ntblowz

says 404, guess they deleted it, but luckily google cache have them
EF-RF Canon speedbooster will be released at same time, C70 can do 4K120P with Audio and PDAF! 10 Stop ND filter system
 
 

My 12K URSA arrives in two days and I’m beyond stoked to play with this thing. Honestly it has a lot hype to live up to (for me personally)

So UK got S5 body already.. first in the world?  The kit lens will be shipped next month ughh.
 
How many S5 owner here going for Anamorphics?  I had my ISCO ready!  Gonna miss the 6K anamorphic from the GH5 though.
 
 
 

So UK got S5 body already.. first in the world?  The kit lens will be shipped next month ughh.
 
How many S5 owner here going for Anamorphics?  I had my ISCO ready!  Gonna miss the 6K anamorphic from the GH5 though.
 
 
 

I m definitely keen on EVA-2 with L mount and similar size as those RF cinema cam. If they can push the 24MP more i be really keen too as I think it is the sweet spot.

Rumored price is $6299,  dont think it will cost $4500 when C300III still cost over $10K
The one with C200 sensor will cost $3499 though
 
It should have rear screen, that for right is the mechanic for filppy screen

What is the exposing to the right, by so many stops supposed to imply? 
The A7siii has such strong NR algorithms that the image looks 1080p at best, or 720p. 
 
 

I think Sony is quite aggressive with NR on a7S III, wonder is 12MP just too low res?
 
Panasonic really tweaked their 24MP really well, at expense of no PDAF on the sensor.

Interesting test about the R5/R6/A7SIII/S5 dynamic range ...
https://www.slashcam.de/artikel/Test/Der-Dynamikumfang-von-Canon-EOS-R5---R6--Panasonic-S5-und-Sony-A7SIII-im-Vergleich--Erkenntnisse---Fazit.html#Fazit
 

S1H also have crop when shooting 4k60P.
 

Interesting that BM fanboys got triggered after I post this on the Panasonic S1 group, something to do with guy not setting up BM camera correctly or something.
 
Fanboys 🤨

Hmm still no WB and ISO adjustment for a7S3's prores RAW

S1H also have crop when shooting 4k60P.
 

Late to the conversation here and haven't read all the replies.
I moved from my crop-sensor a6500 to a full frame Panasonic S1 for the better low light ability / increased dynamic range, and for the 10-bit 4:2:2 codec.
But that is because I shoot real estate and have to deal with ambient lighting. When shooting real estate videos, there often isn't time (or a budget) to set up lighting. So I often have a COUPLE of shots per video which are at the ISO 1600 to 3200 range.
Other times I am dealing with extreme levels of dynamic range.
The S1 does pretty well in these situations. Far better than the a6500.

Yes,...if the S1H did have phase detect AF, it WOULD be flawless. Too dangerous and that us why it won't ever have PDAF.
The camera industry has a "pizza pie" of customers. They work together to divide the customer revenue so that each company has a "group" to live off of. Panasonic has its crowd, Sony has its people, Cannot and Fuji and Oly each have their own customers...for carefully calculated reasons.
The Japaneese camera industry is an important one for the country of Japan. Its almost a "national pride" issue. They cherish it and the Japanese companies want each company to succeed or at least survive as a matter of pride and respect for each other. Each company will spar with each other, yes!...but always see that each refuses to deliver a true "knockout" blow to the other. Ot just won't ever happen.
This is why every camera will be crippled in some way to save the Japaneese "brotherhood" from being destroyed.
Everybody is given a bowling lane to operate and survive in. The camera crippling we have all seen in the past 20+ years is no accident. Its mostly designed to preserve the health of the Japaneese camera industry as a whole.
Believe it or not....but Sony doesn't want Cannot to die. Cannot doesnt want Lumix to die...etc. They are each valuable to the country they all love.

I love the rich colors that you can get with prores raw. S1H + ProRes RAW is a super combo !

On the UK Sony site the small print is:
"The α7C is the smallest and lightest full-frame digital interchangeable-lens camera with optical in-body image stabilisation"
A weird confusion going on in the heads of marketing people there of optical IS and mechanical IBIS.

From the people who brought you the blockbuster A7SIII. This fall, the A7III is back! But smaller. Not mightier! Just smaller. And flippy. Not floppy. Sell a kidney. Buy tickets now. Sponsored by Squarespace. 

When the Sony A7 III was released it allegedly damaged the appeal of more expensive $3000 mirrorless cameras, not least of all Sony's own. In my opinion the electronics giant is now doing the same to affordable APS-C rangefinder-style mirrorless cameras, effectively ending their own APS-C line as well - an even more destructive move than last time.
I am minded of the Nikkei Asian Review in July. "Smartphones are not the only reason [for the camera industry's decline]... Japanese industry, which has a penchant for competing against its own products, can also blame itself."
The article goes on to quote Hiroshi Hamada (ex-CEO of Hoya / Pentax): "Digital camera companies intend to strangle their rivals through excessive competition, but in the end they'll strangle themselves"
https://www.eoshd.com/opinion/opinion-why-the-sony-a7c-harms-the-camera-industry/

Basically A7SIII sensor on to Cine camera? I be keen too!
 
They really need to move stuff to L mount faster to make some momentum going

Interesting, I saw another video compare c200 RAW and Komodo, the c200 also retain highlight better than Red, but shadow area Komodo hold better.

420 8bit, old style menu system, WTF are they thinking to charge $2000 on it?

At 8:50 of this video posted today the GH5 successor is specifically mentioned to be in development.  
 
 

I can't compare it directly to the P4K as I don't regularly shoot with one. But it compares quite well with the P6K and the Alexa. As I said elsewhere the P6K has 1.3 stops more range in the highlights at IOS800 when highlight recovery is enabled. But the Komodo has nicer finer grained noise with no CMOS smear.
I'm getting pretty much the same image from both. The P6K requires a Rawlite OLPF filter though.
Usability wise the P6K is maybe a bit nicer. So much quicker to shoot with assignable buttons, 2 sec startup time.