Emanuel

Well, I guess the whole point here is (also) the standpoint that the new model upgrade shan't be the mere introduction of 10-bit 4:2:2 internal recording as 'the' new feature corpse. There must be something more to add it up. Fellas, in a way or another, he is right :-)

Well, 10-bit is always welcome wherever we go but, I follow and second your point :-)

Link fixed: http://www.43rumors.com/at-last-panasonic-gh5-preorders-will-start-at-1pm-wed-jan-4/ You bet ;-)

Great post, Andrew... ;-)

Who doesn't love this cam?

Great and promising info, thanks Luke! (E :-)

a6500 is a must have. Well, Fuji's color science too ;-) To me, Sony's low light response and S35 format coupled to reasonable AF and IBIS at the minimum LCD (stands for least common denominator) is a no-brainer. Only price target is overrated IMO, perhaps. But aside lowest Panasonic range, isn't the remainder offer the same panorama after all?

Yes, indeed.

Saramonic CaMixer Adds a Headphone Jack to Your Sony a6300 / a6500

I much prefer the most cinematic a6500 outcome. Either colors or low light response. Even though, not comparable as far as rolling shutter and IBIS concern for sure.

+1

here's another one not able to embedded though: https://vimeo.com/193513057

Disclaimer... ;-)

Apples to oranges... ;-)

http://www.phonearena.com/news/The-iPhone-6s-vs-Nikon-D750-4K-video-beating-the-pants-off-a-DSLR_id74514 In any case, apples to oranges... ;-)

another interesting review:

So, color science à la Fuji, you say? ;-)

Indeed. Even though, Panasonic has managed all this in a different way.

By Philip Bloom: