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Ancient Greeks had a mind exercise that involved infinite numbers and division. They reckoned that since numbers are infinite that any time between two actual moments must therefore be infinite. Transfinite infinity. Zeno's Paradox. A trillion moments within a second? That's getting close. I like that notion. Time is not just how we perceive it. Excuse me while I go eat some pot brownies now, dude.

​The camera doesn't record sound internally though, at least when shooting 96fps with a GH4 or 120fps with a Samsung NX1. There's nothing to sync the audio file of the external recorder with, so that's a fairly big problem.

​Wow, THIS. Have a MF setting in the menu : AUTO [current implementation], 90, 180, 270, 360 settings. You could change the focus throw to suite your taste. I would not hesitate to buy samsung lenses for video if this was a feature.

Andrew, is it possible to rename this topic? Or create a separate topic about NX1 feedback? Anyways, there are some improvements I'd like to see with the most important ones being on top... - improved 1080p quality - proper manual focus mode on native Samsung lenses (they're fly-by-wire so they're not going to feel as good as lenses with a proper mechanical focus, but it must be possible to offer a linear focusing mode with a 90° or 180° focus throw!? As long as it allows for repeated focus pulls it's fine in my opinion and I know a lot of people who are hesitant to invest in Sony / Panasonic / Samsung lenses for video simply because of the non-repeatable focusing!) - proper 120fps 1080p mode with sound - cache record function, so as soon as you hit the movie trigger the last 4 or 8 seconds will be saved - tele mode / crop mode that uses a smaller part of the sensor, which should drastically reduce rolling shutter and result in a very detailed, downsampled 1080p image - stepless ISO compensation when shooting in manual mode (not sure if it's already implemented) - ability to switch between EVF and LCD screen while recording - different zebra modes (not just 100% zebra) - punch in focus assist WHILE recording (as it's found on the Sony A7s) - implementation of h264 for the time being ​

Looks great! And a train with a steering wheel- nice interactive philosophy tutorial on life!

​The problem is *not* the camera (GH4, etc). The problem is not understanding how to light your subject. If you don't want an HD TV sitcom look, for gods sake don't light it that way. The Kinemax shots are lit like a TV drama or sitcom. As usual, it's not the camera, it's the entire pipeline from composition and motion to lighting, filtration, lens selection, sensor latitude and post production. You could name the specific touchstones along the way, but the time for blaming your camera is long past.

Nice. What's the camera?