Django

Interesting. Apple France is currently promoting here a film done by academy award winning director Michel Gondry, shot entirely on a iPhone 7 Plus.. https://www.apple.com/fr/detour/

I've sold all my gear to purchase a C200.. except for my XT2. This camera is something special, I just love it. Grip is indispensable imo. Camera is really inconspicuous too, great for shooting video in sensitive locations or putting at ease subjects for interviews. Of course camera isn't perfect. Biggest gripe for me is absence of internal log. But overall the 4K image is just formidable and requires little to no post thanks to excellent white balance and colour science.. the kit lens with OIS is also great and on it 80% time for video. I've also started using my Nikon glass on XT2 using a cheap adapter..

Well the absence of mid/high range codecs does seem a little odd on the C200 even though better codecs seem planned for next year.. It is great news to me though that Canon have included internal RAW recording. That along 4K, Touch screen, DPAF and improved ergonomics make this camera almost a no brainer. I do think that it's competitors aren't so much mirrorless/DSLRs but Ursa Mini Pro, EVA1 & FS5/7 etc Now about the RAW debate, it's true it's not for everyone or every project. The size & workflow are definitely hard to manage. I'll admit I seldom use ML Raw on my 5D3 even though it's footage & resolving power beats by far any of my other cams.. but that also has to do with ML Raw workflow which has added perks.. Even a show like Netflix's 13 reasons Why which was shot on Varicam35 that supports RAW was recorded in AVC-Intra 444 (12-bit) to handle decent file sizes, fast workflow yet deep grading capabilities.. YMMV

^ DPAF is a game changer, especially for gimbal work etc.. First short shot on C200 in Canon RAW:

None of my clients ( corporate, wedding, docu ) have specifically requested 4K, however they certainly noticed whenever I shoot with it (wether A7S2, FS5 or XT2) Furthermore, it's getting kind of hard for me to go back to shooting 1080p, once you get used to 4K resolution and it's benefits. Most everything still gets rendered out 1080p but yeah 4k shooting is where it's at in 2017 as far as I'm concerned. That being said broadcast standard 10-bit 422 may be more important to some and it is a shame C200 doesn't offer that at it's price, but Raw even if "light" and 12-bit is still huge. Again it looks like I'll be selling most of my equipment to get hold of this camera..

Selling my ML 5D3, C100 DPAF & A7S for a C200B + LCD (keeping my XT2)

I used a D750 before switching to Canon. It's a great camera, especially on the stills side. The 1080p is definitely soft but it didn't stop me from making great videos. I did pick up a second hand A7S (original) few weeks ago, mostly for it's low light abilities but also to use all my Nikon glass I kept. 1080p on that is definitely sharper then D750 and grading S-Log is pretty easy I find. Ergonomics are poor but having an EVF is a bonus. I'll be getting a BM Video Assist soon so 4K will be available on it too. I feel no particular attachment to the Sony like I have with my Fuji or DSLRs though FWIW.

Depending on price I'd jump on a C200. My current C100 is getting long in the tooth codec/fps/resolution wise. I'm guessing they'll go with the C300/XC15 4:2:2, 8-bit 305Mbps codec for 4K but hopefully surprise us with 10-bit to rival FS5. I've also been tempted to upgrade my 5D3 to 5D4 but have a real problem with the massive MJPEG codec, 1.7 crop & rolling shutter. Waiting to see what the 6D2 will be like. Could be Canon's opportunity to fix the 5D4's video shortcomings (although I don't expect a vast improvement).

https://petapixel.com/2013/04/30/canon-5d-mark-iii-firmware-update-out-clean-hdmi-output-and-af-upgrade/ https://***URL removed***/articles/9568228711/canon-offers-dual-pixel-af-upgrade-for-cinema-eos-c100-camera

some of this stuff seems made up... especially: The newer firmware will still work in non-serviced cameras, but this may result in premature temperature warnings. that sounds so un-canon like.. them always bragging about stability over higher performance. firmware specs do sound great though and could push me to upgrade from 5D3 ML if true..

AF system preference can be somewhat subjective depending on what/how you shoot. I use single point / back-button focus methods so the 5D3's joystick, wider AF point spread and it's much higher number of cross-type points (41 vs 15 on the D750) gives me a lower miss-focus rate. also love the quick toggle from single to continuous via DoF button. This specific configuration and shooting style gives me great confidence and results on stressful and unpredictable scenarios like weddings, kids, events etc.. One of the things I hate most about XT2 ergonomics is the 3-way AF mode front switch. I'm always fumbling around for it and ending up in the wrong mode. I'd rather just a 2-way switch and manual override on the lens like Canikon. YMMV.

ex-D750 owner, current 5D3/XT2 user. out of the three, 5D3 is by far my favorite stills cam for overall AF performance. D750 might have the edge in low-light situations but I use speed lights with AF assist anyways for those cases (D750 does rock in shadow recovery). XT2 is far far behind in AF and flash options. I'd never use it in any kind of demanding situation. In fact I've been kinda disappointed in it for photography vs DSLR FF but that's a different story.. I'm using it mainly for video. Am looking forward to all the AF enhancements the new firmware should bring..

