sanveer

There is a marked difference in the Screen Shot and the actual video. The screenshot colors seem spot on, IMHO.

There is IBIS during video, but for some curious reason (I am sure that it is somehow related to the GH4), it does not work during 4k video. the headphone jack being 2.5mm instead odfmf 3.5 and some of the bitrates don't seem right. I am guessing the Complete Mirrorless Package will be the GH5 with IBIS in 4k and Log profiles, and maybe higher slomo.

Pretty interesting with the costumes and the whole period drama bit. The look could be a little more flat. The colours and contrast could be dialled down a bit IMHO.

I agree with most if what Zack and Julian have said. The Short is actually pretty good, the folley and sound design are very good, Ibreakised that there is no background score, but the folley and other sounds more than make up for that. The lighting is very decent, and even the dark bits weren't disappointing. I guess a little background score to built the whole thing up, rising to a crescendo at the very end would have made it absolutely stellar. I cannot believe you shot the intercuts with just a single camera. Also, the intercuts could have been a little faster at the end, to increase the pace, immediately before, like Juliam suggested, probably adding the slow motion in the end. Overall, still very impressive.

​ ​ I kind of feel I agree with quite a few things, and have a few extra things to say. Like the RenaissanceMan (???) said above, the intention of the company is clearly outlined by the spec sheets. Also, I believe that while engineers may be great at technology, they may be quite stupid where user experience and requirements are concerned, among many other things. That is why, good companies always give their engineers as much user feedback as possible, and Sony and Panasonic have been listening to users, more and more, of late. So, while for almost every conceivable reason understandable, it becomes impossible for Sony and Panasonic to give you the quality of an Alexa, for under $1000, they can give you pretty good high end consumer cameras with very small footprints, like the Rx100 IV and the LX100. Also, I believe, that specs and firmware, are also inter-related, and while specs for future products are based on user reviews and feedback, they are also related to user dictated firmware updates. Though, I wish, companies would also address issues with regard to hardware, like the lens coating on the LX100, or something else that can easily be handled without noticeable changes to the overall body. I wish Panasonic would add Log to the LX100, even if it were a paid one. That would help it compete better with the RX100 IV, slow motion being the only other advantage (and the LX100 having many advantages over the RX100 IV). You know, the last time they tried to be, ahem, too scientific about camera testing, they had that famous Zacuto Shootout, where the GH2 beats the pants off of most other cameras, in their blind testing (or so reported ... :P). I am guessing, that, for reasons like that one, they keep only cameras within similar price points, to compete with each other.

I meant the codec allows for pushing grading really well, and not some magical appearence of more stops of dynamic range because of codec. I never said something even suggesting that. I Conpletely agree. Most camera reviewers are so Off everything that matters. Also, 2 reviewers will be off figures by such a large sum, that it become suspicion arousing for readers. Also, a lack of balance in reviewers language can make one assume too much. And, finally the Cult of Cameras, makes some cameras seem absolutely infallible. I also wish stores All Over the World, as opposed to only the US and Canada had some sort of return policies. I am from India, and apart from the fact that a lot of cameras never make it, there is absolutely no testing and return policy. Also, the taxes on cameras are second only to UK.

What a kickass post. Mr. Sadaawi most things concerning most of the relevant points youbhave raised are only judged once the camera is in the hands of the users. Most manufacturers have absolutely no idea about even basic features any they must be there. I read a lot of reviews of the blackmagic cameras saying that they actually have about 8 stops of dynamic range. The reason they still look so good is because they shoot in ProRes and Raw and hence you can push almost everything to look better. Manufacturers can test battery life but when certifying agencies do a more standard testing test why should manufacturers try and give unstandardised figures. The only way cameras can be tested better, is for early testers to be given cameras atleast a few weeks before release (like in the case of the G7), and let unbiased users give you feedback instead of DoP who may have a monetary obligation to only say the nice things.

I guess they say that about every new technology. IMHO VR is goingto go the 3D way. It's toi personal, anti-social, and the wow factor is limited. I've tried Google Cardboard. Pretty neat, but difficult to control movement. I guess it will improve as it gets more popular.

