Just as the Metabones EF adapters and Speed Boosters helped the Sony A7 series, it’s now the turn of the Nikon Z6 and Z7.
This is sad news and maybe premature, but in my opinion all the new full frame systems all have strategic flaws.
Cameras and displays have come a long way since the old standard definition Rec.709 standard came to be.
From today, Sony’s colour science now gets a cinematic overhaul on the A7 III and A7R III.
A fantastic piece of kit, but this camera is not without issues.
The gulf in capability between Canon and Sony continues to widen with the A7 III – the entry level full frame mirrorless model, which is practically an A9 with HDR and S-LOG for less than half the price. The new ergonomic refresh and larger Z battery with 710 shots per charge (longest of any mirrorless camera yet) are just as appealing as the headline specs.