SigurdW

Haha thanks, well cause I needed to save up money for a ursa mini pro (so I sold all my camera's). But now this makes me reconsider, maybe ill buy a 5d iii again prices will probaly drop soon with the log release of the 5d iv

Just ordered mine. I was excited for just old school 1.13, 1.23 version... now this will be mind boggling. 

WOW! Sold my a7s for a 5D III a couple of months ago... Now I certainly won't ever look back

3K Cinemascope downsized to 2K DCP.
I missed the focus a little, but the colours are awesome. This is Cinelog-C to Impulz Tetrachrome Arri lut.

Look, this development is potentially huge. It's generally agreed that 5D3 MLRAW gives a wonderful image, especially in terms of colour, and comparisons with the Alexa are often made. While it may not have incredible dynamic range, it's still very respectable at around 11.5 stops. To date, 5D3 ML footage has fallen down in terms of its resolution. Because of pixel binning, the 1080p image suffers from a general softness and slight but noticeable aliasing. Its deficiencies are clear when compared with the downsampled-from-4K 1080 of the C100, for example, or even the in-camera 1080 of the GH5.
Resolution for the sake of resolution is a fool's game. Recently, I was at a screening of the art collective AES+F. These guys' work is based on a slick aesthetic, in part commenting on the world of commercial advertising. The screen was huge. I was sitting in the middle of the theatre, and I was wearing glasses. There was a question and answer session at the end and somebody asked about 4K. AES+F replied that the work was in 4K, but had been presented in 2K because the projector was 2K, but it made zero difference to the appreciation of the piece. If the final image has enough resolution, it's incredibly difficult to separate 2K from 4K. The difference is there. But it doesn't matter.
Back to Magic Lantern and the Alexa. It has been noted that the Alexa's 2.8k is ideal for a 2K or 1080p delivery as the downsampling counteracts the softness that is inherent to the debayering process. And this is exactly what we're seeing today with Magic Lantern for the 5D3. As I type, my camera is recording a 3072 x 1286 losslessly compressed 14bit RAW file to the card. It's a 1.5x downsize from this resolution to the DCP spec of 2048 x 858, eliminating softness and giving a sharp, clear image. And the camera has been running for 30 minutes continuously.
Admittedly, I'm getting a greyscale preview with a low refresh rate, no sound, and a 1.8x crop of my full frame sensor. But if what A1ex is suggesting in his "April Fools" actually comes to fruition, these issues may no longer be issues. It's an exciting time to be an owner of a 5D3.
Respect to Magic Lantern

... and the picture was taken with my new Voigtländer 40mm Ultron lens. Very good combination. The RedStan clamp fits directly to the 52mm filter threat. 

and a film at The Winter Efteling; 
 

Had an hour to run around, so did some more testing. All shot wide open, because why not:
 

Had an hour to run around, so did some more testing. All shot wide open, because why not:
 

Had an hour to run around, so did some more testing. All shot wide open, because why not:
 

Had an hour to run around, so did some more testing. All shot wide open, because why not:
 

Had an hour to run around, so did some more testing. All shot wide open, because why not:
 

(GEAR PORN ALERT!)

Could not help myself... Received this great new wooden handle from SmallRig today. Raw anamorphic aaton-style rack focusing all day now.

(GEAR PORN ALERT!)

Could not help myself... Received this great new wooden handle from SmallRig today. Raw anamorphic aaton-style rack focusing all day now.

(GEAR PORN ALERT!)

Could not help myself... Received this great new wooden handle from SmallRig today. Raw anamorphic aaton-style rack focusing all day now.

Here is my first test with my run and gun anamorphic set up. 
Shot on a GH4 in 4k with natural profile.
Lens used were Baby Hypergonar anamorphic + LINOS MeVis-C 35mm F1.6 Most of it shot at f1.6 or f2.8
Rectilux Core DNA with +0.6 diopter on close ups.
No sharping or noise reduction.. I hope you like. The images at the end I really love. The Rectilux is a dream but you diopters to get sharp below 2 feet.
 

Hi everybody, all of you happy owners of the amazing bolex 16/32/1.5, for personal experience if you ever need your bolex to be service contact Bernie, he is the best!!, honest and with great knowledge, you can contact him at http://www.super16inc.com/  , I am not affiliated or work for/with him.
 Bernie serviced  a couple of my Bolex in the past and did a wonderful job, just sharing my experience to someone looking for help

Wonderful piece of anamorphic lens!
 

Some quick and initial tests with my new system:
5D III (ML RAW) - Bolex 16/32/1.5x - Rectilux Hardcore DNA
 
 
 

Some quick and initial tests with my new system:
5D III (ML RAW) - Bolex 16/32/1.5x - Rectilux Hardcore DNA
 
 
 

Some quick and initial tests with my new system:
5D III (ML RAW) - Bolex 16/32/1.5x - Rectilux Hardcore DNA
 
 
 

Some quick and initial tests with my new system:
5D III (ML RAW) - Bolex 16/32/1.5x - Rectilux Hardcore DNA
 
 
 

Some quick and initial tests with my new system:
5D III (ML RAW) - Bolex 16/32/1.5x - Rectilux Hardcore DNA
 
 
 

Some quick and initial tests with my new system:
5D III (ML RAW) - Bolex 16/32/1.5x - Rectilux Hardcore DNA
 
 
 

Definitely looks more film like than a Sony A7 series can for sure..