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Everything posted by jpfilmz

  1. jpfilmz

    Race to the bottom

    Im not sure many here actually shoot many weddings. In my market its laughable to think robots and fixed security cams can match what I can do with other humans. Today or anytime soon in the wedding video market.
  2. jpfilmz

    Race to the bottom

    It's going to take alot more than a fixed camera in the sky to accomplish what I described. Further more wedding venues like this will never install cameras around the property. https://www.annesdalemansion.com/
  3. jpfilmz

    Race to the bottom

    I'm not worried about automation at all. For AI to displace me it would need to be able to hold a camera and follow a bride and groom around on foot through different environments (indoors, outdoors, hotel to venue, up elevators, rooftops patios, etc) from the start of the day through the ceremony through the reception. Fixed cameras in the ceiling in one venue will never be able to do that nor will they be able to track or cut to different subjects (brides maids, grooms man, family) with any level of confidence. Ai won't know what's important to focus on if something impromptu happens. Being able to read human cultural nuances like an actual human and respond with emotion intelligence to choose a particular shot/subject focus is not something Ai will be able to do anytime soon.
  4. jpfilmz

    Race to the bottom

    Yes, it will be quite sometime before a robot can move about places with a camera as a floating shooter getting shots and tracking a subject in a dynamic enivornment like a wedding. Way to many variables.
  5. I've been really wondering lately.....where exactly is all this 4k/8k high resolution stuff supposed to be consumed? Seriously there are not many places at all for it. With mobile taking over everything thing I'm starting to feel we are wasting time chasing higher resolutions. YouTube (bitrate compressed 4k) - 70% viewers are mobile - Mobile only supports 1080 - 4k+ only on desktops(30%) Vimeo Pro (bitrate compressed 4k) - Supports 4K through upgraded service option - 4k only on desktop - Mobile HD only Facebook - 90% of Facebook’s daily active users access it via mobile - 1080p only on desktop - Mobile HD only Instagram - 100% mobile - Supports 1080 uploads - Mobile HD only Amazon Prime (bitrate compressed 4k) - 4k for original content only - Non originals/indies limited to 1080 uploads - Mobile HD only Netflix (bitrate compressed 4k) - 70% viewers on TV - Supports 4K through upgraded service option - Very slim chance of getting your content here Hulu - Removed 4k content last June Theatrical - 2k DCP Direct Digital File from computer via hdmi connecting (Non bitrate compressed 4k) - 4K Projector - 4k/8k TV Ultra HD blurry disc writer - N/A for consumer purchase
  6. It still produces a great image. Below is RAW 12bit upscaled to 4k in davinchi resolve.
  7. A reference for anyone looking sharpness and clarity. C100 MKII 4K upscale filmed at 60fps exported to 24fps in davinchi resolve. EOS Standard Profile with the Canon 70-200mm f2.8 II I was quite surprised at how good the footage turned out. Very action cinematic to me. It looks even better when in slowmo.
  8. A reference for anyone looking. C100 MKII 4K upscale filmed at 60fps exported to 24fps in davinchi resolve. EOS Standard Profile. I was quite surprised at how good the footage turned out. Very action cinematic to me. It looks even better when in slowmo.
  9. This sort of already exist for Amazon Prime. You can be on mobile and in every household living room that has a SmartTV or that has xfinity cable service as they have partnered with Amazon Prime. Apple wisely is not allowing an itunes app on samsung TV.
  10. jpfilmz

    C200 vs C100 MKII

    I agree. I think the C200 is grossly overpriced. Im don't see $4000 of image improvement between the 2 cameras. The C200 should be priced around $3499 and the C100MK down to $1499. Im curious now how the 10bit 4k image from the EOS R compares with the C200 image in raw.
  11. Has anyone see this? Are the images really this close if you upscale the C100 to 4K? Canon C200 vs C100 Mk II - Internal Slow Motion Recording Modes explained
  12. on the 5D3 MK3 1080 Raw is stable and doesnt over hear the camera.
  13. The part about not holding back on features might be believable but.....Magic Lantern RAW.
  14. The Vimeo facebook page is getting ugly with the comments. People are PISSED about this DMCAgate. Im NOT renewing my Pro account there for 2019.
  15. Indeed, I received this same message today. I'm migrating everything to YouTube for now until another platform emerges. I'm on my 2nd strike and really received NO warning smh.
  16. Agreed...This thread has descended into complaining and cry baby whining.
  17. It the UMP really this soft compared to the C200?
  18. This is insane. I can edit and playback the 4.6k braw files smoothly on my 2018 macbook pro.
  19. Wow. If they stablize this for 3.5k raw or 4k raw it will be a KILLER coveted image. Im definately watching this closely.
  20. I like the image i'm seeing from this camera. I'm picking up the Pocket 4k for any film related task and adding this to my Canon camera line (C100MK2, XC10, & 5DMK3) up for event relate task. In mixed lighting the HD is a good match for my C100. Much better than the 5DMK3 sans magic lantern raw. For event work the auto focus for me is just critical. Running and gunning trying to keep subjects in focus using the follow focusing method with your hand sucks. I'm sick and tired of that for events but for film I can still tolerate. I'll probably retire the 5DMK3 to photo only task.
  21. I agree with this assessment and I'll be most likely adding the EOS R to my camera kit.
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