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About Jacek

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  1. 16mm Sigma 1.4 (on bmpcc4k)
  2. P6k is twice the price of p4k. It's not an update but different product. It's like saying that Sony A7III is just an update to A6500 (same price difference). Not mentioning media price (p4k 60p works with cheap Samsung T5 ssd, p6k may need something much pricier). For me p6k is not an option. My whole setup with p4k is something around p6k price. And the spec is not much different in my case: don't need 6k (even 4k is little too much for me); need slowmotion a lot, so full sensor 50p In p6k is a downgrade to me; sensor size is the only difference i like, but definitely not worth the price difference. I dont need this camera, but i'm very happy to see it. It has the same software, which means that we will see more fixes, upgrades and more stable product.
  3. Jacek

    Sigma FP

    Looks like for video there is (based on available settings): - Min iso100, - Internal 12bit CinemaDNG 24p UHD no crop.
  4. I love it too. Records to cheap small samsung t5 ssd (handles all, including braw q0 4k 60p slow motion). Connects to xlr directional sennheiser mic. Love the big lcd and simple menu (all for movie, not like photo hybrids). So easy to use: record not thinking about WB, profiles and not much about iso. Connect the same ssd to PC and start easy editing in Resolve (no transcoding, even no copy to PC, direct from ssd). Braw is great, can choose different file sizes but maintain raw file benefits. Grading is much easier now. Don't care about other gear anymore. Will use this camera for many years.
  5. Price: https://vzlens.com/product/vz40/
  6. How much better for heavy grading is BRAW vs 10bit 4:2:2 with some flat profile/log?
  7. If you put those people who bought BMW/Mercedes into kia/hyundai it would be something like 1.4 satisfaction :). Satisfaction is highly correlated with expectation.
  8. I expect nothing interesting from Sony, so it will be easy to go beyond my expectations..
  9. Is this Nikon's RAW format compatible with DaVinci Resolve?
  10. It is not fullframe 60p. It is 1.5 crop 60p, like Fuji xt3.
  11. I lika it: (from mirrorlessrumors.com) Recording file format MP4: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch)), MP4 HEVC: H.265/HEVC (Audio format: AAC (2ch)) AVCHD Progressive (Audio format: Dolby Audio (2ch)), AVCHD (Audio format: Dolby Audio (2ch)) MP4 [4K] 3840×2160: 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM) 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (AAC) [FHD] 1920×1080: 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC) MP4 HEVC [4K] 3840×2160: 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) AVCHD Progressive [FHD] 1920×1080: 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) 59.94i, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 29.97fps) 59.94i, 17Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 59.94fps) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) MP4 (High speed video) [4K] 3840×2160: 29.97p (Sensor output is 60fps) 23.98p (Sensor output is 48fps) [FHD] 1920×1080: 29.97p (Sensor output is 180fps / 150fps)
  12. Come back to Earth Andrew :), eoshd forum will be dead since September, everybody will be just filming.. Better prepare and move the site to BMusers.com when there is still time.
  13. This forum topic is like live chat - beeping constantly with new replies..
  14. I'm speechless.. This is the end of my interest in gear...
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