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Jordan Lee

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  1. Jordan Lee

    New Mac Minis

    Do you guys think the new Mac Minis are a good budget (compared to the latest iMacs at least) 4K editing option? I have an aging iMac and am looking to upgrade soon
  2. I have the Sony 55mm f/1.8 with my A7III, which is an awesome lens except for the fact that its manual focus uses focus-by-wire. As you know, it's very hard to achieve repeatable focus pulls and the like with these kinds of lenses. I understand that some of Sony's GM lenses have linear manual focusing, which, while not as nice as a mechanical focus system, is much preferred to the variable speeds of their other lenses. So my question is, do you think it'll ever be possible to update the firmware of a lens or the camera body to switch a lens' manual focus to linear? Or is it impossible because of the construction of those lenses?
  3. Thanks! Sony 16-35mm f4, SLR Magic 35mm 1.2, Sony 55m 1.8, and Canon 135mm f2. AF for the gimbal stuff and manual for pretty much everything else
  4. This video was shot with the default settings, but I've since modified my settings so that the tilt is slower and the pans are smoother
  5. Thanks! Yes, a lot of this was shot during harsh sun mid-day, hence the difficulties with highlights. As for the movement, I was using a Zhiyun Crane Plus
  6. Thanks! Sony 16-35 f4, SLR Magic 35mm 1.2, Zeiss 55mm 1.8, Canon 135mm f2, Metabones IV adapter, and the SLR Magic variable ND
  7. Shot this video for a Bible camp I was at last week entirely with Pro Color V4 HDR:
  8. I'm sure you've all seen this kind of low-contrast, desaturated teal/orange commercial colour grade before, but I can't quite seem to get the look right on my own. Obviously a lot of it is how it's shot and with what kind of lighting and camera, but what kind of steps would you personally take (using Lumetri in Premiere for example) to work toward this kind of aesthetic? I've tried a mix of lifting the blacks/shadows, bringing down the highlights, lowering the contrast, playing with the curves, but everything I try just looks cheap next to something like this:
  9. I see that the PP2 setup uses SLOG-2. Will it work with SLOG-3 as well? I know SLOG-3 on the A7SII has some issues, but sometimes I like to get all the DR I can for certain shots.
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