Parker

I just followed a friends advice, it seems to preserve better the highlights, but might be a placebo effect.
I have started to create the Lut pack, it will have between 10-15 luts, including color and black and white, and it should be available in the next week or so. Pricing will likely be between 15-20$, and should include a small "tutorial" on how to use them properly. Most of them will work nicely without any adjustment, one click edit, if you guys are using the settings I've been using for some months.

I agree, the new proxy system has been a breeze, especially since for the most part I'm editing super high-bitrate h.265, which tends to bog my machine down once I get some effects and color correction on there. Toggling that little button keeps things nice and smooth, and is really simple to use. 

I started editing a new project with the update yesterday. Some of my third-party custom effects presets aren't working in the new version and will cause a freeze, but other than that the RAM leak issue seems way more under control than in the previous version, so yeah... so far, so good!

I agree, the new proxy system has been a breeze, especially since for the most part I'm editing super high-bitrate h.265, which tends to bog my machine down once I get some effects and color correction on there. Toggling that little button keeps things nice and smooth, and is really simple to use. 

I started editing a new project with the update yesterday. Some of my third-party custom effects presets aren't working in the new version and will cause a freeze, but other than that the RAM leak issue seems way more under control than in the previous version, so yeah... so far, so good!

Yeah hopefully it's more stable. 2015.3 for the most part was stable for me, but on one project last week, out of nowhere, it was freezing, stuttering, crashing, giving me errors, using an insane amount of RAM... I don't know what unholy combination  of plugins, proxies, and footage from different cameras in that particular project combined in such a hellish way to make it behave like that, but I was about ready to throw my computer out the window. Fingers crossed here. 

Hmm, must be some copy-to-copy variation, or maybe you just use yours a lot more than mine and it's loosened up a bit over time, because mine's nice and tight, easy to move, but stays exactly where its at. 

both, I'm practical man, not daydream, what I did is already available today. all other projects take a long time, and Samsung nx1 / 500 needs adapters today. a speed booster adapter and an adapter Aputure are very effective for those who need it and reduce the gap with the competition.

Thats something i'd like to ask you guys,
what do you guys think its a fair value for a small 10-15 lut package? 
This is something i'd like to keep doing, so depending on the sucess of this first pack, I will continue to improve and release a pack 2, 3 and so on.
The pack will include black and white, as well as color.
My current settings are (I didnt share them earlier because I really havent had much time to come home and sit down) : 
Gamma Norm | Master Black level 7 | Luminance 16-237 | Smart Range+ ON | Saturation - 4 | Contrast -4 | Sharpness - 10
As you can see, they arent as different as the others I was using, but the difference is quite big when grading. I am not a pro colorist, or anything of that sort, but these work great for me.

@ricardo_sousa11 Holy shit dude! Those frames are so gorgeous, every one. Your stuff is always so motivating for me to go out and shoot. I for one would absolutely buy some LUTs from you. Keep up the good work, man. Very impressive stuff. 

@ricardo_sousa11 Holy shit dude! Those frames are so gorgeous, every one. Your stuff is always so motivating for me to go out and shoot. I for one would absolutely buy some LUTs from you. Keep up the good work, man. Very impressive stuff. 

Thank you!
I honestly cant remember, its been quite a while, but it wasnt too hard, Ill try have a look and try to get something for you
Im currently testing some new settings, heres a few examples, these are all separate projects, so they all have a slightly dif. look.








These are all videoframes, and not pictures, as soon as im done testing these settings, ill share with you guys!
Im considering creating a specific lutpackage that could be sold at a very affordable price, what do you guys think?

Ttbek Hello, you're right, I also do not want to finish my projects with a white beard, so I have been working on this great project.
Now I can offer two new accessories:
1) lens NXL speed booster,
2) smart adapter.
I do not want to work on the code for communication between the camera and the lens, I have experience with metabones smart adapter, he had a multitude of problems with Sony a7s, it was always in the crash, so I anticipate that it is an experiment already failed in start which will never work well.
I think it's better to work on a separate autofocus independent reporting system that measures the framed object distance, this is possible and we have the technology and economic resources to do so p (the rest will publish some projects).
While waiting I invite you to watch this latest project, very useful for all videomakers.
Thank you, I wait your order for NXL today ;-)
https://www.produzionidalbasso.com/project/conversion-kit-aputure-dec-canon-lens-samsung-nx/

here you go:

v2.79
added: Custom overlay
- start from ( settings> overlay ). It loads your own custom overlay from the root directory of the sdcard ( sdcard/overlay.png ). Once activated the touchscreen will not work, and histogram will be "frozen" until you deactivate it ( reminder: Ev+Ev/Ok to start the menu for nx500/nx1)

note that the preview of the playback will not work, however press "ok" for the video playback to start, and the recorded video with the overlay on top will show.

