCortez

I am pleased to announce that a year after the original, there is a major update to EOSHD Pro Color for Sony cameras.
In addition to the new Pro Color, I am launching EOSHD Pro LOG as well. This takes all the advantages of Pro Color into an easy to grade C-LOG-like profile for your Sony camera. Pro LOG also comes with 25 EOSHD Film LUTs for an instant cinematic grade in post.
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Andrew I could not freaking agree more! This is a ridiculous situation. Coming from film, then super early video (Betamax, HI8, MiniDV) and then the 5dMKII it literally seems like canon hasn't moved since 2009.  The 6D MK II was really there last chance in my opinion to make one hell of a camera for the full frame entry level market.... and what do they do? Pull the same stupid shit they've done the last 7 years... this is why I left Canon a long time ago and am happy straddling the sony/panasonic playing field. what Canon doesn't understand is nobody wants to buy 4 c200's when you can buy 1 c200 and like 3 5dmkV's or 4 6dmkIIs that have 4K 60p, 10bit 422 and get amazing quality while having multiple cameras that dont break the bank.. but of course no, Canon once again cripple their users and I just cant stand it. Ive said goodbye to my canon bodies and haven't look back. If color science and 'dual pixel af' are the ONLY things canon is offering that is worthwhile.... then no thanks I'll be happy right where i'm at with Sony and Panasonic and now the upcoming EVA1

Andrew I could not freaking agree more! This is a ridiculous situation. Coming from film, then super early video (Betamax, HI8, MiniDV) and then the 5dMKII it literally seems like canon hasn't moved since 2009.  The 6D MK II was really there last chance in my opinion to make one hell of a camera for the full frame entry level market.... and what do they do? Pull the same stupid shit they've done the last 7 years... this is why I left Canon a long time ago and am happy straddling the sony/panasonic playing field. what Canon doesn't understand is nobody wants to buy 4 c200's when you can buy 1 c200 and like 3 5dmkV's or 4 6dmkIIs that have 4K 60p, 10bit 422 and get amazing quality while having multiple cameras that dont break the bank.. but of course no, Canon once again cripple their users and I just cant stand it. Ive said goodbye to my canon bodies and haven't look back. If color science and 'dual pixel af' are the ONLY things canon is offering that is worthwhile.... then no thanks I'll be happy right where i'm at with Sony and Panasonic and now the upcoming EVA1

Andrew I could not freaking agree more! This is a ridiculous situation. Coming from film, then super early video (Betamax, HI8, MiniDV) and then the 5dMKII it literally seems like canon hasn't moved since 2009.  The 6D MK II was really there last chance in my opinion to make one hell of a camera for the full frame entry level market.... and what do they do? Pull the same stupid shit they've done the last 7 years... this is why I left Canon a long time ago and am happy straddling the sony/panasonic playing field. what Canon doesn't understand is nobody wants to buy 4 c200's when you can buy 1 c200 and like 3 5dmkV's or 4 6dmkIIs that have 4K 60p, 10bit 422 and get amazing quality while having multiple cameras that dont break the bank.. but of course no, Canon once again cripple their users and I just cant stand it. Ive said goodbye to my canon bodies and haven't look back. If color science and 'dual pixel af' are the ONLY things canon is offering that is worthwhile.... then no thanks I'll be happy right where i'm at with Sony and Panasonic and now the upcoming EVA1

Read more about it!
http://www.eoshd.com/2016/12/now-available-eoshd-pro-color-for-panasonic-cameras-gh4-gx85-g85-and-more/
It’s time to remove that harsh, clinical digital edge from Panasonic’s in-camera colour and white balance.

Slow-mo raw shooters can now make use of an improved 2K 60p mode on the 5D Mark III thanks to Magic Lantern.
In addition, 1920 x 800 recordings at 60fps are continuous to the card without a frame limit, a feat made possible thanks to new lossless compression.
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Hahaha. I read that too. It seriously hit the nail on the head. I laughed really wrong.
I posted a comment on Cinema5D saying that the tests and their usage of language was so unacceptable, that it was meme worthy. They deleted that comment. I am guessing they also deleted many other comments from many other visitors to the site.

