ade towell

It's all subjective but I prefer the colour of my Fuji to my C100 particularly skin tones. If video is important the XT3 is a much better camera, true if full frame and AF are more important then get the Canon or buy a speedbooster and get full frame look for the Fuji. Can't full;y remember but hasn't the RP got terrible RS ,a big crop and no AF in 4k?

That sounds like a good deal. The XT3 is no slouch as a stills camera too. Maybe get the 18-55mm 2.8-4 and a prime or too within your budget, sell your m43 lenses and adapt your Nikon

For video definitely not

Yes this is my dilemma, would be pretty frustrating spending £4200 and not being able to trust the higher quality modes, don't see the point. If you're only shooting very short sequences fair enough but not for me

Your ignorance is overwhelming. And I thought you were a real DP the way you big yourself up in that hot air way of yours John Brawley uses BM cameras with Alexa all the time on real sets on big productions. Check out this recent thread for example on dvxuser, the guy is a fountain of knowledge http://www.dvxuser.com/V6/showthread.php?367345-John-Brawley-s-quot-The-Great-quot-on-Hulu&highlight=brawley

It's definitely going to give RED a run for its money. That you can film in so many different resolutions of BRAW is huge ,there's even 6k super 16 mode for documentary type stuff

But I love that they're thinking out of the box and giving something new, why create what every body else is

I said it in the other thread which is now getting a bit fractious but I think they're going for RED's market

Yes I think the hi res BRAW in this camera is going to be much more useful and workable than the huge 8k RAW of the overheating R5. The beauty of being able to shoot at different resolutions in BRAW is genius

apparently it edits very smoothly on 2017 laptops

https://vimeo.com/436209544 RS figures sound amazing, JB says RS is 15ms at 12k and 6ms at 8K.

I think they're going for RED's market more than anything

I guess it's all subjective but I prefer the image quality of the BM Ursa to the Sony and Canon, it's all the other usability stuff where the Japanese companies excel. That it can do 4k 6k 8k 12k Raw opens up all kinds of possibilities

JB has said it's not a Bayer sensor and did 12k edit and colour on 2017 laptop

Ah ok thanks for that. Other than the overheating which is well documented the RS and IBIS are the next things that need testing properly, I've seen some weirdness with the IBIS in some footage so this would need proper investigation

The slow mo does look very nice. I thought Clog2 had the high dynamic range, what benefits are Clog3 over standard Clog?

Apologies if this comes across a bit harsh Mr Super 8 but your ridiculous obsession with the gh5 and blaiming of BM cameras on other threads due to your own lack of knowledge, do you no favours I'm afraid. I don't think I've acome across anyone who consistently talks as much nonsense as you. Other than maybe your lovely President. Still can't tell if its intentional trolling or you actually believe what you are saying. Kind of hope it's the former for your own sake

Sorry to sound like a stuck record but the micro hdmi makes using an external recorder an absolute no in my book. Even with a Smallrig cage and hdmi cable lock and being as careful as possible mine has broken on X-T3. I was only using it for monitoring purposes and could handle it cutting out now and again until it finally died, but if I was relying on the recording it is just not fit for purpose. They are the devils work. Why are Panasonic the only company who seem to realise this and use full size hdmi I would worry about that as much as the overheating. Too stressful

Good luck with that micro hdmi connection

With proper IR filter the BM cameras produce wonderful colour. You should do your research and hire crew that know what they're doing

You don't half talk some bollocks

It is so well documented that BM cameras need IR filter I find it hard to believe any person working in the industry is not aware of this. It is down to you to hire crew who know what they are doing if you haven't a clue yourself

Canon's way has always been to release reliable solid cameras. What is this camera you speak of, are you guessing or is it being worked on now?

I'm not accusing Canon of being lazy I just want them to release a product I can rely on to get me through a day of filming. Instead of trying to overtake everybody else with something unreliable why not just play catch up 1st and give us something with solid 4k 10 bit that will work in every mode, and let their AF and nice colour do the talking to the zillions of Canon lens owners who will buy whatever they release anyway I hope as you say this isn't the new norm with cameras overheating as they all try and out do each other. That would suck

It is indeed subjective and that's cool, and I won't bore you with all the reasons the SH1 is a better video camera to me. I just find it interesting that all Canon fans seem to be OK about these limitations and don't see an issue with overheating in cameras being released at these prices in 2020. Instead they seek to justify it or cherry pick all the other stuff I still have a Canon camera and lenses but don't feel the need to defend them when they release cameras that can't be relied upon in many working environments, which I have to say is something I never thought they would do. They used to be so reassuringly conservative. I congratulate them on finally stepping up and pushing the tech, but they should have made the camera body able to cope with it. Not give excuses