you can make any overlay you like, as 720x480 transparent PNG  (replace the overlay.png with it)

I have both cameras, I think the NX1 is definitely better though. If I understand it correctly, the NX1 is downscaling a 6.5k full-sensor readout into hyper-detailed 4k, whereas the NX500 is a straight 4k crop of the sensor, hence the huge crop and (I presume) less detail. The NX1 image definitely seems superior, especially when I compare them head to head when using them on the same shoot. With gamma DR, the master black level, and other settings available only on the NX1, you're able to fine tune the image much better, and in my experience with the hack, the NX1 is also able to record with a higher bit rate than the nx500, I get more 'recording stopped' errors with it than with the NX1. That being said, I've been shooting a whole bunch with the NX500 lately on my new Zhiyun crane gimbal and, coupled with the roki 12mm, the results have been stellar. 

I have both cameras, I think the NX1 is definitely better though. If I understand it correctly, the NX1 is downscaling a 6.5k full-sensor readout into hyper-detailed 4k, whereas the NX500 is a straight 4k crop of the sensor, hence the huge crop and (I presume) less detail. The NX1 image definitely seems superior, especially when I compare them head to head when using them on the same shoot. With gamma DR, the master black level, and other settings available only on the NX1, you're able to fine tune the image much better, and in my experience with the hack, the NX1 is also able to record with a higher bit rate than the nx500, I get more 'recording stopped' errors with it than with the NX1. That being said, I've been shooting a whole bunch with the NX500 lately on my new Zhiyun crane gimbal and, coupled with the roki 12mm, the results have been stellar. 

I have both cameras, I think the NX1 is definitely better though. If I understand it correctly, the NX1 is downscaling a 6.5k full-sensor readout into hyper-detailed 4k, whereas the NX500 is a straight 4k crop of the sensor, hence the huge crop and (I presume) less detail. The NX1 image definitely seems superior, especially when I compare them head to head when using them on the same shoot. With gamma DR, the master black level, and other settings available only on the NX1, you're able to fine tune the image much better, and in my experience with the hack, the NX1 is also able to record with a higher bit rate than the nx500, I get more 'recording stopped' errors with it than with the NX1. That being said, I've been shooting a whole bunch with the NX500 lately on my new Zhiyun crane gimbal and, coupled with the roki 12mm, the results have been stellar. 

Give us more details, pleeease :-)

Hi Pavel, yes IS work, this last work revolutionary the Samsung nx camera users.

Enjoy.

NXL comparision test:
1) Bokeh - with and without NXL;
2) flare - with and without NXL;
3) sharpness - with and without NXL.
Camera, Samung nx1 - lens, Canon 50mm 1.8 - model Bubu.
raw files included.






SAM_0602.dng
SAM_0603.dng
SAM_0604.dng
SAM_0605.dng
SAM_0609.dng
SAM_0610.dng

24fps raw stills for 150 shots... so that opens up the possibility for around 6.25 second bursts of raw 6k video! Maybe someone crazy will make a video with it. It'd be a lot of work, but might be kind of a fun challenge. 

24fps raw stills for 150 shots... so that opens up the possibility for around 6.25 second bursts of raw 6k video! Maybe someone crazy will make a video with it. It'd be a lot of work, but might be kind of a fun challenge. 

24fps raw stills for 150 shots... so that opens up the possibility for around 6.25 second bursts of raw 6k video! Maybe someone crazy will make a video with it. It'd be a lot of work, but might be kind of a fun challenge. 

Hello everyone, sorry for my absence but these days I had to work commitments.
I will try to suit guests Dere to the most important questions.
Thanks ttbek from you technical advice but just me right now I can state with certainty the stop difference. It is very close to -1 stop, (soon I will make a test to evaluate this feature).
As for sharpness, the raw test that I posted, it is fammo first with normal lens, the picture later with adapter took too much light and reflection of white table has over illuminated the scene distorting the result and sharpness. Place another file shot with Canon 50mm f1.8 a photo taken on a wall in broad daylight.
SAM_0035.dng

Hello Kidzrevil, usually you have a good eye, in fact, have you noticed that the crop is less than NXL can do,  but you have not thought to stabilize images in Premiere the picture is cropped! The original file has larger frame.
Meanwhile'm excited to have received your new NXL. I love it!!! They are almost ready. I ask only a little patience. Bye!