Most likely it will have IBIS. I can't see them introducing 'dual in body is mk ii' and NOT putting it in their biggest camera..... 99% its there

A-mount? 2x crop sensor? Both the Sony A99 II and Panasonic GH5 have a few aspects which look out of place in the high end market of 2016. However sometimes the most simple things are the problem.
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Once again this clown thinks he can get away with this nonsense please Andrew call him out publicly - https://youtu.be/FrYui231Wyc
Yea no, lol. Current MFT and APS-C sensor are just about indistiguinshable. 1" sensors are about as good as two year old APS-C chips. And fullframe just barely surpasses current APS-C. Barely. Check out Aron J Anderson on YouTube and look at the results he gets with a MFT sensor vs APSC. I'm just realllllllllyyyyy hoping they put IBIS into the GH5

Once again this clown thinks he can get away with this nonsense please Andrew call him out publicly - https://youtu.be/FrYui231Wyc
Yea no, lol. Current MFT and APS-C sensor are just about indistiguinshable. 1" sensors are about as good as two year old APS-C chips. And fullframe just barely surpasses current APS-C. Barely. Check out Aron J Anderson on YouTube and look at the results he gets with a MFT sensor vs APSC. I'm just realllllllllyyyyy hoping they put IBIS into the GH5

Once again this clown thinks he can get away with this nonsense please Andrew call him out publicly - https://youtu.be/FrYui231Wyc
Yea no, lol. Current MFT and APS-C sensor are just about indistiguinshable. 1" sensors are about as good as two year old APS-C chips. And fullframe just barely surpasses current APS-C. Barely. Check out Aron J Anderson on YouTube and look at the results he gets with a MFT sensor vs APSC. I'm just realllllllllyyyyy hoping they put IBIS into the GH5

I hope the GH5 comes in 2016, it may be delayed to 2017.
Indeed Super 35mm CMOS from Panasonic would be great.
They have already made a full frame sensor for Leica so have the raw material in-house to do it
Micro Four Thirds should be the APS-C of Panasonic's range
Where would Canon be without full frame?!

Such an underrated camera...
Ergonomics of a Canon or Nikon without the 1970's mirror SHIT
Smallest 4K file sizes on the planet but the highest quality compression..... THANK YOU H.265 YOU ARE THE FUTURE IT IS JUST NOBODY ELSE KNOWS IT!!!!
Ultra clean and noiseless ISO 800, acceptable 1600, falls off a cliff after that but who cares? So does a RED Epic!
Great battery life, great EVF... heck it has an EVF... Unlike my 1D C!! Guess which was cheapest!
Articulated screen but still feels like it is built like a tank and I had mine out in the pouring rain.... didn't pose an issue. Weather sealed yet articulated screen.... Canon take note.
Just look at the images... lovely! Great colour and detail
The S lenses... some of the best Super 35mm this side of PL cinema $30k stuff.
It is a goth of a camera
It is discontinued
Nobody cares about it but the ones in the know...
The GX85 has fantastic colour... Just the right balance between natural 'scientifically correct colour' and memory colour.

iI gotta disagree, it looks totally baked in over saturated and skin tones look wayyy too warm. Granted its not radioactive green like sony, but I still think Panasonic kills it for color and smokes Canon 

@eoshd/Andrew I completely agree with everything in this article. I mean you should just change your name to CinemaHD or something lol. It seems the EOS line is in your past. I'm glad you're not pulling the fanboy card LIKE EVERY YOUTUBER i've seen so far. It's unreal this camera is literally shite, yet all these people are saying they're content and legit HAPPY with the results Canon are giving us. I left Canon over 4 years ago now, and I'm honestly glad. Just a waste of money for people who cripple their own cameras and simply don't give a shit about the end user. Panasonic and Sony FTW right now....