Getting numerous "write error" messages after about 5-10 seconds of 4K recording using a Lexar 64gb UHS-II SD card. SD worked flawlessly since purchase 3 weeks ago but but have pushed the XT2 a lot yesterday ( 3-4 hours of 4K) and started getting this issue at about the second or third hour. Then this morning immediately on first shot. Is my SD corrupted? is there an in cam formatting option anywhere? help!

http://www.canonrumors.com/c-log-update-to-canon-eos-5d-mark-iv-not-just-a-firmware-update/

33 improvements, but F-log ain't one...

^ Lol.. Naples is the worst city in Italy.. good pizza though.. http://uk.businessinsider.com/why-no-one-wants-to-travel-to-naples-2015-7?r=US&IR=T

It isn't so much about "affording decent lighting equipment". if you're shooting run & gun, events, weddings etc.. you don't have time to set up lights on every shot.. that's where Canon/Sony cams come in handy. I don't see those type of shooters switching over. For all the marketing, BMD cams are still mostly cinema cams in their ISO handling. They're trying to compete with Red/Arri on a budget. Amazing for studio & narrative with controlled lighting or sunny california outdoor shoots but for other types of shooting or low light conditions they're far from ideal. You'll get all kinds of noise & block artefacts that Da Vinci for sure can't solve.. Also I hope they've fixed that magenta cast issue the 4.6K sensor had!

Personally I'm really excited about the Nikon mount, especially the way they did it with smooth aperture control ring. Well that's if I was in the market for a Ursa Mini Pro that is..

One area where Sony/Canon destroy BMD is ISO performance. Ursa's base ISO is 400/800 and maxes out at 1600. This alone rules them out of quite a few situations..

looks like BMD is now competing with sony FS & canon C line with all the tactile controls & ND filters. nice to see SD & SSD option too. honestly quite a beast of a camera. the Da Vinci micro control panel is pretty awesome too (at 1/30th of the advanced panel price!). like others i would have liked to see some updates to their smaller cameras but still some pretty cool announcements..

yeah it does have it's quirks but in the end the pros do far outweigh it's cons. i can't stand the Sony's now. Internal log is the only thing they really have over it. can't wait to get more lenses for the Fuji and go out shooting.. it's a fun camera!

Just got back from business trip in India.. XT2 ended up being the perfect travel companion. Camera managed to attract little to no attention which was vital to us. I'll admit I was nervous going over there with just the Fuji (although my partner had an A7S for gimbal/night shots) but the XT2 served me well. I did get one overheating warning on a particularly warm day (camera didn't shut off but it was burning hot). Also the 10mn limit drove me a little crazy during interviews (should have bought the grip for boost mode i know). But other then that it was a breeze to setup and shoot. The A7S footage has got a bunch of scenes with it's infamous color/WB issues, whereas XT2 nailed it on auto 98% the time. That alone is pretty great. I was shooting AF-C the whole time, but would use AF-lock to avoid unwanted hunting (XT2 seems to often want to hunt unexpectedly). I've also assigned a button to "preview profile" to better assess a scene without film simulation which often add too much contrast. Finally 4K footage imported super easily for edit in not so recent 2012 Macbook. Another good surprise. All in all very impressed by it's performance, will purchase the grip for boost mode and choose cam again on my next long-distance trip. C100 / DSLRs are feeling clunky and dated all of a sudden!

IMO the XT2 is Fuji's first serious attempt at video. As such it should be cut some slack. Yes it's missing a couple of things and has a few quirks, that hopefully firmware will address.. but overall it's a very solid effort. The 4K image is excellent, the film simulations unique & brilliant. Gorgeous color science. One of the best auto WB of any current system. Then with Fuji X you get an excellent range of compact lenses with aperture control (who wouldn't appreciate that?!!!). Top notch Made in Japan build quality. Lovely design.. Manual controls. Basically all the stuff that's made Fuji X a cult among still shooters.. The ergonomics.. well clearly they are geared towards photography, and as such they are pretty much perfect on the XT2. For video, it's a little hit & miss. But no mirrorless camera is perfect in this domain, and overall I like the ergonomics a lot lot more then Sony's.. that require all kinds of button pushes and LCD navigation to get to basic functions.. Also love the view mode button on XT2, allowing direct LCD/EVF configs, very handy for gimbal work etc.. Now that's not to say a lot could be improved. I haven't used this cam on any professional work yet as I'm still putting it through it's paces. Lack of internal log being my biggest complaint for my type of work. But despite all its quirks and limitations, I still find it a fun camera to use and capable of superb IQ..

curious, why would the booster grip enhance RS? btw, i've decided to keep this cam.. despite it's quirks & shortcomings.. something about the image and it's the smallest cam/lens combo i own. will be taking it with me to India next month as my travel cam. so i'll probably be getting the grip soon.. any ND recommendations ?

Classic Chrome is by far my favorite film simulation but yes Pro Neg Std is the flattest. Here is a good run-down of the color science behind each mode: https://www.bhphotovideo.com/explora/photography/tips-and-solutions/introduction-fujifilm’s-film-simulation-modes