Katrikura
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Posts posted by Katrikura
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the specifications, exceeded my expectations. I think it's time to retire my 5D3 with ML
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Dear friends of the eoshd:
Then I leave you a short film, which is completed completely in raw with magiclantern in 1920 x 1080, the configuration used was:5d iii camera
2 compact flash komputerbay 1066x,
2 lights tota lowel
1 lens 24-105 canon
1 macro lens 100 canonThe images were processed with MLVProducer. I still need the translation, however, I wanted to share it with you, so that you can express your comments.
sorry for my bad english -
Hello:
I congratulate your initiative, I will buy the guide, just like I did with the previous guide. I have a 5d3 and I use a atomos blade, when I record in raw in full hd (1920x1080) I do not have any problem to see the images in the monitor, When I record to 3,5k, do the images look good on the external monitor?Katrikura
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Hello:
I tell you my experience, some time ago I had to record an archeological excavation, which lasted a month, were long working days, there were low temperatures and rain (in southern Chile). My team was a 5d iii + ninja blade with DD 1tb, which allowed me to record up to 12 hours on prq hq, 4 NP-F series (generic batteries), the pair gave me a duration of about 4 hours + canon 24 -105 + videomic pro.
I must mention that the recording work I did alone, what most helped me, was the focus peaking and the waveform monitor. Most of the time I did not record with the 5d, just kept it on and the ninja blade did all the work.Then I send you an original camera file, without touching color, as it came out of the atoms in HQ, which I uploaded directly to youtube.
I am currently recording in Raw with magiclantern and I take the atoms as backup or when I run out of compact flash cards, so I do not interrupt the recording.
Sorry for my bad englishKatrikura
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Hello: The following video: https://vimeo.com/220192361 demonstrates the use of fujinon + GH5.
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Hello:
The 5d iii has a clean output through the hdmi, I use it as backup and after scenes, since the cards in which I record raw are 64 gb, with the atoms I have recorded up to 6 continuous hours. I will search for images and upload them tomorrow so you can see the quality.Regards
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Message repeated. Please deleted
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http://www.magiclantern.fm/forum/index.php?topic=19300.msg182071;topicseen#msg182071
Can be true Such good News?
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Hello:
Again the boys lantern MGIC surprise us. A1ex, just determined as record the raw video in 12 bit or 10 bit, although it is a finding emerging, it is only a matter of time to debug the application and develop a specific module raw 10 or 12 bit.As you know, the problem of actaul RAW 14 bit, is what is fantastic, but you need very fast and stable cards (1066x) to record on average 4gb x minute and sometimes, depending on the quality of the card becomes unstable recording . With the current discovery means we can record RAW, but with greater stability and less space or at a higher frame rate.
Today is a great day for the Magic Lantern filmakers community.
regards
Katrikura
Sorry for the bad English
- kaylee, Justin Bacle, IronFilm and 4 others
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EOSHD C-LOG
In: Cameras
Hello:
I just downloaded eoshd c-log. I have a 5D3 and blade atomos, the atom has the possibility of c-log, in the coming days, I will review as He recorded on the camera and the external recorder, to see if there is a noticeable improvement.thanks Andrew
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Hello, I have a 5diii and use a blade ninja, the advantage is that I can record raw directly into the camera and parallel I have a backup in ProRes in the atoms, also I benefit the wizard histogram zebras focus, among others .
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After several months of Atoms announcement released the update to its atoms will, for low-end devices.
I own a Ninja Blade and these are the new features:
Ninja Blade 5.2 release notes FID: 050105200520
Features:
- Added AtomHDR monitoring including HDR waveform functions as outlined below
- HDR and Log to Rec.709 monitor modes. To access these settings, touch the new yellow "Monitor" button.
- HDR mode contains a slider to adjust the number of stops over SDR being displayed on the monitor.
- While in AtomHDR mode, a simplified HDR waveform line has been added to easily set the correct slider position for the dynamic range of the scene.
