mercer

Highly unlikely they'll produce two versions. More than likely you purchase the base kit which is basically a GoPro and then for X dollars more you can purchase the cinema kit which will be a new faceplate that has some type of mount. Probably a weird bayonet or c-mount. From there, they'll sell you adapters to PL, EF, etc... The screen will go away on the cine plate but they may leave an hdmi port for a monitor. Once you unsnap the faceplate, you can unplug the screen which you can reconnect to the hdmi port... or whatever. Either way, interesting camera.

The Duke and Dorkess of Dividends

replicate the simplicity of iMovie HD with some modern tools.

Haha, "paid promoters of newness."

Been using the GH6 with the cheap 7artisans 24mm 1.4. I really like the lens, are there any other 7artisans hidden gems?

I've never had a reason to research this, but I would assume someone makes an adapter for EF (or whatever) to Arri Standard mount. Use your favorite old lens and buy more film. Who knows you could be opening yourself up to a niche market that's very popular right now... the actual film look.

Even mushy 1080p from the t2i looks better than 8K/12k except for DR. The best tech from the past 5-10 years is IBIS. Any new full frame cameras have good 1080p raw without a crop?

@maxJ4380 love this shot. Nice color and sharpness. I like how you used the fence rails to add an even tighter window into the frame... especially with how busy the frame is... A window into chaos. It also looks like a frame right out of Yellowstone.

That would make sense. Why would Nikon buy Red, introduce RedCode Raw into a camera and trick everyone by using NRaw and calling it RedCode? Seems kinda pointless. I am no expert in coding, but wouldn't it make more sense that Nikon had to implement R3D into the "language" that communicates with their processors. So R3D was reconfigured slightly. Just a guess, but has anyone tried to rename the R3D files as NRaw... I would guess that it works.

You said you used auto exposure, so the lack of noise, in the "underexposed" image, is probably due to auto shutter and/or "native/base" iso.

Maybe NRaw from the Z6iii onwards is Redcode?

Or is Mackey playing Depp playing Mackey...

Double post... sorry.

I have been interested in Nikon for so long. My favorite lenses are vintage Nikkors, one of my favorite cameras was the D5500 and the Z9 and Z8 look like fantastic hybrid cameras but waaaay beyond my budget as a hobbyist narrative filmmaker. The Z6iii got me close and the Z5ii even closer... the ZR... I think I may be sold. And Cam Mackey doesn't love it... so... LOL. Just kidding Cam if you read this site.

I watched half of Mark Bone's video... I get it. Last week, I sold the final part to my old BMMCC rig... SmallHD Focus and I have no intentions of ever using an external monitor again. Honestly, I get annoyed with fully articulating LCDs... I use the camera strap method and when articulated, the image is blocked by the strap. That's why I love the GH6's LCD sled. Greatest design for a camera screen ever!