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Everything posted by jcs

  1. Why not shoot something around 1 minute first? Then show it for feedback...
  2. The D850 has better color/skintones vs. Sony or Panasonic, however AF isn't really usable and rolling shutter is very high. Do you still have a 1DX II? Curious why you didn't compare the 1DX II, which currently has the best balance of usable features for high-end stills and 4K DSLR video. 4K MJPEG is indeed heavy for storage, though the latest version of Resolve can play the footage smoothly on somewhat old hardware (e.g. 2010 MacPro and GTX 980-level GPU). A modern PC can play the 4K MJPEG (including 60p) in real-time in Premiere Pro CC. When aliasing isn't an issue and doing mostly medium an
  3. jcs

    Game of Egos

    @fuzzynormal Isaac Asimov wrote a short story called "The Last Question" which is relevant to your comments and this discussion: http://multivax.com/last_question.html (full text here, just a few minutes to read). @Kisaha it's super cool that Nintendo put shrooms (Amanita muscaria) in Super Mario Bros. The 'enlargening" isn't physical in real life with shrooms, it's mental/spiritual These kinds of conversations ultimately affect how we treat each other. It doesn't matter what each of us thinks individually. It does matter when we physically interact with the world and each other. O
  4. You can get to 24p from 30p by retiming to 80% (24/30 = .8) in Premiere etc. for 120/24 = 5x slomo. We recently shot 1DX II 120fps (PDAF worked well). Without pixel peeping didn't see any resolution reduction vs. 60p (full frame, no crop for both cases). Provides enough resolution/detail for close up and medium shots. For wides best to use 4K60p if detail is important for the shot.
  5. jcs

