ok, I see now...only macro.
the set I got with the bolex s16 doesn`t...kern pailard lenses, 10mm, 18, and 25, only the 25 will not vignete. Well I should have gotten the BM pocket a long btime ago anyway, which should work, I got good excuse now
there a many c mout to ef adapters...so no infinity with them? I have the MFT adapter, but only the 25mm one covers the sensor, anything wider doesn`t.
300€ would be my budget. It will be used on various MTF cameras with a speedbooster. I have had my share of samyang and besides the fisheye I use to film skateboarding they were all unreliable and the image is...hot to put it mehh....but the 8mm fish is a trooper, it has been droped at about 80 kmh, the camera went bust but I still use the lens
speed is not that much of a concern, 2.8 is fine by me. I do have a few nikon primes, and while they do look nice I don`t see anything special in them. I use them by hanging the follow focus upside down when I need them, but this time around a want a setup that is as small as possible to fit in a motorcycle pouch. A friend has a distagon 35 f2 and that lens on a full frame is magic, and it`s that look I`m wanting to find, but cant really shell out 1k+ for a single lens. It`s not a vintage low contrast lens, it`s punchy and it renders in a special way...background separation it outstanding.
I`m looking for a 20-24mm lens, eos adaptable, preferably a vintage manual lens. It will be speed boosted so a FF lens, but not a nikon, I like the look but the focus ring drives me crazy. So far I`ve been looking a dinstagons, olympus 21mm 3.5...kinda like what I see out of this olympus but the 28 and 35mm seem like duds, so It would be hard to have a matched set.
this was the last video I worked on, but I only filmed the crane bits. it is what it is...I don`t like the grade, but thats not my problem, I only film it. But don`t get me wrong, I love these camera, I own 2 as well.
Wow, you guys are really taking this to the next level
I have since forever exposed my footage to the right, even now that I shoot with log profile of the fs7. The reasson, it's how the companys colorist wants it.
That being said, it's just preference. The differences in this cheap 8 bit cameras are so minimal that it hardly makes a difference. These are toy cameras that can give great results in the right hands and in the right circumstances. Expose as you wish and film what you like.
because thats the industry standard fo s35 video. You rearly go wider than 20 ish mm on comercial shoots, at least I have been requested to very rearly on 20+ shoots. A shame really, because Iove the wide wide look and I only get to use it on music videos.
Ok, so I`ve searching around and have not found any real answers...I know it works, and that the xl was designed for GH4. So if using this speedbooster on a pocket may introduce so CA with fast lenses, 1.4 and faster...anything else?
Well, I just did a shoot with a bmmcc and for my line of work it`s spot on. Pack it in a backpack, get on my motorcycle and away we go. If there will be a V2 coming out great, if not I`ll just get the curent one.