[vimeo]http://vimeo.com/101227369[/vimeo] Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood. Now Sony have put this on a $2500 consumer camera along with the best full frame sensor I…
Search Results: Sony A7 (507)
Picture (“Buddy”) courtesy of James Miller, inset – the CYP 4K HDMI scaler The picture above (click for 1080p original) is from the 4K full frame sensor inside the Sony A7S (ISO 3200, S-LOG2). Internally the camera does a simple downscale of the 4K signal to 2K for standard 1080p XAVC…
Slashcam have chart tested the A7S internal recording modes and the results for the regular frame rates 24-30p are incredibly positive. However it seems that in 60p the camera cannot utilise the full pixel readout of the sensor, which results in a worse image with moire and aliasing. You can read my…
[vimeo]http://vimeo.com/100083359[/vimeo] All footage by Ed David on the EOSHD forum I’m surprised at how nice the quality is from APS-C (Super 35mm) mode on the A7S. I expected it to be a lot softer! There’s no signs of significant moire or aliasing either. The smaller window from the sensor allows the…
[vimeo]http://vimeo.com/99893160[/vimeo] “Now I See” by Philip Bloom shot on the Sony A7S
[vimeo]http://www.vimeo.com/99854427[/vimeo] Just how is the rolling shutter exactly on the A7S – intolerable or similar to what we’re used to on other DSLRs?
This began as a 10 point list. It grew… I am huge fan of the 1D C’s image but not the camera itself and especially not the price. The 1D C when it was introduced offered an absolutely lovely image and still does but now the playing field is rapidly changing. Exactly how does…
All the high ISO footage from the Sony A7S so far have been highly compressed and streamed on YouTube. Here we have not one but two stages of very aggressive noise reduction being applied to the images. If you want to see it without the heavy compression removing all trace…