Emanuel

Not perfect, but actually good news here:
http://www.dvxuser.com/V6/showthread.php?339161-Newsshooter-Sony-A7RII-overheats-and-shutdown-after-recording-4K-for-a-while&p=1986567078&viewfull=1#post1986567078
 
"Follow up
And I apologize if I posted this already I've been very busy. I tested this again multiple times last night but instead of triggering recording on the camera I triggered recording on the shogun. And the result was that I could record continuously until one of the batteries ran out, usually the cameras, sometimes the shoguns. At most I got about an hour and a half with no overhear warnings; when it shut down is because the battery was exhausted ( as per the message on the screen). I did not test on external power. If I triggered the recording in the camera, making sure that internal recording was off, it would overheat in 30 minutes. I don't know what's going on here and have passed my thoughts to Atomos. My theory is that processing is kicking in when you click record even though it's not dumping to the card but if you just let it roll without hitting the record button on the camera you get the output right from the sensor. I tested the same theory with the RX 100 Mark four. I got the same result. That camera records for less than five minutes before overheating if you record it on camera but if you just roll from The HDMI you can get an hour out of it before the battery dies. Again, with no overheating. Weird."

https://www.photigy.com/sony-rx10-ii-first-impressions-review/

Thanks Andrew for the info - it's really crazy, the camera has so many great and logical aspects, but Sony still finds a way to make things complicated.  This limitation means i can either have a proper magnification mode for video and can only shoot 36MP photos, or i have a limited magnification and can shoot the full 42MP photos.  Or i have the best photo resolution and the best magnification, but can't frame right before recording a video!    To make things more difficult, Sony wants us to buy several functions like the timelapse mode from their playmemories store which right now offers ca. 30 apps that could be installed on the camera.  I would understand that for special applications, but not basics like a timelapse in a 3500 euro camera.  At least among these 30 apps there are ca. 5-10 usefull tools that the competitor brands don't have, and some are free as well.  It's just pain in the ass to install and manage.
All in all the A7R2 feels as if i suddenly have the power of a second 1DC, GH4 and D800/5DsR available.  Just if i could choose, for each specialized purpose i would still prefer to use the Canon, Pansonic or Nikon cameras.  In cases where i only can bring one camera or i need the special strength of for example a second 1DC, the A7R2 now is a great choice.  For each user who only has a 5D3, D800 etc, the camera also is a new great alternative.  
In general the camera doesnt offer better 4k video or phot images than the 2012 technology of a D800 or 1DC.  It's a bit sad, because aside from a stop more in highlights, even the new Red Weapon doesnt seem to offer a different image compared to the 2011 Red Epic MX.  Aside from 1-2 stops more in dynamic range, the C300 II probably also doesnt deliver a better image than the 1DC.  This means that until the year 2018 we can be stuck with the same image quality options that we had 6 years ago.  At some point technology does come to an end, which is seen in the audio world, where certain speaker / microphone standards have not been topped since 20-40 years. 
Sony has a really nice 50 megapixel sensor that's above what's in the A7R2 and right now built in the Pentax 645z and a Hasselblad and a Phase One.  Unfortunately that only works with medium format and will have sensor cooling issues as well.  Above that Phase One offers an 80 megapixel sensor, which is only usable until ISO 400(!).  I guess the next 2-3 years will be about making existing technologies cheaper, products smaller, and combining more features.  But the image quality has reached a certain limit.

From same original poster/shooter:
 
 

Branding!  It's all about getting people familiar and comfortable with the name brand.  Look how it's worked out for Nikon and Canon.  

Because if they don't do it somebody else will

A free non-linear editor that will be good enough to do a lot of work - and a great organizational tool like Resolve futher makes me think this is going to be a game-changer again.  Why put all this stuff out for free?
 
I have no clue - guess it gets more people to like Blackmagic.

Thanks Emanuel. 
Youtube 4k version:
http://youtu.be/0o6olPXUcNU
blog post:
http://www.alexpasquini.com/blog/2015/8/5/sony-a7rii-from-canon-to-sony-day-4
 

While we are waiting for the second part of Andrew's review... ;-)
 

@ajay I think you misread my statement! :-) AF performance in video mode with native glass is very good and it's much improved compared to the a7S both in terms of speed and functionality (now you can choose the tracking sensitivity and speed for instance)
My issue was with the adapted canon lens which is not quite as fast in video mode and struggled at longer focal length, hope this clarifies your concern! :-)
@Emanuel I read about the overheating issues Dan encountered, I haven't had any issues so far but i generally never record for more than 5-10 mins continuously so i can't say is not happening.. I will do a test and get back to you on this! :-)

Agree.
The URSA Mini should be compared to the FS7, C300 Mk II and RED Scarlet Dragon, if anything. 

