Posts Tagged ‘review’

gh4-vs-a7s

It looks like the story of 2014 is taking shape in the form of very high quality 4K on large sensor mirrorless cameras. Last year for me it was raw on the 5D Mark III which excited me the most and before that it was the Blackmagic Cinema Camera. This year is more exciting on the tech and creative front than any I can remember.

Here’s my look at how the GH4 and A7S compare in detail for 4K cinematography…

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Sony A6000 with Zeiss 50mm F1.4 on Speed Booster

Sony A6000 with Zeiss 50mm F1.4 on Speed Booster

Buy the new Sony A6000 on eBay

Pre-order the new Sony A6000 for $648 at B&H

The Sony A6000 is the best Sony consumer camera yet for video. A Nikon D5300 in a mirrorless body, with far more features, the image quality is closer to the FS700 in 1080p than to a NEX 7 or A5000. The pristine sharp EVF, a magnified focus assist which can be activated whilst recording (rare!), peaking, zebra, 16:9 screen and of course the mirrorless form factor. This is arguably the best current ‘cheap’ camera for video, de-throning the GH2 and GH3. At just $650 it is an absolute bargain.

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Above: GH4 test footage shot in 4096 x 2160 Cinema 4K DCI mode. Academy 1.85:1 aspect ratio. CineLikeD profile for best dynamic range.

Tip jar EOSHD just $5 if you think this article is useful

Below: Cooke S4i Mini (uncoated Panchro/i version) on the GH4 with Ciecio7 PL adapter (buy it on eBay here)

GH4 Cooke PL lens

Andrew Reid (EOSHD) and Frank Sauer (Filmmaker) are shooting with the Panasonic GH4

On Day 1 of shooting with the GH4 we did a location scout at the Spreepark abandoned theme park in Berlin. The park has granted us paid access to do a proper shoot with the free runners so I am going to save the location scouting footage for when it comes to that edit and the final piece. Frank is near Frankfurt now with the GH4 to shoot a piece with a new aerial drone and gimbal (similar to MoVi) and I have been out shooting with the GH4 around Berlin to get an idea of the image quality when it comes to 4K. I’ve also tried grading the 100Mbit/s 4K codec in Premiere to see how well it holds up. Here are the results in glorious 4K!

Disclaimer 1: This GH4 is a pre-production model. Firmware version is v0.5. The image quality may not represent the final camera.

Disclaimer 2: Because I don’t have NDs big enough or good enough for the Cooke lenses yet, most shots were shot at higher shutter speeds than 180 degrees (1/50)

Tip: if you don’t have a Vimeo Plus account to download the original file and pixel peep I’ve uploaded some short GH4 4K clips here in ProRes LT format. Try grading them and looking at the detail 1:1!

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The Digital Bolex has stumbled into the world. It is alive. Now it must find a place for itself. Most importantly of all – is this new replicant Bolex actually convincing?

Time to find out.

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d4s-full-throttle

I decided to get my hands on a Nikon D4S at a local store in Berlin, to see if the much hyped ‘new image processor’ gives a real improvement in video quality. Nikon have made a lot of marketing noises about this ‘HD-SLR’ and video. It’s a camera which according to their management “started out as a small update but became much bigger”. Hmm.

This isn’t a comprehensive review of the D4S, rather it seeks to answer one simple question that Nikon themselves so far have been dodging. Has video got better on it?

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The EOSHD Sony A7 Series Guide to Full Frame Lenses
The EOSHD Panasonic GH3 Shooter's Guide
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Anamorphic Shooter's Guide - Second Edition
More EOSHD Guides