While I agree that V-log on the GH4 should be released Asap, since it is already late I kind of disagree on releasing lots of firmware updates. I feel that Samsung should have done more to make the H.265 format more editing software compatible. That is doing its bit for greater sync. The biggest complaint of users was inability to use the codec either completely, or fast enough, and that workflow was seriously hindered. Right now the GH Series only lacks in-body stabilisation and higher ISO. The higher ISO is partially dealt with by faster lenses, that with the new metabones adaptor go all the way up to f.0.8. That's 2/3rd of a stop more light that an f2.8 lens. While I am sure the next in the GH series may consider in-body stabilization, new pistol gimbals have mostly dealth with that too. One can add these, considering the Enormous Price difference betwern Panasonic and its Sony competitors. About the Varicam, well it records in 3 different formats, simultaneously, and has some very interesting in-camera grading options apart from a host of other great features. The good thing about Panasonic from GH2 onwards, is that they seriously listen to user feedback. Only if they would hurry up with the V-log now.

I am guessing that they could have made them smaller, but they didn't (maybe), because they would be difficult to use and easy to lose. Plus the built-in battery, memory and blue tooth would have taken up some space (apart from the buttons and lights). I realise right now, that due to issues of proximity, this thing would seriously need a good built-in limiter, otherwise due to sudden surges in sound, recordings would peak too much, and become ususable.

Pretty neat kit.

Wow. I had imagined something like this, and it is here now. In what I had imagined, it would have been more oval and nore flat, and have multi-mix setup features as well (for multiple person dialogue), have audio monitoring via an audio metre as well as on the phone (only during start and stop on headphones) and the rest on a real time graph, and, maybe longer recording time. I love the size of this though, and the price would be subjective to its sound quality. On the whole it is superb for version 1.0 https://www.indiegogo.com/projects/instamic-the-smart-small-gopro-of-microphones#/story

Most LEDs and small lights have absolutely no throw, and can only be used as fill lights, in smaller spaces (cars, tiny rooms, etc etc). The problem with more affordable lights is that their color temperature is unique to them. hahaha Try these: http://www.amazon.com/Aputure-Amaran-AL-528S-Video-Light/dp/B00LC0OVEI#Ask or these: http://www.bhphotovideo.com/c/product/1081927-REG/switronix_tl_bt220r_bolt_220r_dimmable_led.html or these: http://www.bhphotovideo.com/c/product/1123056-REG/rotolight_rl_neo_rotolight_neo_on_camera_led.html Check them at a store close to you, and then decide which ones to pick up. try not to pick up too many different lights, cause then your colour temperatures will look different every few feet. Also, please post your own experiences with the lights. Good luck

I wasn't able to play it on my phone. Also, the layout and other things probably need to be worked on again.

Even Panasonic with the GH4

They're all very different. It would depend on your needs and how you plan to use the mic. They're all very different.

I doubt any camera would be able to record for more than 4-5 due to battery and memory restrictions. Try the XF100. With different batteries and huge cards u may be able to pull off about 4+ hours.

Hahaha. A lot of people want to go the G7 way from the LX100. Especially considering one can get the 14-42 lens along with a mic at around the same price (Adorama).

​ If you could get your hands on each camera, for a day or so, it would really help you get a perspective on things. I am actually quite surprised, that not enough well graded videos of the LX100 have made it online. Check these 3: These should, hopefully, help you appreciate the video quality.

​ Nice. I agree with all the hiccups she mentioned.

​Is that you Dave Dugdale? If yes, then could you please review the Shure LensHopper VP83F, instead of the VP83, again, after following the instructions. I felt your review did not justify the product. IMHO. And, since your reviews are usually so thorough, this one didn't seem right. Thanks in advance

here is the sound cloud link. I uploaded one track of a stream. My connection suddenly got damn slow. Also, apparently I am unable to sign in from my mobile.

I am curious. What features do people want on the GH5? Higher res? More Log options? Does anyone want more megapixels on Micro 4/3rds?

It does 4k INTERNALLY. Wow. It's a monster. http://www.bhphotovideo.com/c/product/1159878-REG/sony_a7r_mark_ii_digital.html The only downside to this is, I am guessing, that Nikon and so many other manufacturers might want make their own sensors, since Sony has effectively sounded the death knell on everyone else. RIP ...

I have a few mics for recording sound (Rode NTG2 with a preamp, Shure VP83F and lavs). I used my phone the Samsung Note about a year back, in the car, for ADR. Then later, out of curiosity I used the phone tk record streams in a national park. I bought a wifi stick out of curiosity and then used it with an old sock (as a wind muff), to use it as a boom mic. It was quite effective but I don't remember those files are. Thanks. Hopefully I will be able to upload the files on SoundCloud or some place.