ntblowz

24-105 7.1 + r6 is quite light comparatively speaking (other RF lens they provide is quite heavy), around same weight as gh5 + 12-35mm 2.8 Much fatter than 70-200mm 2.8, 28-70 weight is 1.43kg while 70-200 is 1.07kg, you can feel the mass of 28-70mm after trying out the 70-200.

Had a play at local camera store where they have R5/R6 to play The guy said R5 is the final production while their R6 is still pre-production one My u3 card last 4 seconds on 8kIBP, on 4k50p ibp it is fine , guess u really need UHS-II for All-I or 8K IBP. Auto focus is really good, can detect person's eye against the light (window) even though the person is really dark on the camera IBIS on the 85 DS is much more smoother than the A7R4 we had with us. I can definitely fake a few gimbal/slider shot with the R5/R6 vs with my R. R6 with the 24-105 7.1 focus quite fast inside the shop at 7.1 aperture. And after playing with 28-70 i m never gonna get this lens at all, it is just too heavy and big. The 70-200 2.8 RF is surprisingly light on the other hand.

Btw in taiwan u get free Leica 15 1.7 if u preorder the g100 and posted on IG/blog That literally make the camera half price!

From people who worked on Life of Pi they need 12-16k resolution for background

But judge rule in favour of Red anyway when Apple bought up the case last year, and Apple have the best lawyers you know?

Glad i m not alone on this.

only 4 more K to go ... guess you are safe for a while 🤣

if @BTM_Pix could announce his ToF AF addon announce in similar time frame that would be the killer combo

Dont forget Nikon also announcing this month too! Or a Z-cam look-alike like Red do with Komodo?

Play around with the footage.. like super slideshow.. Anyway i just put default Alexa lut and look good already.

Just saw it on my feed

And shot on a 50mm Contax Planar lens! That hearsay too! 😛

So much better than RED Komodo's 120fps.. that one is a shocker. Now bring on the low bit rate for 4K120p

Didnt realise premiere use clog2 as default on raw file, I have to change to clog3 on master for correct profile. Here is the corrected one on testing RAW. https://youtu.be/hmBu27GrYCo

c200's DCI4K50P CRM play smoothly with the latest 2020 premiere on i7-9700k, 32gb, 2tb ssd and rtx 2070 Here is me testing C200 RAW, just got cfast 2.0 card recently (waiting for ages on acceptable priced used cfast card)

Yeah that review is completely false! I just tested again with no filter on the adapter and AF is working fine.

R6 on 4K cropped could do unlimited as that will be either 1:1 or slight upscaling like the M50 in 4k, just need people to test that mode.

R5 can do unlimited 4K30P under 32C at out door full sun no problem as tested by another R5 tester in the other r5 thread ( there is too many r5/r6 threads to go through) R6 can probably do unlimited 4K30p on crop mode as no oversampling on that, but that will have to be tested

it doesn't disable AF when there is no filter in, i use it a few times with open hole when it is too dark.. but later found dust on the senor ugh. current budget solution is have tape with me to seal it lol.

Wonder will they do 4K RAW like Sigma has? That will be a lot more useful.

guess the only way will be using something like Shure VP83F that have build in recording function or zoom h1 to record audio separately and match in post

So from that dslr video shooter video, the Slog look much more nicer than slog2 on modern Sony? WTF?

https://www.bhphotovideo.com/c/product/1434115-REG/canon_3444c001_drop_in_clear_filter_a.html Seriously just a cover will do, dont need clear filter in the rear.. wonder if 3rd party gonna make one?

From that video R5's full metal body give it slightly better cooling than R6 it seems.

Quite a few QA from this R5 tester in the comment https://www.youtube.com/watch?v=daRS7gTEWJI So it can shoot forever on 4K30P