Dynamic range test – EOS R / X-T3 / Z7 / A7 III / GH5S / who has the best LOG?

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On the Nikon Z7 how much difference does 10bit N-LOG make?

Is there a step up from the Canon EOS R when you record 10bit externally?

How does the Fuji X-T3 compare in F-LOG at 10bit internally?

All the questions and more I set out to answer here…

Read moreDynamic range test – EOS R / X-T3 / Z7 / A7 III / GH5S / who has the best LOG?

DXOMark rates GH4 at 13 stops dynamic range – 1 stop better than 5D Mark III

gh4 vs 5d mark iii dxomark

DXOMark have tested the raw sensor output of the GH4. Raw stills have 12.8 stop dynamic range vs 11.7 stops on the 5D Mark III, illustrating just how far ahead almost everyone is on sensor performance over Canon.

Read moreDXOMark rates GH4 at 13 stops dynamic range – 1 stop better than 5D Mark III

Blackmagic Cinema Camera tips – ‘overexpose’ it for best results – and interview with John Brawley

blackmagic cinema camera rewo cage

Above: my Blackmagic Cinema camera with ReWo cage – a shootout with the Red Epic is coming soon

BlackmagicUser.net recently did an interview with John Brawley, the cinematographer close to Blackmagic Design and main tester for the cinema camera.

His experience exposing the camera goes along with what I am finding, that the Blackmagic Cinema Camera works best when you ‘expose to the right’.

Read moreBlackmagic Cinema Camera tips – ‘overexpose’ it for best results – and interview with John Brawley

Most significant clue so far about Blackmagic Cinema Camera performance

New Blackmagic Cinema Camera footage is in the wild, and this one is downloadable in glorious high bitrate 1080p.

Although it isn’t the original DNG or ProRes rushes it is the closest we’ve come to a representative video yet.

Read moreMost significant clue so far about Blackmagic Cinema Camera performance