- HDR monitoring is supported for the Log output from the following cameras; Sony, Canon, Panasonic, Arri, JVC and Red. Bug Fixes:
- Fixed an issue where an extremely long recording could sometimes result in a corrupted file. - Add support for playback of 24-bit audio - Fixed an issue where some files exported from NLE's did not play audio.
During the weekend I will perform the update and see how things behave.
regards
Katrikura
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I think you have to give it one more day of term and does not meet its commitments, not publicly discuss what action to take, since you are reading this forum, let Andrew and the oldest forum (Council of Elders) I took the wisest decision.
Katrikura
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- There is no doubt that this is a scam.
- No doubt Ebrahim, assumes various identities or personalities.
The point is no longer just about the scam Ebraim, which is already established, but the way it evolves with each new information that appears.
Finally the community participating in this forum, it's part of this story and the actions you decide on Ebrahim, will have an impact, at least in the virtual world.
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What if Ebrahim has a dissociative identity disorder ?. Something like Dr Jekyll and Mr hide. I think it would be a more entertaining for the proposed short film character. (sarcasm)
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It is sad to discover that a community was deceived, however, the amount of fraud, fortunately was not very big and no one was hurt.
I think this gives us several lessons, how to care for our identity on the web, as we make purchases, as verfificar someone's identity.Communities are made up of real people interacting through internet in this case. This fact Ebrahim, has denuded our human nature, because of the passion of the comments and personal issues that have spilled here, in the wake of the scam made.
I think it's time to regain sanity and devote ourselves to share the passion that drives us, which is the cinematography and toys. Take this as a lesson of life and different Ebrahim Let's forget that existed in this forum.
Remains as a task for managers, increase security measures and or Technical Inspection, in my opinion, prohibit online transactions without someone wants to sell it under their responsibility, so keep the character of community that wants to share their knowledge and doubts.regards
Katrikura
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A couple of years ago bought a Canon 50D, this in order to try and explore the characteristics of MagicLantern. As economic price, I submitted to every possible test: making timelapse, videos in different fps (2, 4, 6, etc.), anamorphic video and of course Video RAW in the various resolutions that offered me ML for this camera, plus several workflows for raw video and everything worked very well. After that I took the decision to acquire the 5diii, so I served as a test camera.
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here is the answer they sent me:
Your ticket details:
Subject: Update hdr ninja blade
Ticket ID: 71131
Department: SupportNew Update:
Hello,
We actually expect that update over the next week or two to be available for download.
=========
Jesse Pepin
Customer Support Mgr, Americas
Atomos Inc.
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hello, I made an inquiry through their website and they said they would release the update in the coming weeks
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3 hours ago, Oliver Daniel said:
Oh bloody hell.
Now you've got me interested in ML 5D mk II. I've never used it for raw video. Kind of like the idea of using an "old dinosaur", adds to it in some emotional way.
The manufacturers have skipped making 1080p near perfect in favour of brittle, highly compressed 4K images. What we are getting is insanely high resolution images with poor compression artefacts - when what we need is lovely 1080p with thick, chunky images.
Ive got other raw cameras on my radar, and maybe this 5D II for fun!
Dear Daniel Oliver: Initially I felt I had to make a tedious process to convert raw files, but eventually felt I was working as a craftsman, because although it was a long process, I have total control over the final result.
5 hours ago, Ebrahim Saadawi said:The raw hack of the 5D is something unique, simply because the company will take at least two or more geberations of the 5d to reach what the 5dIII is capable of in terms of pure video QUALITY.
The next generation will definitely have more resolution, as in improve on one element of quality leaving the rest intact (colours, 8bit, codec, grain, dynamic range, rolloff) while the 5D RAW still will have superior colour, 14bit, codec, grain, dynamic range, falloff, just better iverall, aside from one element, less resolution.
Think about it, if 2K is enough for you, you donlt need moore detail, then there is absolutely no other camera on the market todsy or tomorrow that will give you the 5D 14bit enormous 16+ thousand gradations of each colours they will all give you 256 gradations of colours but more pixels.
