You'll unlikely find no lights setup in a shot into a blockbuster production, as for instance. An events shooter living from his/her craft is as much professional as an acclaimed Academy award filmmaker. Different levels, obviously.
Sure, "level" in my post also includes that.
Without mention sun, moon, low light from whatever source is light. Exposure is light.
There's no shooting without a lens aperture. And shutter to couple with, of course, where light is always exposed to the sensor in the digital realm.
(if we should express it in this way)
For sure. But, as same as happens with plots or subplots within an inner theme, so we're talking about cameras -- our POV into this topic, not yachts, jets, jetpack, trips to Mars, right? ; )
E :-)
I concur, except on the HDR part... : )
http://www.trustedreviews.com/opinions/hdr-tv-high-dynamic-television-explained
https://www.avforums.com/article/what-is-hdr.11039
:-)
No idea on all from yours. I find the Chinese offer pretty appealing anyways:
https://www.avforums.com/review/hisense-H65m5500-M5500-uhd-4k-hdr-tv-review.12991
Here's an interesting article on topic:
http://interactive.satellitetoday.com/via/april-2016/pay-tv-operators-evolve-to-survive/
4K HDR TV sets, as for instance, are a curious 4K 2.0, not exactly at sea level, IMO.
(PS:) ...and also why your point is pretty accurate, as matter of fact.
Right. On 4K side, a sort of 35mm standard. But also mainly addressed to the distribution channels our whereabouts are home-based and more internet-centered and focused on Pay-TV, VOD and streaming à la Netflix, more than ever before. Media convergence rules.
I'd even dare to actually state 4K is already now. Even though to still be seen widely spread as broadcasting content inasmuch as mainstream today or for future to come. Time will tell and soon. Once 1080p displays are obsolete. Price policies dictate the market. Faster than the advent of HD, we all can count on it.
E :-)
Well, well. I recall when people were used to infer VHS would limit 35mm footage to 260 lines of resolution as same as any VHS camera back to those 80s. Or as you wish, why to use 4K recording if/when the content is displayed on 1080p. However, we all know the wonders the Nyquist-Shannon sampling theorem has to show on it.
Well, I guess the whole point here is (also) the standpoint that the new model upgrade shan't be the mere introduction of 10-bit 4:2:2 internal recording as 'the' new feature corpse. There must be something more to add it up.
Fellas, in a way or another, he is right :-)