bzpop

E2 was announced last year , and it doesn't shoot 4K 120 fps in prores, but H265 .

http://www.rapidotechnology.com/products-services/front-variable-diopter-fvd

you can shoot on iPhone with that lens ?

yeah, not a single focus pull in the video , probably not looking good, but it's sharp and better than dual focus anyways, gotta get

I KNOW they will not :)))

would be nice, but i don't believe this will ever happen , as well as 4K 60 and 10 bit 422, they don't have those features on FS5, FS7 is a 10K camera - does not have 4:3, it's Sony man

I love old Nikons, Canon FDs , 1.2 - 1.4 primes.

don't really care much about desqueeze, and not i don't even use it on GH5, as long as i can see the whole frame it doesn't matter to me , but 4:3 mode is an awesome feature, can't wait til Adobe will bring the 6K footage fix

true that, but to me anamorphic is not about convenience, it is about the look:)

send it to Van Diemen

the one for C35 from Redstan is just the best, there is nothing even close on the market for that glass

C35 is a beautiful lens, very sharp, great contast, amazing blue flares, close focus, convenient de-squeeze, truly Hollywood quality glass, but i use it less and less, my heart is with 2x

GH5 is perfect camera for anamorphc shooting, it'll be even better when 6K ana mode will be delivered, but don't waste your money, fake is fake, loss of light, weird, cut top and bottom of the oval bokeh, ugly horizontal streaks - terrible.

yeah, suits all my needs perfectly, although i wouldn't associate "one fits all mentality " with Redstan. His highly specialized solutions for Kowas like16H and C35 are perfect.

after many tryouts of different manufacturers i use Redstan exclusively.