Emanuel

To me used to see dozens/hundreds of thousands invested on AVID systems before... let alone the hours paid directly in the film lab's bank account... all this seems too odd to read (without extreme roll eyes) several comments written on such completely nonsense posts, a little bit all over internet *phew*

LOL: ) hey Glenn... @mercer have you ever seen this feature film shot on GH2?

Let alone the 10-bit mantra... :-D

Well, Canon did it on RED in the last decade... : ) Even earlier the C-line series of today to have launched as following step ;-)

LOL You are. But with that BMD rep entry I already had dismissed the case... ; ) Better 400 than 800 anyways : ) BTW that talk about free Resolve is rather funny to not say ridiculous :X Hey guys that one is a DaVinci... that one, remember? :-D

No, I did not : ) Any link to?

Danilo is a very enthusiastic artist I have the pleasure to have met personally... Be welcome here, ragazzo :-)

...you two Don and Jon, you are a must... LOL : ) This forum would become another one without any of you ; ) Cheers to both, E :-)

*rolleyes* scusa : ) No St Anthony per te : )) Maledizione di un portoghese ; ) Seems like to say from nowhere that your best 2nd half's face sucks... LOL :-)

How high ISO you went on GH5 there?

Yeah, but origin? :-)

That Bob Caniglia from BMD about 1:25 minute also states 400 and 3200, so I know nothing for the subject matter :-)

And what about the sensor there?

oh my... where have we just arrived?! Next masterpieces won't be made by humans anymore... :X Silly but effective for silly motion picture entertainment. From now on we risk to have TV from poor to poorer... :-D

Resolution for sure not : ) Details? Will you need to end there even risking to end with oversharpened borders for outcome? No way you reach that as actually real cinematic, count on it if so : )) As much as no details will praise the cheater, no good devil you'll find in the details when more than anything, perception is your game after all (E :-)

I read somewhere about June. Indeed. Hope Vlogging may push the boundaries, as matter of fact. Funny to write it but that's the way it is. Media convergence times advantage, I believe :-)

Correct. Day and night for first time with this new generation cameras to begin with EVA (solid name for : ) Why other than that? ; ) Dual base ISO there is 800 & 3200 though :-) https://www.proav.co.uk/videos/blackmagic-pocket-cinema-camera-4k/

120fps @4K [Z cam E2] To stand corrected there : ) AF will be limited on BMPCC 4K as far as we can guess. Useful comparison table anyway :-)

That's what I wrote up there above that same post on reduser : ) It is always nice to listen some others' opinions though, it is what we have for now :-)

That's how it looks when from a monitor directly @ NAB booth recorded on a smartphone (courtesy by Raymond Zananiri):

Nice evaluation by a professional colorist on reduser on those images posted here at first hand: http://www.reduser.net/forum/showthread.php?166868-NAB-2018-Blackmagic-Pocket-Cinema-Camera-4K&p=1797545&viewfull=1#post1797545

Sure, you can :-)

I even produced a feature made with one also coupled to an external recorder (Atomos) in the US a few years ago, released three years later. All that Jazz still and forever up for many years to come as well, so... ;-)

Right. Different strokes for different folks : ) No IBIS for GH5S either but I obviously got your point : ) I guess one of the reasons why this 2017 camera will still be here for a long time. There's no outdated cinematic tools only outdated video technology and these cameras can be beyond that :-)