    Game of Egos

    Received a PM asking about this: They cover a few topics, namely science & spirituality, oneness & psychedelics, and is consciousness primary. When we absolutely believe in something spiritual, e.g. something we can't test with the scientific method, that becomes religion. If we absolutely believe in science in the same way, even though scientific beliefs are based on things we can test, that too becomes religion, because we totally believe the results and stop questioning. If someone is certain that there is no God / nothing 'spiritual' happening or anythin
  6. Did a quick test- it appears to stop / not-export on sections where the audio has been swapped. I would expect it to render each video section as a separate clip, no matter what audio is included (even if the audio bridges multiple video clips). That would be the 'obvious' behavior, and thus the current behavior looks like a bug. From a code/design point of view, running the renderer for each video clip as the in/out for each clip would be trivial to code... If not they need to abstract out the rendering system and generalize, then doing what I described is trivial to code. Guess product manag
  7. Tried the latest release version of Resolve 14 (free version, will probably get the $299 version after this test). Added a bunch of video and audio effects to a Canon 1DX II clip (1080p, full frame): Pretty impressive performance on a 2010 MacPro and GTX980ti. Close to real time loaded with all these effects (easily realtime with basic effects / grading). Audio when not in the Fairlight panel is still 'clicky' after a few effects have been applied; guessing they're making video a priority and dropping audio samples to 'keep up'. A trivial linear interpolator could eliminate
  8. It's internet etiquette to not reveal movie spoilers without warning. The other thread is about 16mm and technical aspects vs. the story (this thread).
  9. 16mm is considered below 2K/HD digital resolution due to large film grain: http://www.cinematography.com/index.php?showtopic=14944 (without grain is similar to HD). In that thread they state there is no actual resolution for film, however if you shoot resolution charts indeed there is... The Mother! trailer looks especially soft on YouTube compared to other trailers, likely due to issues with compression since the grain is so heavy. One of the tricks used for softer / lower resolution cameras is to shoot mostly closeups, as was done with the Canon 5D3 H.264. Low resolution is especi
  10. GH5 => 16mm Patina Recipe: Reduce DR, esp. highlights. Nothing will be very bright Down-res to 720p or so, then perhaps scale back to 2K or 4K to add noise (via Nesting, etc.) Apply really chunky monochrome-ish organic noise (FilmConvert or 16mm film scans etc.). FilmConvert LUT for appropriate Kodak etc. film stock could also help (could then skip (1) & perhaps (2) above) https://www.premiumbeat.com/blog/achieving-a-super-16mm-film-look-when-shooting-digitally/
  11. The film has an excellent, organic, abstract, low-res grainy look. The antithesis of pristine 4K! Some films, such as action/adventure/SciFi/Fantasy benefit from ultra clear ultra high-res imagery, and others such as horror/thrillers totally work with organic low-res grainy look: makes one 'less sure' about what they are seeing. More detail reply in this thread (spoilers; best to watch film first): https://www.eoshd.com/comments/topic/25995-aronofskys-mother-post-watch-discussion-spoilers/
  12. @Don Kotlos: Abstraction is an understatement for this film! Pi and The Fountain were a little abstract, Mother! takes abstraction to a whole new level. I think that's why the reviews are polarizing. If one views this movie literally or at face value, it's a bizarrely terrifying horror thriller and ultimately makes little sense. When viewed as an abstraction, paying attention to the symbology, it works as quite an amazing experience. I was laughing during many parts of the film because I saw what he was doing, and it was amazing. Looking around others were horrified or puzzled. My fel
  13. As I watched Aronofsky's Mother!, I noted how soft and noisy it was, figured 16mm film (it was: http://www.imdb.com/title/tt5109784/technical?ref_=tt_dt_spec). Lots of handheld, close follow shots, POV pan-reveals, and overall genius-level unnerving camera motion and editing. This is probably his best film to date: A+, 5/5 etc. Camera, color, editing, acting, story, lighting, music, sound, VFX, all top level work. He digs deep into the human psyche / ego / control / fear and doesn't let up 'once it starts' (you'll know what I mean when you see the film). For those who haven't studied psyc
  14. I've used s3 for business projects: I don't think it would be worth the cost in your case, and certainly couldn't outperform setting up a local file server in your location since you have a 200Mbps fiber connection. Once your clients upload files to your local file server, you'll have access via your local network at 1Gbps (or 10Gbps if you have those NICs).
  15. What makes it cool is ease of use for these advanced effects. Lots of creative possibilities! Next they'll add depth sensors so we can simulate any camera/lens in post
  16. You may find that when you set deadlines, things get finished, and when you don't...
  17. In order to plan the bacon-wrapped-shrimp party when's it gonna be done?
  18. This is the real issue from that article: I could see Amazon/PrimeVideo acquiring Netflix in the future. Amazon makes money in other ways which could help deal with the internet/media monopoly. Netflix is making original content for survival as the media companies own everything else. Most indie content isn't worth watching for most people. What's needed is better search/matching tools for 'long tail' indie content that could be efficiently matched with micro markets. Ultimately, 'good content will become popular virally'. If people aren't sharing your content, it's not good enough (or
  19. Note that pretty much no one could guess the right camera order in the A7S II, C300 II, 1DX II side-by-side test on EOSHD: And even on the more 'working professional' oriented dvxuser: http://www.dvxuser.com/V6/showthread.php?346890-1DX-II-A7S-II-C300-II-Compared-Side-by-Side I'm currently selling a bunch of gear, GH4, A7S I, Panasonic and Sony lenses... These posts have me seriously thinking about selling the A7S II (along with Speedbooster and MB IV adapter), and getting an 80D or 5D4 as the light/travel camera to replace the A7S II. In this 80D vs. Alexa demo:
  20. Yeah, that would be better; if the D16 is capturing an accurate image of real-life, then the resulting 3D LUT might still be helpful. Panasonic is listening to customers: on a GPU a 3D LUT operation can be very fast. Not clear if the GH5 has builtin 3D LUT hardware or GPU level processing cycles available.
  21. Haha, good one! Wait, are you seriously taking Wes Anderson seriously?
  22. Take your GH5 and take a picture of that image. Take the GH5 copy and the original into any tool which does shot matching. Perform the shot match operation. Test and tweak further to get both images to match as close as possible by eye. Save out the resulting 3D LUT. To generalize and automate this process, so the resulting LUT will work better in the general case, use machine learning to train a neural network to create an optimized LUT based on GH5 input and <target camera> output
  23. Netflix Originals are most likely Sony or Red because of the "4K" requirement (which seems like a political thing against ARRI domination, and perhaps a reason behind Steve Yedlin's recent resolution test. Alexa 65 is rental only and not widely available). Sony pro video cameras have been traditionally more reliable vs. Red (which in recent time is also pretty reliable), and thus Sony is a good guess. And then I looked it up ;). Watching again on the desktop with a high-end 32" calibrated 4K Dell display (vs. on my iPhone when originally replied), it does have that Sony video look. It's s
  24. Looks decent. The F55 can be matched to Alexa with enough work (at least in the studio).
  25. Happy Birthday Jasper! Lol how many did you have? Bacon wraps nicely around prawns too. <?>?</?>
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