Hello!
I haven't slept much last night but here it is, the α7R II low light test! (i also posted my initial thoughts at the beginning but feel free to skip to the test if you get bored!) 
The results are very surprising, whereas during the day i couldn't really spot a difference in quality between the FF and S35 modes things are completely different when the lights go down: the S35 mode is vastly superior to the Full Frame, they are not even in the same league! I don't know if that is only the result of the better readout from the sensor in S35 or there is some noise reduction wizardry happening in real time but the output from the S35 mode is way cleaner.
And not only the S35 mode is cleaner, we're actually talking about α7S levels of performance!  (at least up to ISO 25,600 which is the maximum for the α7R II)
don't believe that? I included a low light shootout with the Queen of the night itself!
In the end i decided not to include the 1080 samples because they're quite bad, way worse then the both the 4K modes so it's definitely better to downscale when a 1080 output is required.
What else to say.. i'm very impressed.. this camera keeps getting better and better by the minute!! 
Today i'm gonna shoot some real word run and gun footage to see how the Steady Shot performs and how is the footage when graded, needless to say i have very high expectations now!
Thanks for watching!
ps. i just noticed how badly YouTube compression affects the video so I uploaded a better version here if you want to have a better look!
http://we.tl/XBCZm1NsgK
 
 
 

The first time I ever recognized aliasing was after reviewing footage from a shoot in the woods. It was fall/winter so the trees were bare and the branches were aliasing heavily. To be fair, we were shooting 720p60 on footage on the 6D, so there probably would have been aliasing on a white wall, but it can happen out in nature. Still, it's a lot less likely than when you're surrounded by power lines and brick walls. 

Not sure if you've seen this or not but users have posted detailed comparisons. I would definitely get one b/c the pocket seems useless on alot of shots with the moire and aliasing.
http://www.bmcuser.com/showthread.php?14481-I-am-done-with-the-pocket&p=173788&viewfull=1#post173788

Trying out the 100/120 fps in real life, shots I'm interested in. Trying to find weakness in the image like aliasing etc.
Very impressed so far:

Nice latitude. Looking forward to seeing some human faces.

Hello everybody!
Today I recorded a number of test scenes trying to cover as many of the video modes as possible (i've checked the different pictures profiles both in FF and S35 mode as well as the various 1080p speeds all the way up to 120fps).
I'm gonna try to put together a video tonight (there's a lot of material!) but for now i've uploaded two clips straight off the card for you guys to check, both 4K, same scene, one is in FF mode and the other one in S35.
Settings as follows:
- Slog2/Sgamut (detail -7)
- ISO800 (minimum iso for Slog2 on the a7rII)
- WB Cloudy
- Sony/Zeiss FE4/16-35 @ 24mm/f8

ps. ignore the file date, i just realised i set the camera clock two days behind!!
here's the link to download the clips: http://we.tl/xNEDXe3WId
 
First impressions are generally positive: the camera feels very well in the hand (massive improvement over the a7s design) everything went smoothly, (although the software feels just a tiny bit slower than on the a7s but it's the first revision so it still might need to be polished a bit) the camera gets quite a bit warm during 4k recording but didn't have any problems (to be honest London is quite chilly at the moment which may helps!) :-) 
Power consumption seems on par with the a7s, the EVF is wonderfully massive and bright, not a big fan of the new locking mode dial (you have to keep the centre button pressed to be able to turn it, i prefer the GH4 design where the dial can be left lock or unlocked)
In order to record 4K video you need a UHS Speed Class 3 SD card otherwise you get a warning on the LCD. (i've used a Transcend W95/R60 64gb and it recorded perfectly)
Last but certainly not least it is finally possible to assign the movie record to a custom button of your choice, REJOICE!!! :-)
Thanks for reading, have a good evening everybody!
 
 

Plenty of stuff to cover indeed but I'll do my best to put together a thorough and informative review guys! For now I uploaded a short unboxing video on my blog page... now I better charge the batteries and catch some sleep, tomorrow is gonna be a busy day! :-)
 
 

Full frame vs APS-C mode.
High ISO.
Rolling shutter.
Color rendering in all available color matrices.
Resolution.
Over/under exposure test. See how the sensor/codec responds to bringing up underexposed footage and bringing down overexposed footage. 

Highlight/shadow rolloff. See how the camera renders a normally exposed scene with one or two very dark shadows and another with one or two bright highlights.
 

Awesome! Rolling shutter test, rolling shutter test, rolling shutter test...
EDIT: Moire and aliasing too. Thanks!

I will be refreshing your website frequently! 

Awesome! Here's to hoping it blows us all away!