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Attila Bakos

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  1. Like
    Attila Bakos got a reaction from Sage in Pocket 4K to Alexa Conversion   
    I think he posted some code screenshot in the past where he fixed hue twists. I'm 99% sure he fixes this issue but I'll let the man talk
  2. Like
    Attila Bakos got a reaction from tupp in A 41MP Olympus Mirrorless Camera will be Announced Soon   
    3 stops.
  3. Like
    Attila Bakos reacted to Gianluca in Sony A7III SLog2   
    I've purchased colorized aces slog2.cine3 and, finally, I can enjoy shot in slog mode on my a6300.... It's like have a raw file when you can get a proper exposure moving only one slider, i think that the same with withe balance.. 
    Color are super accurate with finally red object that are red and not orange.... Thank you so much.. 
  4. Thanks
    Attila Bakos got a reaction from kye in ACES IDTs & 3D LUTs for Z Cam ZLog2 and GoPro Protune   
    I found a clip where I tested the stabilisation of the GoPro, it has my face in it, so you can see how the DCTL corrects the Protune clip.
    Protune Flat/Native:

    DCTL:

    Normal contrast/saturation adjustment in Davinci YRGB mode:

     
    As you can see the DCTL corrects for the yellow skintones, also the jacket of the lady in the background is supposed to be red, which is not what you get with normal contrast/saturation adjustments.
    I believe my DCTL/LUTs can really make your life easier when shooting GoPro Protune Flat/Native.
  5. Like
    Attila Bakos got a reaction from Mark Romero 2 in Sony A7III SLog2   
    I actually know @Deadcode, we help each other where we can
    ACES won't force you to change the way you expose, it will actually be easier to correct an overexposed image. The offset wheel's effect is very close to a true exposure controller in ACES.
  6. Like
    Attila Bakos got a reaction from Mark Romero 2 in Sony A7III SLog2   
    The IDT is the entry point for ACES, it linearizes the clips and converts to the color space to ACES AP0. Then ACES will convert this to a logarithmic gamma (either ACEScc or ACEScct in Resolve, whichever you choose), and to AP1 color space. So yes, you can use the IDT with both.
  7. Like
    Attila Bakos got a reaction from kye in ACES IDTs & 3D LUTs for Z Cam ZLog2 and GoPro Protune   
    Unfortunately I don't have a GoPro (got the clips from a friend), but if you send me a clip with people, I can show you how it would look. Remember that the color mode must be flat, and white balance must be native.
  8. Like
    Attila Bakos got a reaction from BTM_Pix in ACES IDTs & 3D LUTs for Z Cam ZLog2 and GoPro Protune   
    Two new packages added to my collection. Details here: http://colorizer.net/index.php?op=aces
     
     
  9. Like
    Attila Bakos got a reaction from Deadcode in Sony A7III SLog2   
    Colorizer.net is my stuff, thanks @Deadcode for mentioning it. I also have Fuji film simulation LUTs specially designed for S-Log2/S-Gamut3.cine, if you're interested. (I used an A6300 for the conversions.)
  10. Thanks
    Attila Bakos reacted to jpleong in I WILL be getting a Fuji X-T3!   
    Check out Attila's work: http://colorizer.net/
  11. Like
    Attila Bakos got a reaction from tomastancredi in I WILL be getting a Fuji X-T3!   
    I was hoping for Classic Neg
  12. Haha
    Attila Bakos got a reaction from EthanAlexander in Pocket 4K to Alexa Conversion   
    Oh I'd like to send a still as well! It's an 512x512 PNG and it has 262144 unique colors, is that a problem?
    I'll show myself out... ?
  13. Haha
    Attila Bakos reacted to Sage in Pocket 4K to Alexa Conversion   
    Hey Attila, the res might be a bit low
  14. Like
    Attila Bakos got a reaction from Sage in Pocket 4K to Alexa Conversion   
    Oh I'd like to send a still as well! It's an 512x512 PNG and it has 262144 unique colors, is that a problem?
    I'll show myself out... ?
  15. Thanks
    Attila Bakos reacted to androidlad in I WILL be getting a Fuji X-T3!   
    It'll come with V4 firmware at a later date.
  16. Like
    Attila Bakos got a reaction from BTM_Pix in Z-log to rec709 how?   
    That's for N-Log, he asked for Z-Log cinema, which is one of Andrew's profiles for Nikon cameras.
  17. Like
    Attila Bakos reacted to keessie65 in I WILL be getting a Fuji X-T3!   
    Last summer film, favourite of our family. X-T3 with Bolex Moller 16/32/1.5x. 
     
  18. Haha
    Attila Bakos got a reaction from BrunoCH in I WILL be getting a Fuji X-T3!   
    Then you tell her no problem sweetheart, we'll fix you in post. ?
  19. Like
    Attila Bakos got a reaction from heart0less in Fujifilm Film Simulation LUTs for Sony S-Log2/S-Gamut3.cine   
    My new stuff, details here: http://colorizer.net/index.php?op=slog2
    If you have some S-Log2/S-Gamut3.cine footage, I can apply my LUTs to them if that helps to judge quality.
    Created using an A6300 & X-T3.
     
  20. Like
    Attila Bakos got a reaction from Geoff CB in The Resolve / Colour Grading resource thread   
    I didn't watch all of it, but he doesn't seem to convert S-Gamut to Rec.709. I know that he has skills and a good reputation, but I always find it amateurish when people apply some contrast and forget about the gamut.
  21. Like
    Attila Bakos reacted to androidlad in I WILL be getting a Fuji X-T3!   
    BREAKING NEWS:
    Fujinon XF 16-80mmF4 R OIS WR with lens firmware 1.01 offers smooth flicker-free zooming in the entire range, making it the most video-friendly lens in the Fujinon line-up.
  22. Like
    Attila Bakos got a reaction from Lux Shots in Beeeeeg Price Drop on Smallhd Focus Monitors   
    Isn't the Shinobi better for the same price (on B&H)?
  23. Haha
    Attila Bakos reacted to androidlad in I WILL be getting a Fuji X-T3!   
    Solution is to dump Premiere CC.
  24. Like
    Attila Bakos reacted to keessie65 in I WILL be getting a Fuji X-T3!   
    Filmed with my X-T3 and anamorphic with Bolex 16/32/1.5x. Taking lens Contax G 45/2 rehoused to Leica M. Used Ninja V for recording. 
     
  25. Like
    Attila Bakos reacted to keessie65 in I WILL be getting a Fuji X-T3!   
    screenshot from a film I am now editing. Halfway the hike in Austria the SSD from my Ninja V was full, so I stored new footage on SD card. In Premiere CC I edit both and Ninja files are faster to render than H265 from card....

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