zerocool22

I never pre-ordered, whish I did. Are there any Belgians or dutch people who got theirs, or know a store where there are no pre-orders but are awaiting shipments?

I would not hold my breath for that half price sale. If it does, im buying 3 pocket 4K's.

Yeah the flare into the lens onto the ump is might giving some problem in this example. I installed beta 6 and tested it out on a fashion project. I have not gone in post yet, just quickly loaded a clip in resolve. And dang the UMP is looking really amazing with the update. (maybe even alexa good). But need to test out the fpn still. But blackmagic raw 12:1 looks like a godsend right now.

Were you able to visit Samyang and ask them about the anamorphic lenses?

Did anybody visit the Samyang booth yet and asked about the upcoming anamorphic lens?

Isnt travel video dead? I know I am no longer interested in seeying or making any travel video's anymore (unless its a job). Travel photography I can still enjoy, but I have not seen any good travel film in a long time, or at least the magic has been lost for me. Its all gymbal movement here, flashy transition there, every video looks exactly the same and every location has been shot 1000 times.

yeah I have not seen any DR or 10bit specs, or saw any footage. So far too soon to even consider this.

Could you ask Samyang about the new anamorphic lenses? When, Where, How much?? Thanks!

Terra 4k was also rumoured the same. Would love to see that comparison, as codec wise they are much closer.

Wow the pocket really blows the gh5 away.

yeah for some reason the gemini is creamier and has some kind of pop like the alexa. Might be the other 24k $ that is giving that. BM should figure out what it is and implement it into their next camera, or better yet give it through a firmware update on the ursa mini pro.

BM won innovation award at IBC with Braw. https://***URL not allowed***/blackmagic-raw-wins-cinema5d-ibc-2018-technological-innovation-award/

Is there a fast way to do this in resolve, like with a slider, and not masking shit out? If so how?

If you want 10bit on a A7S iii, I guess we better first wait on a FS7 III or FS5 III or new camera with a lot better specs. So could be another 2 years.

I guess next week we will have some more news, I doubt it will be december. Hoping to get my hands on one in octobre. As I did not pre-order ;'( But in my case it will be the best B-Cam choice by far. (allthough when the 5D IV ML works, then I might need to change my mind, but as of now the progress it too slow because there are not that many testers)

Yeah really want to see a pocket 4K vs terra 4K shootout comparison video. Not sure if the terra 4K is worht more then 5times the cost of a pocket

aah tooo bad :/

Blackmagic should have waited before releasing it to other NLEs. Which would have made a lot of users swap instantly to resolve. Yeah missing is a big word. Curious how much they can tweak it. As other cameras would have nice skintones straight out of the camera. From all camera release videos canon nailed it with their original c300 video by vincent laforet, that really looked like a film. This is not quite in the same ballpark. And yeah the c300 was 10 times as costly but its also an old camera by todays standards.

I rather have an F35 in an FS7 body. But its as you say not going to happen I do like the venice though. Only never gonna happen with my wallet.

Well this video sure will have costed plenty of penny's on director, dop, location, actors,... in those cases you naturally asume they also had a decent grader But apparantly its a rough color grade, well see how much they can improve it as Nick's other video's are looking far superior

The lighting and production value are excellent and this might give the video the positive edge. But if you look at the daylight wide shots It does not look cinematic at all.

They do not seem to be at IBC or am I wrong? Nobody has seen the lenses at another brand demo sony,pansonic, blackmagic(as I found the slr magic anamorphic lenses one time at a panasonic booth)?

Yeah Im a sucker for the fuji colour science. But braw is an different beast entirenly then prores(those raw sliders sure are sweet), and prores is already far better then h264 or h265 in the editing room. So codec wise the pocket will win hands down and will win you time in the editing room. This footage of the x-t3 is not that bad. But it seems to be missing something colorwise, not sure what but those skintones dont look that pleasing.

hmm then I might get interested back in these series. Cine Alta Colors, high DR, full frame, decent 10 bit codec. Then these things will fly off the shelves.

While I kinda agree, but then again 10 units or something is nothing compared next to the 10000's preorders that are shipping next week. And at this point I think everybody is already convinced of the pocket 4K, so these first impressions are kinda useless I think, unless you have a lot of followers on your youtube channel who do not follow any camera news/forums.