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  1. Part of a short movie I´m working. Hope you like it.
  2. I´m happy to see SLR is making ANA primes. ANAs is not cheap lens,3K for each one of these could be acceptable. This is the price around for Lomo square and always need collimate. About projector adapters,even ISCO...well...is other world,not bad,but other thing.
  3. I see, Very complex thing. Need perfect distance with rear attachment and prime to the front one or astigmatism comes as hell. There are other way: Fix the taking lens to the rear ANA and make a mechanism that the block move in-out of the camera. This is how anamorphic Lomo primes works. Still very complex because the taking lens only need move a few mm from the sensor (Lomo´s focus ring have a pin that make this little move to the spherical block), and the cylindrical rear lens need move too much. good luck
  4. I don´t understand. Can you explain it?
  5. You can do this: But you´ll need a kind of focus module to infinite focus to avoid heavy mump and vignette.
  6. Visual concept for future project: BMPCC,Lomo 35 Square front with 14mm and 50mm
  7. Hi, If someone want one: I found this one in Ebay. http://www.ebay.es/itm/Lomo-Anamorphic-Block-35-10-3-F-35-1-2-5-/191647965185?hash=item2c9f1be001&clk_rvr_id=878482198961&rmvSB=true I have the same one and I use it as adapter because I missing the focus mechanism of his prime. Perhaps is a good opportunity. Using this Lomo as adapter is the only one ANA x2 that can use very wide angle lens,from 28mm or 24mm to tele lens in APS or 4-perf 35mm film gate. Close focus to 1m. 90º focus ring turn from 1m to infinite. Panavision like flares. The ironic is that front ANA get better result with modern primes than his own spherical prime. THE ISSUE: double focus. (Until someone develop a focus module for this Lomo. if this happens,I´m done...no more anamorphic lens searching,a huge ANA set just with one adapter) Artifacts: Barrel distortion Chromatic aberration on the edges. (More noticeable using wide angle primes) very Mump effects very blue flares. .....Anamorfic...you know.
  8. Not much. It's more an "astuto" animation than a goog animation.
  9. this is cool ,man! Unfortunately we expend too much time talking about tools (pixels,lens,K's.....) and not so about storytelling.
  10. I´m a comic book artist,I did all this stuff just for fun. I´m not a CGI pro so my workflow is trial and error. Characters,motion tracking and animation done in Cinema 4D r16. Compositing in After effects and finished in FCPX. First thing I did is a 3D previs,then go to the location,filming all shots (was difficult by the fact of not to have reference when move the camera) The timing of the storytelling can ruined by this. Shot with Blackmagic Pocket,Lumix 20mm with Lomo square anamorphic as adapter. Yeah, Rudolf. Sound is important as the images to me. glad you like
  11. A little CGI short with Blackmagic Pocket and square front Lomo anamorphic as adapter.
  12. I don´t know about other people,but I would like to see a real,physical product and some test done by professional photographer before pay for this. If also I can suggest something for the design.. I think this modules should be black matte paint,dented ring for follow focus,distances scale feet and meters and 90º ring turn. Right now,the CGI looks like a toy.
  13. Hi, At this time just I see everything in CinemaScope. Would like to share some of my test and evolutions: With 550D and hypergonar 4 years ago: Bolex 16mm Kodak Vision 2 with the front part of a Lomo square front,3 years ago: Blackmagic Pocket with front part of Lomo square front:
  14. In flickr I have many anamorphic and Xpan photos: https://www.flickr.com/photos/29238162@N04/ My 2 cents.
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