Super 8 and Super 16 movie cameras took a free-roaming Henri-Cartier Bresson style to documentary filmmaking and “run & gun” for the first time (as early as the 1960′s). Cadid footage of JFK on the election trail. French New Wave cinema in the 80′s. The run & gun simplicity of Bolex Super 16mm cameras is timeless.
The Sony RX10 on paper is perfectly equipped to be a cinematic run & gun camera. The lens for example: a stunning Zeiss 8.5-73mm F2.8 (constant aperture) zoom, would be worth $10,000 on a 16mm cine camera.
But does the camera as a whole deliver a cinematic image?