Browsing: specs

Panasonic need to copy Canon’s approach with regard regional standards and go global. Clearly this is a decision from high up and not an engineering lead one. I’ve been told by a source close to Panasonic that the final (non-prototype) PAL camera does indeed lack 25p and only has 24p. That confirms what we already suspected.

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Above – the Panasonic GH2, the speed demon! Image source (actual GH2) – 43rumors.com First as always, 43rumors.com today had the scoop on the Panasonic GH2 specs ahead of it’s official unveiling at Photokina on the 21st September. Visually, it looks like a G2 with a better hand grip and ‘FullHD’ logo. Inside, things are more innovative. Panasonic’s new camera appears to focus on speed.

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EOSHD’s first take on the D7000 is mostly promising, plus footage from Chase Jarvis. Update #1: Nikon have now made the camera body (and kit) available for pre-orders at B&H Photo Video Chase Jarvis (Nikon’s very own Vincent LaForet) has had a pre-release D7000 for a while now and he’s shot some spectacular videos (below), the very first to be shot with the D7000 as it happens. Stay watching to…

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Panasonic have unveiled the AG-AF101 in Europe at the IBC. This is the major first step-up image quality wise from the current video DSLRs we have seen since the original benchmark set by the 5D Mark II in 2008. For the first time we have a large sensor CMOS chip combined with the image processing hardware and functionality to back it up.

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Please take this as a rumour because I have no idea whether it is a prank, or whether it is the genuine item! Today I received an email containing photos, which the sender claimed were of the GH2’s new 18MP sensor. The photos were sent to me from a source claiming to be at a factory (although he would not say whether it was in China or Japan) and look…

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Image from The Editman’s excellent blog The Canon 5D Mark II, 7D, 550D, 60D, Panasonic GH1, Sony A55, NEX VG10, AF100 and more cameras are included in our buyer’s guide and introduction to the world of DSLR video. Reviews have to be divided up and aimed at different kinds of people. It is no longer enough to give a score to a camera out of 100 and make blanket statements…

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