Danyyyel

But if you hear Gerald, the Nikon is Shit, and the Canon will find a place as a Cine camera. The man cannot stop dunking on Nikon. Last week was, how come Nikon put cinema on this camera with its micro Hdmi... This week it is, but Dop and First AC have told me they prefer no IBIS. As if 99% of the people using the C50 will be on movie set. And not as one man band doing weddings, corporate events, social media content creation and some smaller advertising, and occasionally on some short movies. Same, for the ZR. No one expect it to be a cinema camera and replacing the RED raptor or Arri Alexa on most sets. The Ibis is 10x more important on such a camera than a micro hdmi that you can lock with a cage, and the camera itself coming with a big screen.

I will never understand this thinking when someone likes photography or videography. Today the only true thing they are changing in phones is the camera. My 2 years old Samsung will handle all my social media or call perfectly. Why not invest in a camera and lens, that will be their for the next decade, rather than buy a new phone every 2 3 years for 1000 USD and more, that will sorry to say, never match a FF camera.

Man, by his and your standard the Arri Alexa, Red Raptor and more importantly Film cameras are not cine cameras. On big set I have worked (Netflix) I was more of a set photographer, and if you had to see the level of complexity to set up those cameras, you would not believe how hard it is. You normally have two to 3 people on each cameras. For example I see many people saying this camera is not a cine camera because it records on one card . Guess what, even the most advanced RaptorX used in latest Hollywood Block busters Superman and Tron, u se only one card. And lets not even talk about Film cameras.

I think half of the people here, think football is that sport played 99% with the hands LOL

I think Megadap wil be the worst nightmare of Sony. They are so fed-up waiting for some true update like an FX3ii, and they felt insulted by the FX2, which is a nighmare. Now even if the make an FX3ii they will sell it for twice the ZR, or lets say 1.5x, and who will buy the Fx2 nowadays, a camera 500USD pricier than the ZR.

I would beg Nikon yo do a liter version of the REDraw. Many will soon discover, that they can't shoot in it because it is too heavy, and literally not use the camera for what they bought it for. It is easy from some of the youtubers to film an hour of content to show in their 10 20 minute review. But it is not the same when you are filming for 1 2 hours on a five day project. I don't know REDraw size, but from some people who have used it, the datarate on the ZR is very high.

People here would have dreamed about this camera just two years ago. People were crying for 10 bit and log like 5 years ago, and some people filmed movies with the Gh2 or Canon 5D. I am not saying this camera doesn't have flaws. But saying this is a camera for content creation when you have multiple Raw formats, and one color science that was only available to cameras costing 7k, but more precisely 10 k when you add the accessories in the apsc red komodo, and about 15-20k in full frame. In fact you can film a movie with this. I am sad it did not happen 10-20 years ago, or I was not 10-20 years younger, thinking about this I prefer the later... Oh shit, looking how the world is going, I prefer the former. LOL

The guy problem is that it is written cinema on this. So either you can film a hollywood movie with it, or it is shit. Someone should give him a film camera to see how many functionality their is, and hold and behold perhaps he might see something call grain. I mean I have been using Nikon since the z6, a Nikon files have been extremely robust. I got my Z9 3.5 years ago. At first I didn't even touch the 10 bit h265. Then I just used it just like that for some personal things, and nowadays I only use the RAW format when I want the absolute best. He just look at 400% at the files, he knows nothing about grading etc.

My guess, they didn't want to kill their RED brand. It would also have cost minimum, 5000+ USD to 10 000 USD, and not many Nikon shooters could have afforded this. I would have liked a bit better spec even with a more costly body. But in the end, this will be found in a lot of Nikon shooter camera bag, as a secondary or third body for professional. And it would become their primary body for video. For photographers, 5000 USD is already flagship level camera bodies. This is also the ultimate content creator camera, people might not care or even despise it, but it is a big market. Nikon has loss so much market share, and more importantly in the younger demographic, that it might revive a new generation of shooters for the company. It is a bit of a jack of all trade, from someone who would just pick the camera and either film himself or do some content filming some dancers or skaters. To someone rigging it and going to shoot a doc or a short film.

Where did you get these. In the gerald Undone test, the DR imatest test, it around the 12.5, which is about the good/middle ground.

Yep, Nikon sells like 700 000 cameras, and my guess RED only a few thousands at best. The economies of scale are enormous when you think the Expeed 7 processor is used in nearly all their models.

Man, his review was a bit of a preview with very little detail. No hating because he had very little time, but comparing images in full sunny day and cloudy day is not very conclusive. For example, we know that they have a new hotshoe that seems to have an audio link.

More or less, that's it. Perhaps also, to be able to shoot Open Gate.

They just don't want to alienate their customers. The people or rental companies that bought 30 000 to 40 000 USD camera and system, will be pissed if their investment is gone in days. They are already offering Canon to Nikon Z mount swapping, and my guess it will take at least 5 years or a total change.

I think with the CFexpress card and many raw format in including it seems REdcode, it is no more a youtube camera, which I also thought before with the SD/MicroSd card rumor's. If they do what Panasonic did with the same sensor as the S1ii, we could get a very good camera. I sincerely hope did the later, as it would 1 to 1.5 stop of exposure latitude than for example the Canon C50.