The differebce is HUGE bdtween an image element containing 16 THOUSAND coloyr gradients vs one with 256, the 8bit image will always have that special plastic signature that's immenselly apparent and non filmic when viewed side by side 14bit, the green leaf looks more natural, not a green block, but has all those tiny tiny variations of green and brown and yellow that you can touch and see with your hand when grading the RAW image, much much more realistic and natural and filmic feel, because that's what film had, tons of gradients and we associate it in our minds with film, while 8bit is well, compression, a digital substraction of colours to reduce your file weight, while it can look very good when performed on the final delivery stage after all your manipulation and after you've chosen what to put in that final 8bit container, it's very destructive when perfornaed on the initial shot files and grading and recompressing just destroys the natural colour rendition.
After all these years of technologic advancement even by CANON I see no other camera making the filmic colours and image structure of the 2009 5d II image in raw. Why does it look so unique and identifiable ? Because it's started with 14bits of colours. Not a coincedense that the only other camera giving the similar filmic image is one that shoots 12bit, blackmagics. 10bit? Not so much, it's nearly identical to 8bit. Welre talking about 256 gradients in 8bit, a thousand in 10bit, 4000 in 12bit, 16000 in 14bit, it's not that 10bit is similar to 8bit just because it's more than 8. Something many forget or don't know.
Want a camera with an image that can go to theatrical projectiom in cinena, be viewed side by side the 2k Alexa, kodack film? A used 5D MKII with a mosaic Aliasing filter and ML RAW s the cheapest way toget there. You can buy a sony a6300 at the same cost and it will give you more resolutiin, but it will look absolutely worse projected against these cameras at 2k. However, for nature stick footage to be put in a UHD store, the more resolution of the a6300 will be much more desirable than natural colours or lack of compression blocks or fine grain structure. Just saying ts different cameras for different outputs.
I am shooting the 1DC for what, 2months now? I have shot the 5D III RAW for a similar period and i can definitely say the 5d pure image is the one I would choose to shoot with a narrative feature film for prijection, while I LOVE the 1DC image for everything else, yes it can nail narrative, but the 5d FF RAW image is just one step ahead of the 1.3x APSH 4k 8bit image, it's exactly, exactly the same difference you see when shooting photographs in RAW VS JPEG on a canon DSLR (The 5d shoots the same image 14bit raw format and the 1dc shoots the same 8bit jpeg format). While i think JPEG can look BEAUTIFUL , RAW is simply a higher league of film quality.
All the camera manufacturing companies and all the consumer audience are chasing one mesely element of image quality and abandoning the many other ones that actually make a bigger impact on quality. Image quality is proven by the 5D III RAW to be WAY more than just HD+ PIXELS! It's lack of digital compression that destroys fine colour gradients (bit depth), high dynamic range that lets us see MORE OF the imsge being projected, the smooth roll off to highlights and shadows, the noise amount AND noise structure and fine size and randomness vs Fixed pattern digital noise, it's bit rate and how it destroys the moving element edges msking blocks around their edges hoping viewers don't see , it's the lack of chroma subsampling that cuts colour information in half and in quarter giving stair stepping pixels on each colour subject in the image again hoping the viewer won't notice, it's the sensor size and depth of field amount, it's thr lebs rendition of detail and background/foreground, the lens bokeh look, flare look, colour temperature, distortion, fringing,
and we leave ALL OF THIS and just improve on one element? Higher resolution? What genius came up with that decision? ENOUGH. 2K is enough (see alexa and c300 and 5d raw resolution at large size screens and determine by yourself)) 4K is DEFINITELY more than enough. STOP right there at 4k. Now improve upon the long list of image quality elements you've been ignoring for years!Dear Ebrahim:
Some time ago I read an interview with the famous DP Vittorio Storaro, where he said it was more important to have greater color depth, which have higher resolution. What you raise, points in that direction. Thanks for taking the time to do such a detailed comment. -
although the price is an important factor, most importantly, are the creative possibilities and offer, due to the depth of color and beauty of raw images.
Blackmagic Pocket Cinema Camera 4K
In: Cameras
Posted
At least in this price range, I do not think there are other alternatives, it's like the magiclantern camera