Emanuel

That Bob Caniglia from BMD about 1:25 minute also states 400 and 3200, so I know nothing for the subject matter :-)

And what about the sensor there?

oh my... where have we just arrived?! Next masterpieces won't be made by humans anymore... :X Silly but effective for silly motion picture entertainment. From now on we risk to have TV from poor to poorer... :-D

Resolution for sure not : ) Details? Will you need to end there even risking to end with oversharpened borders for outcome? No way you reach that as actually real cinematic, count on it if so : )) As much as no details will praise the cheater, no good devil you'll find in the details when more than anything, perception is your game after all (E :-)

I read somewhere about June. Indeed. Hope Vlogging may push the boundaries, as matter of fact. Funny to write it but that's the way it is. Media convergence times advantage, I believe :-)

Correct. Day and night for first time with this new generation cameras to begin with EVA (solid name for : ) Why other than that? ; ) Dual base ISO there is 800 & 3200 though :-) https://www.proav.co.uk/videos/blackmagic-pocket-cinema-camera-4k/

120fps @4K [Z cam E2] To stand corrected there : ) AF will be limited on BMPCC 4K as far as we can guess. Useful comparison table anyway :-)

That's what I wrote up there above that same post on reduser : ) It is always nice to listen some others' opinions though, it is what we have for now :-)

That's how it looks when from a monitor directly @ NAB booth recorded on a smartphone (courtesy by Raymond Zananiri):

Nice evaluation by a professional colorist on reduser on those images posted here at first hand: http://www.reduser.net/forum/showthread.php?166868-NAB-2018-Blackmagic-Pocket-Cinema-Camera-4K&p=1797545&viewfull=1#post1797545

Sure, you can :-)

I even produced a feature made with one also coupled to an external recorder (Atomos) in the US a few years ago, released three years later. All that Jazz still and forever up for many years to come as well, so... ;-)

Right. Different strokes for different folks : ) No IBIS for GH5S either but I obviously got your point : ) I guess one of the reasons why this 2017 camera will still be here for a long time. There's no outdated cinematic tools only outdated video technology and these cameras can be beyond that :-)

You have your point. I believe no one can say it from me there ; ) I just think here, there and everywhere there's no need to overstate it in a way that seems it is more crucial than really is. It merely depends more on the shooter skills than that camera, really. Trust me :-) I placed on Monday a pre-order for this new Aussie toy to couple 2x E2 Z cameras. And I was actually waiting for NAB because I will need to order more one or even a couple of GH5 units, so go figure. That's the record of this acquisition tool so 2017... LOL ; ) No other camera offers anamorphic 5K (I'd rather call it like that) than that device at similar price range.

Jon, speaking of our recent discussion on ergonomics topic, hope we future BMPCC 4K users do not end there on a gimbal: :-)

LOL In good hands, pal, in good hands : ) The leftover, not even idea how to handle it ;-) The way the highlights clip is the only other shortcoming which can hurt the outcome if the user let it go...

C'mon Dennis, you are getting your workaround to control the beast or not? ;-)

Point taken. I agree only in a part. You can do whatever your goals may reach with such device. Just know the tool and your craft (E :-)

You see? You've just found some workaround going along the 6K anamorphic mode as they call it, so at last you second so in a way or another... A bit contradictory, what does it seem? ;-) You've just forgotten to add yours and mine :-D

Sometimes I wonder if a few posters ever shot anything, really... Sorry to be sincere... :-) You can always smooth practically anything, except a considerable weak acquisition codec at low bit rate as for instance or under certain severe artifacts such as aliasing or moiré or yet from insufficient color sampling (not exactly the case there for 95%-98% of the circumstances), going along dedicated craft and proper skills on both capture and post. - E.

Simply delicious... LOL :-) Source: http://www.dvxuser.com/V6/showthread.php?359866-4k-bmpcc&p=1986749617&viewfull=1#post1986749617

Earlier than that, the reason why we are all here and gave name to this forum I believe and bet, as well: 5D Mark II. Without mention, the earliest DVX100. Very enthusiast price point then :-)

I guess E2 cam will offer internal recording on CFAST 2.0 or it wouldn't make sense they are announcing it as restricted to 4K60p externally :-)

WTH Where have you been yesterday? : ) That's SIMPLY NOT accurate: EDIT -- @Danyyyel Thanks for your quick answer on my and others behalf. I hadn't seen yet your post to directly address such nonsensical misinformation, which only ends in undesirable FUD. Lack of information spread online can damage and become miserable to the other side focusing to make things happen.

Indeed : ) Not even a tilt screen à la Sony to say the least. Perhaps an accessory like this one might be of some help on that one for the 5-inch screen size, obviously -- not available for this offer though: http://www.flipbac.com/ I recall about a few other ones on ebay I can't find anymore now. Here's a good tip a 3rd party may take in hands as easy as it apparently seems at least.